One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
5
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
6
James Seymour, 1702–1752
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
7
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
8
James Seymour, 1702–1752
Sketches of a Gelding
undated
9
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
10
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
11
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
12
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
13
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
14
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
15
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
16
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
17
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
18
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
19
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
20
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
undated
21
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
22
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
undated
23
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
24
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
25
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
26
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
27
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
28
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
29
James Seymour, 1702–1752
A Hound with head up
undated
30
James Seymour, 1702–1752
Studies of Stags' Heads
undated
31
James Seymour, 1702–1752
A Horse Lying Down
undated
32
James Seymour, 1702–1752
Horse Walking to Left
undated
33
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
34
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
35
James Seymour, 1702–1752
A Hound Facing Left
undated
36
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
37
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
38
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Famous Horse Old Partner
1755
39
Print made by Richard Houston, ca. 1721–1775
The Portrature of Sedbury
1755
40
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bay Bolton
1756
41
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bald Charlotte
1756
42
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Lamprey
1755
43
Print made by Richard Houston, ca. 1721–1775
Childers, the Fleetest Horse that Ever Run at Newmarket
1755
44
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc