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Collection
Prints and Drawings
87
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
75
Lupton, Thomas Goff, 1791–1873
26
Wallis, Robert, 1794–1878
17
Willmore, James Tibbits, 1800–1863
7
Pye, John, 1782–1874
6
Smith, William R., active 1819–1851
4
Miller, William, 1796–1882
3
Unknown artist
3
Boys, Thomas Shotter, 1803–1874
2
Crostick, Thomas, active ca. 1828
2
Goodall, Edward, 1795–1870
2
Middiman, Samuel, ca. 1750–1831
2
Varrall, J. C., active 1815–1827
2
Albutt, William Edward, active 1836–1863
1
Basire, James, 1769–1822
1
Brandard, Robert, 1805–1862
1
Calvert, Edward, 1799–1883
1
Capon, William, 1757–1827
1
Cockerell, Charles Robert, 1788–1863
1
Cooper, Abraham, 1787–1868
1
more
Creator
»
Date
1834
470
1546
247
1835
222
1782
201
1827
195
1830
189
1630
177
1833
172
1836
163
1800
131
1808
106
1837
106
1792
102
1832
102
1803
100
1797
96
1814
93
1795
92
1802
92
1818
91
1828
[remove]
87
1820
80
1816
79
1788
75
1789
75
1812
75
1811
74
1793
72
1826
72
1850
71
1825
68
1780
66
1859
66
1550
65
1831
65
1745
63
1790
63
1819
62
1799
61
1823
61
1796
60
1785
59
1773
58
1776
58
1762
56
1783
54
1813
54
1787
53
1794
53
1772
52
1784
52
1824
52
1779
51
1809
51
1791
50
1810
50
1775
46
1821
46
1755
45
1700
44
1807
44
1739
43
1822
41
1838
41
1806
40
1769
39
1801
39
1829
38
1771
37
1798
37
1765
36
1839
36
1896
36
1563
35
1786
35
1842
35
1743
34
1770
34
1804
34
1778
33
1760
32
1777
32
1781
32
1568
30
1805
30
1764
27
1817
27
1757
25
1768
25
1815
25
1767
24
1855
24
1553
23
1559
23
1642
23
1763
23
1774
23
1715
20
1735
20
1750
20
On-site Access
Accessible by appointment in the Study Room
87
Image Use
Free to Use
86
Under Certain Circumstances
1
Image Available
Available
85
Unavailable
2
Classification
Prints
87
Creator Gender
male
87
unknown
3
Collective Title
The Keepsake
25
The Ports of England
25
The Harbours of England
20
Picturesque Views in England and Wales
11
The Literary Souvenir
4
The Bijou
3
Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc., Drawn from Nature on Stone
2
The Anniversary
2
Rogers's Italy
1
The Turner Gallery
1
Period
19th century
87
Materials & Techniques
wove paper
51
line engraving
48
chine collé
29
mezzotint
29
etching (printing process)
12
laid paper
7
engraving (printing process)
4
graphite
2
soft-ground etching
2
Asian paper
1
Engraving
1
aquatint
1
drypoint
1
hand coloring
1
stipple engraving
1
Height [cm]
Height [cm] range begin
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65
Unknown
2
Width [cm]
Width [cm] range begin
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0
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84
Unknown
2
Work Type
intaglio print
[remove]
87
ticket
1
Genre
landscape
49
marine art
47
cityscape
36
architectural subject
32
military art
7
sporting art
7
religious and mythological subject
5
genre subject
3
animal art
1
portrait
1
Subject Terms
landscape (representation)
23
river
22
cityscape
12
mountain
12
lake
11
château
8
hills
7
temple
6
architectural subject
5
castle
5
religious and mythological subject
5
cathedral
4
church
4
cityscapes
4
man
4
water
4
woman
4
landscape
3
ruins
3
tree
3
more
Subject Terms
»
Associated Places
Italy
10
France
9
England
8
Europe
7
Albani, Colli
6
Albano, Lago
6
Cavo, Monte
6
Lazio
6
Bourne
5
Seine
5
Surrey
5
Virginia Water
5
Virginia Water lake
5
Alps
4
Basilica of St. Castor
4
Château du Bouffay
4
Ehrenbreitstein, Feste
4
Germany
4
Koblenz
4
Loire
4
more
Associated Places
»
Associated People
Noah
1
Exhibition History
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
The Archaeology of Architecture - Charles Robert Cockerell in Southern Europe and the Levant, 1810-1817 (Yale Center for British Art, 1993-03-23 - 1993-05-23)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Thomas Cole's Journey - Atlantic Crossings (The Metropolitan Museum of Art, 2018-01-29 - 2018-05-13)
1
Thomas Cole's Journey - Atlantic Crossings (The National Gallery, London, 2018-06-13 - 2018-10-07)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
87
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1828
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Work Type
intaglio print
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1
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1828
2
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
3
Print made by Thomas Goff Lupton, 1791–1873
Catwater, Entrance to Plymouth Sound
1828 to 1856
4
Print made by J. P. Quilley, active 1828
The Deluge
1828
5
Print made by Thomas Shotter Boys, 1803–1874
Château des Comtes de Flandre, Ghent
ca. 1833
6
Print made by Edward Calvert, 1799–1883
The Bride
1828
7
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1828 to 1830
8
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 2
1828-1837
9
Print made by James Tibbits Willmore, 1800–1863
Nantes
1828-1837
10
Etched by Samuel Middiman, ca. 1750–1831
Temple of Jupiter Panhellenius
1828
11
Etched by Samuel Middiman, ca. 1750–1831
The Temple of Jupiter in the Island of Aegina
1828
12
Print made by B. R. Davies, active ca. 1833
Mount Blanc
1828
13
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
14
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1828
15
Print made by John Pye, 1782–1874
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1828
16
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
17
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
18
Print made by Thomas Goff Lupton, 1791–1873
Portsmouth
1828
19
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
20
Print made by Henry Griffiths, 1835–1849
The Wreck
1828-1837
21
Print made by John Pye, 1782–1874
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1828
22
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
23
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
24
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
25
Print made by John Pye, 1782–1874
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1828
26
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
27
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
28
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
29
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1828-1832
30
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 2
1828
31
Print made by James Tibbits Willmore, 1800–1863
Nantes
1828-1837
32
Print made by Thomas Crostick, active ca. 1828
Fonthill
1828
33
Sir George Hayter, 1792–1871
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
34
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1828
35
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1828
36
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1828
37
Print made by John Pye, 1782–1874
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1828
38
Print made by Thomas Crostick, active ca. 1828
Fonthill
1828
39
Print made by Thomas Goff Lupton, 1791–1873
Portsmouth
1828
40
Print made by Thomas Goff Lupton, 1791–1873
Sheerness, as Seen from the Nore
1828
41
Print made by Thomas Goff Lupton, 1791–1873
Portsmouth
1828
42
Print made by Thomas Goff Lupton, 1791–1873
Deal
ca. 1828, published 1854
43
Print made by Thomas Goff Lupton, 1791–1873
Margate
1828 to 1856
44
Print made by Thomas Goff Lupton, 1791–1873
Sidmouth
ca. 1828, published 1856
45
Print made by Thomas Goff Lupton, 1791–1873
Sidmouth
ca. 1828, published 1856
46
Print made by Thomas Goff Lupton, 1791–1873
Sidmouth
ca. 1828, published 1856
47
Print made by Thomas Goff Lupton, 1791–1873
Plymouth
1828 to 1856
48
Print made by Thomas Goff Lupton, 1791–1873
Plymouth
1828 to 1856
49
Print made by Thomas Goff Lupton, 1791–1873
Catwater, Entrance to Plymouth Sound
1828 to 1856
50
Print made by Thomas Goff Lupton, 1791–1873
Falmouth
1828 to 1856
51
Print made by Thomas Goff Lupton, 1791–1873
Falmouth
1828 to 1856
52
Print made by John Martin, 1789–1854
The Deluge
1828
53
Print made by William Miller, 1796–1882
Straits of Dover
1828
54
Print made by unknown artist
Mount Blanc
1828
55
Print made by unknown artist
Mount Blanc
1828
56
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
57
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1828
58
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
59
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1828
60
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1828
61
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1828
62
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
63
Print made by James Tibbits Willmore, 1800–1863
Richmond, Yorkshire
1828
64
Print made by W. E. Albutt, active 1836–1863
High Street, Oxford
1828
65
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
66
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1828-1832
67
Print made by James Tibbits Willmore, 1800–1863
Nantes
1828-1837
68
Print made by James Tibbits Willmore, 1800–1863
Nantes
1828-1832
69
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
70
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1828-1837
71
Print made by William Miller, 1796–1882
Palace of La Belle Gabrielle
1828-1837
72
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
73
Print made by Charles Turner, 1774–1857
Two Durham Oxen
1828
74
Print made by Thomas Goff Lupton, 1791–1873
Deal
ca. 1828, published 1856
75
Print made by Thomas Goff Lupton, 1791–1873
Sheerness, as Seen from the Nore
1828
76
Print made by Thomas Goff Lupton, 1791–1873
Falmouth
ca. 1828, published 1856
77
Print made by Thomas Goff Lupton, 1791–1873
Plymouth
ca. 1828, published 1856
78
Print made by Thomas Goff Lupton, 1791–1873
Margate
ca. 1828, published 1856
79
Print made by Thomas Goff Lupton, 1791–1873
Catwater, Entrance to Plymouth Sound
1828 to 1856
80
Print made by Thomas Goff Lupton, 1791–1873
Sidmouth
ca. 1828, published 1856
81
Print made by Thomas Goff Lupton, 1791–1873
Sheerness, as Seen from the Nore
1828, republished 1856
82
Thomas Goff Lupton, 1791–1873
Racing: Fleur-de-Lis
1828
83
Print made by Thomas Goff Lupton, 1791–1873
Catwater, Entrance to Plymouth Sound
ca. 1828, published 1856
84
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
85
Print made by Thomas Goff Lupton, 1791–1873
Sheerness, as Seen from the Nore
1828, republished 1856
86
Print made by Robert Wallis, 1794–1878
Newstead Abbey
1828
87
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1828