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Collection
Prints and Drawings
137
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
81
Hakewill, James, 1778–1843
35
Pye, John, 1782–1874
17
Unknown artist
17
Alken, Henry Thomas, 1784–1851
11
Cooke, George, 1781–1834
10
Sutherland, Thomas, ca. 1785–1838
10
Smith, William R., active 1819–1851
7
Heath, Charles, 1785–1848
6
Murray, John, founded 1768
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Rawle, Samuel, 1771–1860
4
Smith, Charles John, 1803–1838
4
Fittler, James, 1758–1835
3
Havell, Robert, 1769–1832
3
Higham, Thomas, 1796–1844
3
more
Creator
»
Date
1800
621
1834
548
1789
367
1802
306
1827
297
1795
279
1835
278
1825
273
1794
263
1797
259
1782
250
1546
247
1803
244
1700
240
1792
238
1830
232
1804
225
1820
217
1791
213
1836
207
1808
205
1833
205
1793
195
1799
193
1798
190
1796
189
1823
178
1630
177
1790
177
1775
173
1809
171
1801
170
1821
164
1780
163
1739
162
1814
158
1826
158
1832
153
1824
152
1783
151
1837
150
1788
149
1828
147
1812
146
1818
[remove]
137
1816
136
1811
131
1784
130
1819
129
1831
126
1813
125
1787
116
1807
116
1810
116
1850
113
1754
108
1785
108
1805
105
1822
105
1817
96
1755
94
1745
93
1806
91
1815
87
1778
83
1829
79
1772
78
1786
78
1838
77
1762
76
1776
76
1779
75
1839
74
1770
73
1771
73
1781
72
1855
71
1859
71
1751
68
1758
67
1768
67
1750
66
1550
65
1773
65
1852
63
1767
62
1743
61
1760
57
1765
56
1777
56
1842
56
1769
55
1847
54
1735
52
1753
52
1900
44
1763
42
1736
41
1840
41
1844
41
On-site Access
Accessible by appointment in the Study Room
137
Image Use
Free to Use
135
Under Certain Circumstances
2
Image Available
Available
123
Unavailable
14
Classification
Prints
[remove]
137
Creator Gender
male
132
unknown
17
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
33
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
137
Materials & Techniques
etching (printing process)
81
wove paper
73
line engraving
64
chine collé
45
engraving (printing process)
16
laid paper
16
stipple engraving
6
colored ink
3
mezzotint
3
aquatint
2
brown ink
2
engraver's proof
1
graphite
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
12
to
72
Unknown
19
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
89
Unknown
19
Work Type
intaglio print
91
frontispiece
2
Genre
landscape
63
architectural subject
47
cityscape
24
marine art
12
genre subject
6
animal art
3
portrait
2
botanical subject
1
Subject Terms
river
34
landscape (representation)
33
architectural subject
27
cityscape
17
church
12
bridge
11
castle
9
waterfall
8
abbey
7
ruin
6
marine art
5
genre subject
4
mountain
4
palace
4
rivers
4
basilica
3
bridges
3
mausoleum
3
men
3
valley (landform)
3
more
Subject Terms
»
Associated Places
England
33
United Kingdom
32
Europe
19
Italy
15
Durham
14
Tees
13
North Yorkshire
10
Richmond
9
Swale
7
Greta
5
Grand Canal
4
Lazio
4
Ponte di Rialto
4
Rokeby
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
Abbey of St. Agatha, Easby
3
more
Associated Places
»
Associated People
West, Benjamin (1738–1820), American history painter active in Britain
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
137
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1818
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Classification
Prints
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
3
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
4
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
5
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
6
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
7
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
8
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
9
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
10
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
11
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
12
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
13
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
14
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
15
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
16
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
17
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
18
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
19
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
20
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
21
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
22
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
23
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
24
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
25
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
26
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
27
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
28
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
29
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
30
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
32
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
33
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
34
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
35
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
36
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
37
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
38
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
39
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
40
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
41
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
42
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
43
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
44
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
45
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
46
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
47
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
48
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
49
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
50
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
51
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
52
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
53
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
54
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
55
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
56
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
57
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
58
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
59
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
60
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
61
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
62
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
63
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
64
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
65
Augustus Charles Pugin, 1762–1832
The Opening of the Waterloo Bridge on the 18th June 1817
1818
66
Joseph Constantine Stadler, active 1780–1812
View of Waterloo Bridge from the East End of Somerset House Terrace
1818
67
John Coney, 1786–1833
St. Mary, Rotherhithe
1818
68
Charles John Smith, 1803–1838
House Occupied by the Royal Society, Crane Court, Fleet Street
undated
69
Charles John Smith, 1803–1838
Holland House
undated
70
unknown artist
North West Suburbs of London
1818
71
Daniel Havell, 1785–1826
Hampstead Heath, Middlesex
1818
72
unknown artist
The Seven Sisters, Tottenham
1818
73
Bartholomew Howlett, 1767–1827
A South East View of London, Before 1666
1818
74
Bartholomew Howlett, 1767–1827
Cornhill, London as it appeared in 1630
1818
75
unknown artist
Near Brixton Hill, Windy Day
1818
76
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
77
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
78
unknown artist
St. Giles's in the Fields Parish
1818
79
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
80
Charles J. Hullmandel, 1789–1850
Richmond Hill, From Petersham
1818
81
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
82
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
83
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
84
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
85
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
86
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
87
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
88
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
89
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
90
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
91
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
92
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
93
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
94
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
95
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
96
Print made by unknown artist
[ Caricature of two men and a woman, one of the men blowing smoke ]
ca. 1823
97
Charles Williams, active 1796–1830
The Matrimonial Mania - or - Poor Jonny Ridden to Death
1818
98
William Nicholson, 1781–1844
Sir Henry Raeburn
1818
99
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
100
Thomas Sutherland, ca. 1785–1838
Margate with the Venus Steam Packet Entering the Harbour
ca. 1823
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