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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1792
Remove constraint Date: 1792Search Results
1
- A Limekiln, Possibly at Briton Ferry in South Wales
- ca. 1795-96
- Not on view
2
- The Great Fire of London
- ca. 1797
- Not on view
3
- Grinding Corn
- between 1792 and 1795
- Not on view
4
- A Horse Frightened by a Snake
- 1792
- Not on view
5
- Foxhunting in Hilly Country
- 1792
- Not on view
6
- Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
- 1792
- Not on view
7
- The Benevolent Heir or the Tenant Restored to his Family
- ca. 1797
- Not on view
8
- The Angel Binding Satan
- ca. 1797
- Not on view
9
- A Stage Coach on a Country Road
- 1792
- Not on view
10
- Christ Disappearing at Emmaus
- 1792
- Not on view
11
- Charles James Fox
- 1792
- Not on view
12
- Man with Horse and Cart Entering a Quarry
- ca. 1797
13
- North East View of Grantham Church, Lincolnshire
- ca. 1797
14
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
15
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
16
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
17
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
18
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
19
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
20
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
21
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
22
- Night the Third. Narcissa; Title Page
- ca. 1797
23
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
24
- The Christian Triumph; Title Page
- ca. 1797
25
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
26
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
27
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
28
- 'O treacherous conscience!' (Page 27)
- ca. 1797
29
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
30
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
31
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
32
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
33
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
34
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
35
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
36
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
37
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
38
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
39
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
40
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
41
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
42
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
43
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
44
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
45
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
46
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
47
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
48
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
49
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
50
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
51
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
52
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
53
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
54
- Jonathan Shipley, Bishop of St. Asaph
- 1792
55
- Mrs. Robinson
- 1792
56
- Chinese Pavilion in European Landscape
- 1792
57
- Reverend John Moore, Lord Archbishop of Canterbury
- 1792
58
- Tipu Sultan's Summer Palace
- 1792
59
- Scotsman with Sword; Modern Dress of a Highland Chieftan
- undated
60
- Industrious Jenny
- undated
61
- Man Haranguing a Gatepost
- undated
62
- Rural Scene
- undated
63
- Figure Sketches
- undated
64
- Pirates
- undated
65
- Shore Scene with Sailing Ship at Quay
- undated
66
- Lady Bective
- undated
67
- Castle Acre Priory
- undated
68
- The River at Dusk, Oxford
- 1792
69
- The Coal Wharf, Oxford
- 1792
70
- River with Fishermen
- 1792
71
- Near Mallwyd on the Dovey
- undated
72
- A Church Porch
- undated
73
- Fye Bridge, Norwich
- undated
74
- Windsor Bridge
- 1792
75
- After Sun-Set
- ca. 1797
76
- Morning
- ca. 1797
77
- Moon-Light
- ca. 1797
78
- Moon-Light
- ca. 1797
79
- Evening
- ca. 1797
80
- Evening
- ca. 1797
81
- Action off Cape St. Vicent, 14 February 1797
- ca. 1797
82
- View of the Forth, Including the Queen's Ferry
- 1792
83
- Two Jeyties
- 1792
84
- William Lee, October 1, 1792
- 1792
85
- A Durbar Scene, Poona, October 3, 1792
- 1792
86
- Two Jeyties Wrestling
- 1792
87
- View on the River Bhima at Deval Gaun, 28 Miles East of Poona
- 1792 to 1794
88
- Krishna and Radha
- 1792 to 1795
89
- Westminster Bridge
- 1792
90
- The Parish Church of St. Botolph without Aldgate
- 1792
91
- View on Westminster Bridge
- 1792
92
- The Sun Setting
- 1792
93
- Arundel House in London 1646
- 1792
94
- The Murder of James First, King of Scotland
- 1792
95
- The Bank
- 1792
96
- Camberwell
- 1792
97
- Cheapside Cross
- 1792
98
- Partial View of the West Front of St. Pauls
- 1792
99
- Greenwich Hospital
- 1792
100
- Monument in St. Botolph's Bishopsgate
- 1792