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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1822

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Work Type drawing

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Samuel Palmer A Moonlit Scene with a Winding River
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Aaron Edwin Penley River Landscape
Aaron Edwin Penley, 1807–1870
River Landscape
undated
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
Henry Morton St. Thomas' Church, Winchelsea
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
unknown artist Heidelberg
unknown artist
Heidelberg
1822
Joseph Nash Fashionable Men and Women Conversing
Joseph Nash, 1808–1878
Fashionable Men and Women Conversing
ca. 1827
Joseph Nash Street Activity
Joseph Nash, 1808–1878
Street Activity
ca. 1827
Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
Henry Thomas Alken Morning Ride
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
John Buckler FSA South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.
John Buckler FSA, 1770–1851
South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart
1822
John Buckler FSA South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
John Buckler FSA, 1770–1851
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart
1822
unknown artist Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
Sir David Wilkie Two Riders Seen from Behind, Oct. 10, 1822
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
William Capon Elevation of Buildings Fronting Westminster Hall
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
Henry Thomas Alken Foxhunting: The Start
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
Henry Thomas Alken Foxhunting: The Meet
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
John Buckler FSA West Front of Thornbury Catle, Gloucestershire
John Buckler FSA, 1770–1851
West Front of Thornbury Catle, Gloucestershire
1822
John Buckler FSA South West View of Thornbury Castle, Gloucestershire
John Buckler FSA, 1770–1851
South West View of Thornbury Castle, Gloucestershire
1822
John Buckler FSA North View of Thornbury Castle, Gloucestershire
John Buckler FSA, 1770–1851
North View of Thornbury Castle, Gloucestershire
1822
John Buckler FSA South View of Thornbury Castle, Gloucestershire
John Buckler FSA, 1770–1851
South View of Thornbury Castle, Gloucestershire
1822
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
Henry Morton Winchelsea Castle
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
Thomas Henry Wyatt Design for the Mechanics' Institution, Basingstoke: Elevation
Thomas Henry Wyatt, 1807–1880
Design for the Mechanics' Institution, Basingstoke: Elevation
undated
John Baverstock Knight Studland Dock Yard
John Baverstock Knight, 1785–1859
Studland Dock Yard
1822
Henry Morton Ore Church and House
Henry Morton, ca. 1807–1825
Ore Church and House
undated
Henry Morton Windmill on the Sea Coast Near Hastings
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
Aaron Edwin Penley Cloud Study
Aaron Edwin Penley, 1807–1870
Cloud Study
undated
William Henry Hunt A Dead Hare and a Cooked Lobster on a Bench
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
Sir George Hayter Kitchen: Interior, Stone Crouch
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
James Ward A Stunted Oak
James Ward, 1769–1859
A Stunted Oak
1822
George Chinnery An Elephant
George Chinnery, 1774–1852
An Elephant
1822
John Sell Cotman Round Tower, Castle of Lillebonne, Normandy
John Sell Cotman, 1782–1842
Round Tower, Castle of Lillebonne, Normandy
1822
John Sell Cotman Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
John Sell Cotman, 1782–1842
Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
1822
John Sell Cotman Coast Scene with a Castle
imitator of John Sell Cotman, 1782–1842
Coast Scene with a Castle
ca. 1827
Edward Walhouse Mark The Roman Doric or Italian of Palladio
Edward Walhouse Mark, 1817–1895
The Roman Doric or Italian of Palladio
undated
Edward Walhouse Mark The Ionic Order
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
Edward Walhouse Mark The Tuscan Order
Edward Walhouse Mark, 1817–1895
The Tuscan Order
undated
Edward Walhouse Mark The Doric Order
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
Edward Walhouse Mark The Ionic Order, after Palladio
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
Edward Walhouse Mark The Corinthian Order
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
Edward Walhouse Mark The Composite Order
Edward Walhouse Mark, 1817–1895
The Composite Order
undated