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The museum is reopening to the public in March 2025. We look forward to accepting orders for new collections photography at that time.
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Collection
Prints and Drawings
125
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
125
Miller, William, 1796–1882
32
Brandard, Robert, 1805–1862
16
Goodall, Edward, 1795–1870
12
Willmore, James Tibbits, 1800–1863
10
Cousen, John, 1804–1880
9
Jeavons, Thomas, ca. 1800–1867
8
Pye, John, 1782–1874
6
Allen, James Baylis, 1803–1876
5
Bentley, Joseph Clayton, 1809–1851
5
Le, Keux Henry, 1787–1868
5
Armytage, James Charles, -1897
4
Horsburgh, John, 1791–1869
4
Finden, Edward Francis, 1791–1857
3
Wallis, Robert, 1794–1878
3
Cockerell, Charles Robert, 1788–1863
2
Smith, William R., active 1819–1851
2
Cadell, Robert, 1788–1849
1
Cooke, William Bernard, 1778–1855
1
Date
1834
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125
1835
57
1836
43
1827
34
1818
33
1833
32
1814
23
1828
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1839
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1831
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1832
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1838
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1826
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1825
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1800
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1840
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1843
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1845
1
1851
1
1854
1
1900
1
On-site Access
Accessible by appointment in the Study Room
125
Image Use
Free to Use
125
Image Available
Available
125
Classification
Prints
125
Creator Gender
male
125
Collective Title
Turner's Annual Tour- The Seine
46
Scott's Poetical Works
28
Scott's Prose Works
17
Rogers's Poems
13
Picturesque Views in England and Wales
10
Finden's Landscape Illustrations to the Bible
3
Tilt's Illustrations to Scott's Poetical Works
3
Period
19th century
125
Materials & Techniques
line engraving
100
wove paper
42
etching (printing process)
23
engraving (printing process)
19
chine collé
6
graphite
2
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Unknown
20
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46
Unknown
20
Work Type
intaglio print
125
Genre
landscape
115
architectural subject
70
literary theme
41
marine art
39
cityscape
8
animal art
7
religious and mythological subject
7
historical subject
5
military art
5
Subject Terms
landscape (representation)
[remove]
125
river
93
architectural subject
38
château
28
literary theme
28
castle
27
abbey
23
bridge
21
church
20
rivers
15
ruins
11
military art
10
mountain
10
estate
9
cityscape
6
manor house
6
marine art
6
ruin
6
tower (building division)
6
amphitheater (built work)
4
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Subject Terms
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Associated Places
France
53
Europe
42
Seine
42
England
29
Scotland
26
United Kingdom
25
Normandie
23
Tweed
18
Le Havre
15
Scottish Borders
12
North Yorkshire
9
Seine-Maritime, Département de la
9
Château de Tancarville
8
Tancarville
8
Bolbec
7
Château à Lillebonne
7
Lillebonne
7
Château de la Mailleraye
6
Durham
6
Greta
6
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
7
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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125
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Yale Center for British Art, Paul Mellon Collection
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Date
1834
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landscape (representation)
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1
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
2
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
3
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
4
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
5
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
6
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
7
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
8
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
9
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
10
Print made by William Miller, 1796–1882
Brienne
1834
11
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
12
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
13
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
14
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
15
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
16
Print made by William Miller, 1796–1882
Loch Lomond
1834
17
Print made by John Cousen, 1804–1880
Honfleur
1834
18
Print made by Edward Francis Finden, 1791–1857
Valley of the Brook Kedron
1834
19
Print made by Edward Goodall, 1795–1870
Carlisle
1834
20
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
21
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
22
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
23
Print made by Edward Goodall, 1795–1870
Carlisle
1834
24
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
25
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
26
Print made by William Bernard Cooke, 1778–1855
Crichton Castle
1834
27
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
28
Print made by William Miller, 1796–1882
Brienne
1834
29
Print made by William Miller, 1796–1882
Brienne
1834
30
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
31
Print made by William Miller, 1796–1882
St. Cloud
1834
32
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
33
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
34
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
35
Print made by John Cousen, 1804–1880
Honfleur
1834
36
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
37
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
38
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
39
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
40
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
41
Print made by William Miller, 1796–1882
Placenza
1834
42
Print made by Edward Goodall, 1795–1870
Carlisle
1834
43
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
44
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
45
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
46
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
47
Print made by William Miller, 1796–1882
Loch Lomond
1834
48
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
49
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
50
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
51
Print made by John Cousen, 1804–1880
Harfleur
1834
52
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
53
Print made by Robert Brandard, 1805–1862
Graville
1834
54
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
55
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
56
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
57
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
58
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
59
Print made by William Miller, 1796–1882
Loch Lomond
1834
60
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
61
Print made by Edward Francis Finden, 1791–1857
Corinth, Cenchrea
1834
62
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
63
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
64
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
65
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
66
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
67
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
68
Print made by James Tibbits Willmore, 1800–1863
Llanthony, Monmouthshire
1834
69
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
70
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
71
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
72
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
73
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
74
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834, reprinted 1851
75
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
76
Print made by John Cousen, 1804–1880
Harfleur
1834
77
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
78
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
79
Print made by John Cousen, 1804–1880
Honfleur
1834
80
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
81
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
82
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
83
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
84
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
85
Print made by John Cousen, 1804–1880
Harfleur
1834
86
Print made by Edward Goodall, 1795–1870
Carlisle
1834
87
Print made by Robert Brandard, 1805–1862
Graville
1834
88
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
89
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
90
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
91
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
92
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
93
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
94
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
95
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
96
Print made by John Cousen, 1804–1880
Honfleur
1834
97
Print made by Edward Goodall, 1795–1870
Carlisle
1834
98
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
99
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
100
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
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