This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
2
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
3
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
4
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
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5
Print made by John Cousen, 1804–1880
Mercury and Herse
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Print made by Robert Brandard, 1805–1862
Crossing the Brook
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Print made by James Tibbits Willmore, 1800–1863
Ancient Italy
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Print made by William Miller, 1796–1882
Modern Italy
1842
9
Print made by William Miller, 1796–1882
Modern Italy
1842
10
Print made by William Miller, 1796–1882
Modern Italy
1842
11
Print made by William Miller, 1796–1882
Modern Italy
1842
12
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Benedicte
1842
13
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
14
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
15
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
16
Print made by James Tibbits Willmore, 1800–1863
Ancient Italy
1842
17
Print made by William Miller, 1796–1882
Modern Italy
1842
18
Print made by Charles E. Wagstaff, 1808–
The Coronation of Queen Victoria
1842
19
Print made by Edward Francis Finden, 1791–1857
Bally-Burgh Ness
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20
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
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Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
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Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
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Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
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Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults