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The museum is reopening to the public in March 2025. We look forward to accepting orders for new collections photography at that time.
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Collection
Prints and Drawings
70
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
30
Malton, James, 1761–1803
19
Lewis, Frederick Christian the Elder, 1779–1856
5
Smirke the Younger, Robert, Sir, 1781–1867
4
Basire, James, 1769–1822
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Varley, Cornelius, 1781–1873
2
Varley, John, 1778–1842
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Baker, Benjamin, 1766–1841
1
Comte, Benjamin, 1760–1851
1
Cotman, John Sell, 1782–1842
1
Dayes, Edward, 1763–1804
1
Edridge, Henry, 1769–1821
1
Harraden, Richard Banks, 1778–1862
1
Hearne, Thomas, 1744–1817
1
Nasmyth, Patrick, 1787–1831
1
Rawle, Samuel, 1771–1860
1
Smith, John, 1749–1831
1
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Creator
»
Date
1791
701
1796
361
1800
288
1745
246
1785
130
1790
119
1827
111
1834
107
1799
100
1835
97
1818
95
1700
89
1839
84
1772
75
1795
72
1802
[remove]
71
1811
71
1793
65
1833
65
1767
64
1820
64
1780
63
1705
60
1830
60
1792
57
1781
53
1825
51
1794
49
1814
49
1815
49
1826
49
1812
42
1817
42
1823
42
1751
40
1775
40
1806
40
1807
40
1819
40
1776
38
1832
38
1797
37
1803
37
1771
35
1789
35
1798
35
1761
33
1810
33
1822
33
1805
32
1813
32
1784
31
1829
31
1836
30
1850
30
1778
29
1804
29
1765
28
1837
28
1740
27
1770
26
1787
26
1828
26
1871
26
1788
25
1801
25
1763
24
1777
24
1782
24
1786
24
1809
24
1715
23
1783
23
1842
23
1860
22
1831
21
1750
20
1755
20
1808
20
1816
20
1824
20
1752
19
1746
18
1841
18
1838
17
1840
17
1845
17
1861
17
0
16
1773
16
1821
16
1690
15
1730
15
1764
15
1759
14
1760
14
1779
13
1720
12
1732
12
1757
12
On-site Access
Accessible by appointment in the Study Room
70
Not on view
1
Image Use
Free to Use
71
Image Available
Available
71
Classification
Prints
34
Drawings & Watercolors
26
Drawing & Watercolors-Architectural
10
Paintings
1
Creator Gender
male
71
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
4
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
The Oxford Almanack
2
The Beauties of England and Wales
1
Period
19th century
70
18th century-19th century
1
Materials & Techniques
wove paper
50
graphite
36
soft-ground etching
30
laid paper
18
gray wash
16
watercolor
11
black ink
10
aquatint
7
line engraving
4
pens
3
yellow wash
3
etching (printing process)
2
pen
2
blue wash
1
brown ink
1
canvas
1
colored ink
1
drypoint
1
gouache
1
green wash
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
81
Work Type
drawing
36
intaglio print
35
watercolor
25
painting
1
Genre
architectural subject
71
cityscape
29
landscape
10
religious and mythological subject
4
genre subject
3
historical subject
1
marine art
1
Subject Terms
architectural subject
[remove]
71
river
27
trees
18
cityscape
17
buildings
14
country house
14
boats
13
people
13
windows
12
castle
10
bridge (built work)
9
carts
9
house
9
Architectural rendering
8
barges (flat-bottomed watercraft)
8
horse (animal)
8
houses
8
landscape
8
mullions
8
preparatory drawing
8
more
Subject Terms
»
Associated Places
Europe
36
France
30
Île-de-France
30
Seine
28
Paris
21
United Kingdom
15
England
10
Cathédrale Notre-Dame de Paris
9
Pont Neuf
8
Bassin de l'Arsenal
6
Jardins des Tuileries
5
Musée du Louvre
5
Palais des Tuileries
5
Wales
5
Acqueduct of Louveciennes
4
Louveciennes
4
Marly-le-Roi
4
Panthéon
4
Yvelines
4
Bourse de Paris
3
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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71
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Date
1802
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architectural subject
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1
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
2
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
3
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
4
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
5
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
6
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
7
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
12
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
13
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
14
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
15
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
16
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
17
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
18
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
19
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
20
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
21
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
22
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
23
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
24
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
25
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
26
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
27
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
28
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
29
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
30
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
31
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
32
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
33
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
34
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
35
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
36
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
37
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
38
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
39
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
40
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
41
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
42
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
43
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
44
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
45
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
46
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
47
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
48
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
49
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
50
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
51
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
52
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
53
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
54
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
55
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
56
Cornelius Varley, 1781–1873
Carnarvon
1802
57
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
58
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
59
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
60
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
61
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
62
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
63
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
64
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
65
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
66
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
67
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
68
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
69
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
70
John Warwick Smith, 1749–1831
The Colosseum, Rome
1802
71
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807