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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1793
Remove constraint Date: 1793Search Results
1
- The Wandering Sailor
- ca. 1798
- Not on view
2
- Hussars Embarking at Deptford
- 1793
- Not on view
3
- A Marmoset in Three Attitudes
- 1793
- On view
4
- Flowers in a Pitcher
- undated
5
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
6
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
7
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
8
- What is Man!, Frontispiece (Plate 1)
- 1793
9
- Fire (Plate 7)
- 1793
10
- I Want! I Want! (Plate 11)
- 1793
11
- Alas! (Plate 9)
- 1793
12
- Help! Help! (Plate 12)
- 1793
13
- Aged Ignorance (Plate 13)
- 1793
14
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
15
- Fear & Hope Are -- Vision (Plate 15)
- 1793
16
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
17
- Death's Door (Plate 17)
- 1793
18
- For Children. The Gates of Paradise; Title Page (Plate 2)
- 1793
19
- I Found Him Beneath a Tree (Plate 3)
- 1793
20
- Earth (Plate 5)
- 1793
21
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
22
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
23
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
24
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
25
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
26
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
27
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
28
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
29
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
30
- Albion's Angel; Frontispiece (Plate 1)
- 1793
31
- Air (Plate 6)
- 1793
32
- Water (Plate 4)
- 1793
33
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
34
- My Son! My Son! (Plate 10)
- 1793
35
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
36
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
37
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
38
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
39
- "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
- 1793
40
- America, A Prophecy; Title Page (Plate 2)
- 1793
41
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
42
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
43
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
44
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
45
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
46
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
47
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
48
- For Children. The Gates of Paradise, London, by William Blake
- 1793
49
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
50
- Europe. A Prophecy
- 1793, printed 1795
51
- Landscape with a Boatshed
- undated
52
- Clare College, Cambridge
- undated
53
- A Young Woman Looking Down
- undated
54
- Gateway of an Old Fort, Benares
- 1793 or 179(8)
55
- Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
- 1793
56
- Dismounted Cavalry
- undated
57
- View of York
- undated
58
- Romantic Composition
- undated
59
- Sand Pits, Hunsdon
- undated
60
- Mother and Infant
- ca. 1798
61
- Millbank
- undated
62
- Linlithgow Palace
- undated
63
- Two Men on a Country Road
- 1793
64
- Shiva and Parvati Playing Chaupar, Relief Sculpture at Ellora
- between 1793 and 1795
65
- Drawing of a Pillar at Karla
- 1793
66
- Great Chaitya Hall at Karla
- 1793
67
- Dashavatara Temple at Ellora
- between 1793 and 1795
68
- Kailasa Temple at Ellora, Exterior View from the Northeast
- between 1793 and 1795
69
- Indra Sabha Temple at Ellora, Upper Level of East-Facing Cave
- between 1793 and 1795
70
- The Waterfall at Dhumar Lena, Dry Except in the Rains
- between 1793 and 1795
71
- The Waterfall at Dhumar Lena, Dry Except in Rains
- between 1793 and 1795
72
- A Tea Garden
- 1793
73
- Two Donkeys in a Landscape
- undated
74
- View on the Thames at Battersea
- undated
75
- Landscape with Cottage and Figures on Horseback
- 1793
76
- Amelia de Lautour
- 1793
77
- Peter de Lautour
- 1793
78
- Joseph de Lautour
- 1793
79
- Thomas Quincey
- 1793
80
- Merida, Spain
- undated
81
- River Landscape
- undated
82
- A Village Street
- undated
83
- London from the Thames
- undated
84
- Landscape by Moonlight
- undated
85
- View of Rugged Coastline, Bamburgh, Northumberland
- undated
86
- Trees Overhanging a River
- undated
87
- The Fisherman
- undated
88
- Cattle Watering at Sunset
- undated
89
- River Landscape with Figures
- undated
90
- Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
- ca. 1798
91
- Mountain Landscape with Castle Ruins on a Cliff
- undated
92
- View of the High Street of Edinburgh and the Commissioner
- 1793
93
- River Landscape with Two Figures, Lake and Distant Mountains
- undated
94
- Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
- undated
95
- River, Trees and Distant Town
- undated
96
- Farm House with a Well
- undated
97
- Tintern Abbey
- undated
98
- Romatic Landscape with a Castle and a Tree on the Right
- undated
99
- Landscape Composition, Dolbadern
- undated
100
- Romantic Landscape with Cliffs and a Castle
- undated