<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1783

Remove constraint Date: 1783

Search Results

George Stubbs Mr. Hospey (?)Walker
George Stubbs, 1724–1806
Mr. Hospey (?)Walker
1783
Not on view
Joseph Wright of Derby Vesuvius from Posillipo
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
Francis Wheatley The Salmon Leap, Leixlip
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
Thomas Gainsborough Coastal Landscape with a Shepherd and His Flock
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
Benjamin West The Bathing Place at Ramsgate
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
Johan Joseph Zoffany Patrick Heatly
Johan Joseph Zoffany, 1733–1810
Patrick Heatly
between 1783 and 1787
Not on view
Francis Wheatley Soldier with Country Women Selling Ribbons, near a Military Camp
Francis Wheatley, 1747–1801
Soldier with Country Women Selling Ribbons, near a Military Camp
1788
Not on view
Francis Swain Ward Mausoleum at Outatori near Trichinopoly
Francis Swain Ward, ca. 1734–1794
Mausoleum at Outatori near Trichinopoly
ca. 1788
Not on view
Julius Caesar Ibbetson George Biggin
Julius Caesar Ibbetson, 1759–1817
George Biggin
1783
Not on view
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake There is No Natural Religion
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
unknown artist Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
unknown artist
Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
after work dated 1783
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
Matthew Haughton Author Reading from a Manuscript to Four Ladies
Matthew Haughton, 1768–1821
Author Reading from a Manuscript to Four Ladies
undated
Matthew Haughton A Fashionable Audience
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
Joshua Cristall Girl in a Brown Dress
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
Samuel Davis Tassisudon
Samuel Davis, 1760–1819
Tassisudon
1783
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated
Johann Rudolph Schellenberg Artist Drawing a Woman's Silhouette
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
John Raphael Smith Sir Harbord Harbord Bart.
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
unknown artist The Inflexible Porter, a Tragedy
unknown artist
The Inflexible Porter, a Tragedy
1783
Robert Blyth Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
Henry Kingsbury Samuel, Lord Hood
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
unknown artist The Encampment in the Museum Garden
unknown artist
The Encampment in the Museum Garden
1783
Benjamin Thomas Pouncey Building of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
Benjamin Thomas Pouncey Chase of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
unknown artist The Eclipse at an End - and Political Tilting Discovered
Print made by unknown artist
The Eclipse at an End - and Political Tilting Discovered
ca. 1788
unknown artist All Alive, or the Political Churchyard
unknown artist
All Alive, or the Political Churchyard
1783
unknown artist The True State of the Junction; or Men of Abilities Call'd For
unknown artist
The True State of the Junction; or Men of Abilities Call'd For
1783
Thomas Colley Tax on Receipts
Thomas Colley, active 1780s
Tax on Receipts
1783
unknown artist Coalition - The Fox & Badger Both in a Hole
unknown artist
Coalition - The Fox & Badger Both in a Hole
1783
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray A New Administration, or - The State Quacks Administring
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
John Crome A Boatload
John Crome, 1768–1821
A Boatload
undated
Joshua Cristall Open Landscape with Cathedral in Distance
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
Francesco Bartolozzi The Power of Beauty
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
Francesco Bartolozzi The Power of Love
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
Francesco Bartolozzi Love Caressed
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
William Watts Sion House in Middlesex
William Watts, 1752–1851
Sion House in Middlesex
1783
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
unknown artist The Siphons or Tale of a Tub
Print made by unknown artist
The Siphons or Tale of a Tub
1783
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
unknown artist A Perspective View of the Cities of London & Westminster
unknown artist
A Perspective View of the Cities of London & Westminster
1783
James Gillray Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid.
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
unknown artist The Ladies Church Yard
unknown artist
The Ladies Church Yard
1783
unknown artist Charley Boy Crying for the Loss of his Political Father
unknown artist
Charley Boy Crying for the Loss of his Political Father
ca. 1788
Louis Charles Ruotte The West India Flower Girl
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
James Sayer The Patriot Exalted
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
James Sayer Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
Francesco Bartolozzi Cornelia, Mother of the Gracchi
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
Paul Sandby The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
Paul Sandby, 1731–1809
The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
1783
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
Valentine Green Louisa Finch (née Thynne), Countess of Aylesford
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
John Raphael Smith Mademoiselle Baccelli
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
unknown artist Front, Side View, and Back Front, of a Modern fine Gentleman
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
Francesco Bartolozzi The Death of Captain Cook
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
Valentine Green Lady Amelia Hume
Valentine Green, 1739–1813
Lady Amelia Hume
1783
Francesco Bartolozzi George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
Francesco Bartolozzi Cherub Whispering To Woman Holding Letter
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
James Sayer Carlo Khan's Triumphal entry into Leadenhall Street
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
John Raphael Smith Young Lady in Feathered Hat
John Raphael Smith, 1752–1812
Young Lady in Feathered Hat
1783
unknown artist A View of Paddington Green
unknown artist
A View of Paddington Green
1783
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
James Walker Sir Barnard Turner
James Walker, 1748–1808
Sir Barnard Turner
1783
Francesco Bartolozzi Nymphs Bathing
Francesco Bartolozzi, 1728–1815
Nymphs Bathing
1783