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Collection
Prints and Drawings
316
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
282
Miller, William, 1796–1882
81
Goodall, Edward, 1795–1870
71
Brandard, Robert, 1805–1862
23
Willmore, James Tibbits, 1800–1863
22
Wallis, Robert, 1794–1878
13
Allen, James Baylis, 1803–1876
10
Hastings, Thomas Capt., 1778–1854
9
Jeavons, Thomas, ca. 1800–1867
8
Le, Keux Henry, 1787–1868
8
Horsburgh, John, 1791–1869
7
Smith, William R., active 1819–1851
7
Cooke, William Bernard, 1778–1855
6
Pye, John, 1782–1874
6
Constable, John, 1776–1837
5
Cousen, John, 1804–1880
5
Armytage, James Charles, -1897
4
Bentley, Joseph Clayton, 1809–1851
4
Knight, Henry Gally, 1786–1846
4
Ruskin, John, 1819–1900
4
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Date
1791
668
1834
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316
1800
214
1826
188
1827
177
1835
172
1814
166
1836
161
1802
151
1825
139
1830
134
1820
124
1833
123
1767
120
1793
107
1818
102
1784
92
1816
92
1772
90
1745
87
1803
87
1832
86
1758
82
1792
76
1799
72
1775
71
1790
71
1801
68
1837
67
1795
66
1828
66
1811
63
1823
61
1829
61
1841
61
1821
60
1819
59
1850
58
1805
56
1810
56
1812
56
1808
55
1813
54
1822
48
1780
46
1847
46
1783
45
1786
45
1845
43
1817
42
1831
42
1776
41
1815
41
1771
40
1782
40
1804
40
1838
40
1774
39
1785
39
1807
39
1824
38
1789
37
1809
37
1777
36
1778
36
1797
34
1859
34
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33
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32
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31
1851
31
1787
30
1796
30
1857
30
1861
28
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27
1794
26
1779
25
1773
24
1842
24
1764
23
1770
23
1844
23
1896
23
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22
1748
22
1759
22
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22
1900
22
1744
21
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20
1700
19
1760
19
1788
19
1798
19
1806
19
1846
19
1855
19
1746
17
1765
16
On-site Access
Accessible by appointment in the Study Room
316
Image Use
Free to Use
316
Image Available
Available
313
Unavailable
3
Classification
Prints
286
Drawings & Watercolors
26
Drawing & Watercolors-Architectural
4
Creator Gender
male
316
Collective Title
Scott's Poetical Works
95
Rogers's Poems
64
Turner's Annual Tour- The Seine
48
Scott's Prose Works
40
Picturesque Views in England and Wales
22
Sketches in Cumberland and Westmoreland
8
Finden's Landscape Illustrations to the Bible
5
Tilt's Illustrations to Scott's Poetical Works
4
Sketchbook: Lessons in Landscape Painting
2
Byron's Life and Works
1
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
1
Period
19th century
315
19th century-20th century
1
Materials & Techniques
line engraving
220
wove paper
183
etching (printing process)
64
engraving (printing process)
45
chine collé
28
graphite
28
watercolor
17
brown ink
12
gouache
8
pen
5
scratching out
5
gray wash
3
mezzotint
3
black ink
2
brown wash
2
laid paper
2
blue chalk
1
blue wash
1
drypoint
1
gum
1
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Materials & Techniques
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74
Unknown
34
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160
Unknown
35
Work Type
intaglio print
286
drawing
27
watercolor
18
Genre
landscape
[remove]
316
literary theme
157
architectural subject
109
marine art
53
cityscape
27
animal art
18
military art
14
historical subject
12
religious and mythological subject
12
sporting art
6
genre subject
2
Subject Terms
landscape (representation)
115
river
98
architectural subject
46
literary theme
34
castle
29
château
27
abbey
22
church
21
bridge
20
landscape
20
mountain
15
rivers
15
ruins
13
lake
11
landscape (environment)
11
estate
9
marine art
9
military art
9
trees
7
hill
6
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Subject Terms
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Associated Places
France
54
Europe
51
Seine
44
Scotland
38
United Kingdom
38
England
36
Normandie
23
Tweed
18
Le Havre
15
Scottish Borders
12
Italy
9
Seine-Maritime, Département de la
9
Stirling
9
Château de Tancarville
8
North Yorkshire
8
Tancarville
8
Bolbec
7
Château à Lillebonne
7
Lillebonne
7
Quillebeuf
7
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
12
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
4
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
4
Unto this Last: Two Hundred Years of John Ruskin (Yale Center for British Art, 2019-09-05 - 2019-12-08)
4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
Unto This Last (Watts Gallery) (Watts Gallery Trust, 2020-03-10 - 2020-11-01)
2
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
Charles Hullmandel and James Duffield Harding - A Study of the English Art of Drawing on Stone 1818-1850 (Smith College Museum of Art, 1982-04-15 - 1982-05-30)
1
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Minneapolis Institute of Arts, 2003-06-01 - 2003-08-27)
1
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Tate Britain, 2003-02-06 - 2003-05-11)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Romantic Watercolor : Exhibition Watercolors & Technique (Yale Center for British Art, 2002-10-10 - 2003-01-05)
1
Sun, Wind, and Rain - The Art of David Cox (Birmingham Museum & Art Gallery, 2009-01-31 - 2009-05-03)
1
Sun, Wind, and Rain - The Art of David Cox (Yale Center for British Art, 2008-10-16 - 2009-01-04)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
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Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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316
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Date
1834
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Genre
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1
John Constable, 1776–1837
Stoke Poges Church
1834
2
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
3
James Duffield Harding, 1798–1863
Casade de Lys From Below
1834
4
Capt. Thomas Hastings, 1778–1854
Near Falmouth
1834
5
Print made by David Lucas, 1802–1881
Stratford Mill, The Young Waltonians
1834 to 1840
6
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
7
Print made by William Miller, 1796–1882
Paris from Pere-la-Chaise
1834
8
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
9
Print made by William Bernard Cooke, 1778–1855
Crichton Castle
1834
10
Print made by James Baylis Allen, 1803–1876
Mount Sinai, the Valley in which the Children of Israel were Encamped
1834
11
Print made by William Miller, 1796–1882
A Garden
1834
12
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
13
Print made by Edward Goodall, 1795–1870
A Village – Evening
1834
14
Print made by Edward Goodall, 1795–1870
A Hurricane in the Desert
1834
15
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
16
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
17
Print made by John Cousen, 1804–1880
Harfleur
1834
18
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
19
Print made by Robert Brandard, 1805–1862
Graville
1834
20
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
21
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
22
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
23
Print made by William Miller, 1796–1882
Rouen, from St. Catherine's Hill
1834
24
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
25
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
26
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
27
Print made by William Miller, 1796–1882
Jerusalem
1834
28
Print made by William Miller, 1796–1882
Placenza
1834
29
Print made by William Miller, 1796–1882
Brienne
1834
30
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
31
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
32
Print made by Robert Wallis, 1794–1878
Kelso
1834
33
Print made by James Tibbits Willmore, 1800–1863
Lochmaben Castle
1834
34
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
35
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
36
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
37
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
38
Print made by William Bernard Cooke, 1778–1855
Newark Castle
1834
39
Print made by William Miller, 1796–1882
Loch Achray
1834
40
Print made by William Miller, 1796–1882
Melrose
1834
41
Print made by William Miller, 1796–1882
Loch Katrine
1834
42
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
43
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
44
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
45
Print made by Edward Webb, active 1805–1854
Bowes Tower
1834
46
Print made by William Miller, 1796–1882
Skiddaw
1834
47
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
48
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
49
Print made by William Miller, 1796–1882
Hougoumont
1834
50
Print made by William Miller, 1796–1882
The Simplon
1834
51
William Callow, 1812–1908
Mont-Valérien from Bois de Boulogne
1834
52
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
53
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
54
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
55
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
56
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
57
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
58
Print made by William Miller, 1796–1882
Loch Katrine
1834
59
Print made by William Miller, 1796–1882
Loch Achray
1834
60
Print made by Edward Webb, active 1805–1854
Bowes Tower
1834
61
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
62
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
63
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
64
Print made by John Horsburgh, 1791–1869
Mayburgh
1834
65
Print made by William Miller, 1796–1882
St. Cloud
1834
66
Print made by William Miller, 1796–1882
The Simplon
1834-1836
67
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
68
Print made by William Miller, 1796–1882
Placenza
1834
69
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
70
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
71
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
72
Print made by James Tibbits Willmore, 1800–1863
Lochmaben Castle
1834
73
Print made by Robert Wallis, 1794–1878
Kelso
1834
74
Print made by William Miller, 1796–1882
Melrose
1834
75
Print made by William Bernard Cooke, 1778–1855
Newark Castle
1834
76
Print made by William Miller, 1796–1882
Skiddaw
1834
77
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
78
Print made by William Miller, 1796–1882
Jerusalem
1834
79
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
80
Print made by William Miller, 1796–1882
Hougoumont
1834
81
Print made by Edward Goodall, 1795–1870
Carlisle
1834
82
Print made by William Miller, 1796–1882
Loch Lomond
1834
83
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
84
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
85
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
86
Print made by William Miller, 1796–1882
Loch Katrine
1834
87
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
88
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
89
Print made by James Baylis Allen, 1803–1876
Mount Sinai, the Valley in which the Children of Israel were Encamped
1834
90
Print made by Edward Francis Finden, 1791–1857
Valley of the Brook Kedron
1834
91
Print made by Edward Goodall, 1795–1870
Leaving Home
1834
92
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
93
Print made by Edward Goodall, 1795–1870
Valombre
1834
94
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
95
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
96
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
97
Edward Alfred Goodall, 1819–1908
A Waterfall
1834
98
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
99
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
100
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
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