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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1816

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Width [cm] 41

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Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ville de Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field Marshal, The Duke of Wellington
Creator:
Print made by Charles Turner, 1774–1857
Date:
1816
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 9/16 × 17 5/8 inches (59.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Observatory at Rosehill, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; early state, engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill near the Grand Chartreuse, Dauphiny
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames Near the Penitentiary, Millbank, London
Creator:
John Varley, 1778–1842
Date:
1816
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 16 1/8 inches (29.2 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill near the Grand Chartreuse, Dauphiny
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection