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Collection
Prints and Drawings
81
Paintings and Sculpture
11
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
60
Cooke, William Bernard, 1778–1855
23
Constable, John, 1776–1837
10
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Cooper, Edwin W. of Beccles, 1785–1833
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Hill, John, 1770–1850
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Unknown artist
3
Cooke, George, 1781–1834
2
Haygarth, William, active 1810–1816
2
Hodgetts, Thomas, active 1801–1846
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Vigne, Godfrey Thomas, 1801–1863
2
West, William, of Clifton near Bristol, 1801–1861
2
Cox, David, 1783–1859
1
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Creator
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Date
1791
668
1834
316
1800
214
1826
187
1827
177
1835
172
1814
166
1836
161
1802
150
1825
139
1830
134
1820
124
1833
123
1767
120
1793
107
1818
102
1784
92
1816
[remove]
92
1772
90
1745
87
1803
87
1832
86
1758
82
1792
76
1799
72
1775
71
1790
71
1801
68
1837
67
1795
66
1828
65
1811
63
1829
61
1841
61
1821
60
1823
60
1819
59
1850
58
1805
56
1810
56
1812
56
1808
55
1813
54
1822
48
1780
46
1847
46
1783
45
1786
45
1845
43
1817
42
1831
42
1776
41
1815
41
1771
40
1782
40
1804
40
1838
40
1774
39
1785
39
1807
39
1824
38
1789
37
1809
37
1777
36
1778
36
1797
34
1859
34
1755
33
1839
32
1840
31
1851
31
1787
30
1796
30
1857
30
1762
27
1794
26
1861
26
1779
25
1773
24
1842
24
1764
23
1770
23
1844
23
1896
23
1742
22
1748
22
1759
22
1768
22
1900
22
1744
21
1740
20
1806
20
1700
19
1760
19
1788
19
1798
19
1846
19
1855
19
1746
17
1765
16
On-site Access
Accessible by appointment in the Study Room
81
Not on view
11
Image Use
Free to Use
92
Image Available
Available
92
Classification
Prints
60
Drawings & Watercolors
21
Paintings
11
Creator Gender
male
92
unknown
3
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
17
'History of Cassiobury Park,' 1816 and 1837
6
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete,' 1816
5
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
91
18th century-19th century
1
Materials & Techniques
wove paper
50
etching (printing process)
48
brown ink
26
laid paper
23
line engraving
20
mezzotint
20
graphite
15
watercolor
15
oil paint
11
painting (technique)
11
pen
9
black ink
7
aquatint
6
paper
6
gray ink
5
hand coloring
5
gouache
4
panel (wood)
4
brown wash
3
canvas
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
6
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
60
Unknown
6
Work Type
intaglio print
60
drawing
21
watercolor
20
painting
11
Genre
landscape
[remove]
92
architectural subject
26
genre subject
12
animal art
7
marine art
6
sporting art
4
cityscape
3
historical subject
2
religious and mythological subject
2
Subject Terms
landscape
23
river
10
trees
10
science
8
clouds
7
men
7
landscape (representation)
6
meteorology
6
architectural subject
5
dogs (animals)
5
genre subject
5
bridge
4
fence
4
fox hunting
4
gray (color)
4
horseback riders
4
horseback riding
4
horses (animals)
4
hounds (dogs)
4
houses
4
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Subject Terms
»
Associated Places
United Kingdom
17
England
15
Europe
9
Alps
4
Devon
4
Arve
3
Bonneville
3
Cornwall
3
Dorset
3
France
3
Central America
2
Dunblane
2
Dunblane Cathedral
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Tamar
2
Africa
1
Aldbury
1
Ambleside
1
more
Associated Places
»
Exhibition History
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
8
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
3
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art, Artifact, Artifice (Yale University Art Gallery, 2020-02-14 - 2021-03-15)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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92
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Yale Center for British Art, Paul Mellon Collection
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Date
1816
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1
Francis Danby, 1793–1861
The Avon Gorge
between 1816 and 1818
Not on view
2
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
3
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
4
Attributed to John Constable, 1776–1837
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
5
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
6
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
7
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
8
John Constable, 1776–1837
Rushes by a pool
ca. 1821
Not on view
9
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
10
John Constable, 1776–1837
Extensive Landscape with Grey Clouds
ca. 1821
Not on view
11
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
12
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
22
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
23
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
24
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
25
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
26
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
27
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
28
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
29
Joseph Mallord William Turner, 1775–1851
Leeds
1816
30
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
31
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
32
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
33
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
34
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
35
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
36
Print made by William Bernard Cooke, 1778–1855
Source of the Tamar and Torridge
1816
37
Print made by John Martin, 1789–1854
A Classical City
1816
38
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock, from Mount Edgecumbe
1816
39
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
40
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
41
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
42
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
43
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
44
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
45
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
46
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
47
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
48
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
49
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
50
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
51
Print made by John Scott, 1774–1828
Harewood House
1816
52
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
53
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
54
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
55
William West of Clifton near Bristol, 1801–1861
An Island with Returning Birds at Nightfall
undated
56
unknown artist
View of Swanage Bay, Dorset
1816
57
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
58
Attributed to Henry Dawe, 1790–1848
Raglan Castle
1816
59
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
60
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
61
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
62
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
63
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
64
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
65
Print made by John Scott, 1774–1828
Harewood House
1816
66
Print made by John Scott, 1774–1828
Harewood House
1816
67
Print made by George Cooke, 1781–1834
Gledhow
1816
68
Print made by George Cooke, 1781–1834
Gledhow
1816
69
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
70
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
71
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
72
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
73
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
74
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
75
John Harden, 1772–1847
From the Church Hill, Ambleside
1816
76
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
77
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
78
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
79
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
80
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
81
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
82
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
83
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
84
William West of Clifton near Bristol, 1801–1861
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
85
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
86
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
87
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
88
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
89
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
90
Samuel Davis, 1760–1819
A Country House with Figures on the Drive
undated
91
unknown artist
Sheet of Composition Studies of River Scenes
after 1816
92
George Cumberland, 1754–1848
Near Weston-Super-Mare with Steep Holme Island
1816