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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySubject Terms gown
Remove constraint Subject Terms: gownSearch Results
1
- The Rev. Thomas Gisborne and Mary Gisborne (née Babington), of Yoxall Lodge, Staffordshire
- 1786
- Not on view
2
- Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon
- 1785
- Not on view
3
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
4
- The Wandering Sailor
- ca. 1798
- Not on view
5
- Family Group
- between 1774 and 1780
- Not on view
6
- Arabella Pershall, Lady Glenorchy
- 1740
- Not on view
7
- Night the Third. Narcissa; Title Page
- ca. 1797
8
- Holy Thursday (Plate 38)
- 1794
9
- The Little Boy Lost (Plate 16)
- 1789
10
- Urizen (Plate 21)
- 1794
11
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
12
- Night the First. On Life, Death and Immortality; Title Page
- 1797
13
- A Welch Bard (Design 53)
- between 1797 and 1798
14
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
15
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
16
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
17
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
18
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
19
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
20
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
21
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
22
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
23
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
24
- Night the Third. Narcissa; Title Page
- 1797
25
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
26
- The Little Boy Lost (Plate 20)
- 1789
27
- Mrs. Sophia (née Heywood) Musters as Hebe
- 1785
28
- Portrait of a Lady
- 1783
29
- Lady Pointing with a Stick
- 1782
30
- A Modern Spread Eagle
- 1782
31
- Domestick Employment Ironing
- ca. 1769
32
- Lady's Maid Soaping Linen
- 1769
33
- The Pretty Maid with Her Apron Before the Candle
- 1770
34
- The Gate at Blenheim
- 1787
35
- Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
- undated
36
- Brighton Town and Church
- ca. 1780
37
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
38
- The Barbadoes Mulatto Girl
- 1779
39
- Study of a Lady
- 1781
40
- Mrs. Cosway
- 1787
41
- A Macarony Alderman and His Rib
- 1772
42
- A View from Richmond Hill Up the River
- 1794
43
- Captain Conquest and His Baggage Wagon
- 1772
44
- The Discovery
- 1788
45
- The Unlucky Boy
- 1772
46
- Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
- 1788
47
- Mary, Countess of Seaforth
- 1751
48
- Sensibility
- 1789
49
- Mrs. Gautherot
- 1790
50
- Miss Farren in the Character of Hermione
- 1781
51
- Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
- 1769
52
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
53
- A Girl Spinning Thread
- undated
54
- Melania
- 1792
55
- Mrs. Fitzherbert
- 1792
56
- Sensibility
- 1789
57
- The Affectionate Daughter
- 1792
58
- View of Queen Square
- 1789
59
- Queen Square, London
- 1786
60
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
61
- Portrait of a Girl Holding a Garland
- undated
62
- Portrait of a Lady, Facing Left
- undated
63
- Clapham
- 1792