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Credit Line Yale Center for British Art, Paul Mellon Collection

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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Subject Terms trees

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Search Results

John Constable Study of a Cloudy Sky
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
George Stubbs A Lion Attacking a Horse
George Stubbs, 1724–1806
A Lion Attacking a Horse
1762
Not on view
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
John Linnell The Rest on the Flight into Egypt
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer Ancient Trees, Lullingstone Park
Samuel Palmer, 1805–1881
Ancient Trees, Lullingstone Park
1828
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
John Robert Cozens The Lake of Albano and Castel Gandolfo
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785