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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1823

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Width [cm] 36

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1. Horses in a Thunderstorm

Horses in a Thunderstorm
Creator:
Thomas Woodward, 1801–1852
Date:
1823
Materials & Techniques:
Oil on panel
Dimensions:
12 x 14 inches (30.5 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Arundel Castle, on the River Arun

Arundel Castle, on the River Arun
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 14 inches (24.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching; second state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Etching and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Staircase at Blithfield

Staircase at Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection