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Credit Line Yale Center for British Art, Paul Mellon Collection

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George Morland St. James's Park
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Richard Parkes Bonington Le Silence Favorable
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
Francis Wheatley Donnybrook Fair
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
Frank W. Warwick Topham Coastal Landscape
Frank W. Warwick Topham, 1838–1924
Coastal Landscape
undated
Francis Wheatley St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
John Doyle ('H.B.') Poking the Old Lion
Print made by John Doyle ('H.B.'), 1797–1868
Poking the Old Lion
1847
John Young The Flower Girl
John Young, 1755–1825
The Flower Girl
1785
John Young The Water Cress Girl
Print made by John Young, 1755–1825
The Water Cress Girl
1785
Joseph Samuel Alpenny Two Travellers Watering Three Horses
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Francesco Bartolozzi February
Print made by Francesco Bartolozzi, 1728–1815
February
1793