Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1792 / Work Type: drawing

1. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The River at Dusk, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Watercolor, black chalk and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Coal Wharf, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Man Lifting a Trunk, Two studies on one sheet

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Graphite, black chalk, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 1/16in. (28.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Castle Acre Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 11 5/8 inches (38.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Tipu Sultan's Summer Palace

Creator:: Lieutenant James Hunter, died 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 13/16 inches (29.3 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Man Toasting Another Man . . .

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Caernarvon Castle

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 12 3/4 inches (26.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. William Lee, October 1, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 inches (14 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Krishna and Radha

Creator:: James Wales, ca.1747–1795
Date:: 1792 to 1795
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 13 1/2 inches (37.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fye Bridge, Norwich

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 8 1/4 inches (24.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Near the Ferry going to Gott's, Leeds

Creator:: attributed to John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Near Mallwyd on the Dovey

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: undated
Materials & Techniques:: Watercolor, wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 15 13/16in. (27 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Young Girl Sitting on a Bank outside a Church

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 3/4 inches (25.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. An Indian Shrub with White Blossoms and Pointed Leaves

Creator:: Janet Dick, active 1794–1806
Date:: between 1792 and 1807
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Pirates

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: July 14, 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Haymaking

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. River Scene with Waterfall and High Trees

Creator:: J. S. Barth, active 1797–1809
Date:: 1792
Materials & Techniques:: Watercolor and pen and black ink with scraping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 14 3/4 inches (25.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A View of Waltham Abbey, Herts, Essex

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Church Porch

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 8 3/4 inches (20.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Madiera, South East Extremity, 10 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Richmond Castle, Yorkshire

Creator:: follower of John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Corsham Court, Wiltshire: Elevation of the North Front

Creator:: John Nash, 1752–1835
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Guildhall, Exeter

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Scotsman with Sword; Modern Dress of a Highland Chieftan

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 2 15/16 inches (11.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Man Haranguing a Gatepost

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 1/2 × 3 13/16 inches (6.4 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Rural Scene

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 4 1/16 inches (8.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Industrious Jenny

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Figure Sketches

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 15/16 × 3 3/16 inches (7.5 × 8.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bridgnorth

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 13/16 × 14 7/16 inches (24.9 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Raree Show

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Uncle George in the Dress of a Highland Herdsman

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. River with Fishermen

Creator:: John Glover, 1767–1849
Date:: 1792
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Two Jeyties Wrestling

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Two Jeyties

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Durbar Scene, Poona, October 3, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/16 inches (11.4 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1792 to 1794
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Image: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. An Old Fisherman Repairing Nets with a Cottage in the Background

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 12 inches (30.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Shore Scene with Sailing Ship at Quay

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 × 27 1/4 inches (47.9 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: 1792
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Landscape with a Distant Ridge

Creator:: Attributed to Agostino Aglio the elder, 1777–1857
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 4 3/4 × 15 3/4 inches (12.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Mourning at a Tomb

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1794
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Young Chinese Scholar

Creator:: attributed to William Alexander, 1767–1816
Date:: 1792 to 1794
Materials & Techniques:: Watercolor with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 7 1/8 inches (21.9 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Natives of Cochin Playing Shuttlecock in China

Creator:: William Alexander, 1767–1816
Date:: 1792 to 1794
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Cookham on the Thames, Berkshire

Creator:: Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Off Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 9 3/16 inches (9.5 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Teneriffe, to the East of Santa Cruz, 22 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Fort Santa Cruz, Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Kingswear Seen from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Lyme Regis, Dorset

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Island of Mayo, Cape de Verde, 2 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. St. Jago, Cape de Verde, 3 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Findlater Castle, Banff

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. St. Mary Redcliff, Bristol

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 6 1/8 inches (8.9 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1792

Work Type drawing

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1. Man with Horse and Cart Entering a Quarry

2. St. Augustine's Gate, Canterbury

3. North East View of Grantham Church, Lincolnshire

4. 'The vale of death! that hush'd cimmerian vale' (Page 54)

5. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

6. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

7. 'One radiant mark, – the death-bed of the just' (Page 41)

8. Night the Third. Narcissa; Title Page

9. 'Where sense runs savage broke from reason's chain' (Page 46)

10. 'As if the sun could envy, check'd his beam' (Page 49)

11. The Christian Triumph; Title Page

12. 'O treacherous conscience!' (Page 27)

13. 'Like that, the dial speaks; and points to thee' (Page 33)

14. 'The present moment terminates our sight' (Page 13)

15. 'Emblem of that which shall awake the dead' (Page 19)

16. 'Tis greatly wise to talk with our past hours' (Page 31)

17. 'Teaching, we learn; and giving, we retain' (Page 35)

18. 'Love, and love only, is the loan for love' (Page 37)

19. 'Angels should paint it, angels ever there' (Page 40)

20. 'Disease invades the chastest temperence' (Page 10)

21. 'Its favours here are trials, not rewards' (Page 12)

22. Night the Second. On Time, Death and Friendship; Title Page

23. 'This King of Terrors is the Prince of Peace' (Page 63)

24. Night the First. On Life, Death and Immortality; Title Page

25. 'What, though my soul fantastick measures trod' (Page 4)

26. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

27. 'Till at Death's toll, whose restless iron tongue' (Page 7)

28. 'The longest night though longer far, would fail' (Page 15)

29. 'We censure nature for a span too short' (Page 23)

30. 'Behold him, when past by; what then is seen' (Page 25)

31. The River at Dusk, Oxford

32. The Coal Wharf, Oxford

33. A Man Lifting a Trunk, Two studies on one sheet

34. Castle Acre Priory

35. Tipu Sultan's Summer Palace

36. Man Toasting Another Man . . .

37. Caernarvon Castle

38. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

39. A Sailing Canoe of Otaheite

40. William Lee, October 1, 1792

41. Krishna and Radha

42. Fye Bridge, Norwich

43. Near the Ferry going to Gott's, Leeds

44. Near Mallwyd on the Dovey

45. Young Girl Sitting on a Bank outside a Church

46. An Indian Shrub with White Blossoms and Pointed Leaves

47. Pirates

48. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

49. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

50. Haymaking

51. River Scene with Waterfall and High Trees

52. A View of Waltham Abbey, Herts, Essex

53. A Church Porch

54. Madiera, South East Extremity, 10 October

55. Richmond Castle, Yorkshire

56. Corsham Court, Wiltshire: Elevation of the North Front

57. The Guildhall, Exeter

58. Scotsman with Sword; Modern Dress of a Highland Chieftan

59. Man Haranguing a Gatepost

60. Rural Scene

61. Industrious Jenny

62. Figure Sketches

63. Bridgnorth

64. A Raree Show

65. Uncle George in the Dress of a Highland Herdsman

66. River with Fishermen

67. Two Jeyties Wrestling

68. Two Jeyties

69. A Durbar Scene, Poona, October 3, 1792

70. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

71. A Pier at Amsterdam (Version A)

72. A Sailing Canoe of Otaheite

73. View in the Island of Pulo Condore