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Collection
Prints and Drawings
226
Paintings and Sculpture
9
Creator
Bartolozzi, Francesco, 1727–1815
33
Blake, William, 1757–1827
28
Gillray, James, 1756–1815
21
Davis, Samuel, 1760–1819
18
Unknown artist
18
Ritson, Joseph, 1752–1803
17
Stothard, Thomas, 1755–1834
16
Cipriani, Giovanni Battista, 1727–1785
15
Cristall, Joshua, 1768–1847
12
Barry, James, 1741–1806
7
Cozens, John Robert, 1752–1797
6
Mortimer, John Hamilton, 1740–1779
6
Bunbury, Henry William, 1750–1811
5
Crome, John, 1768–1821
5
Kauffmann, Angelica, 1741–1807
5
Reynolds, Joshua, Sir, 1723–1792
5
Sayer, James, 1748–1823
5
Smith, John Raphael, 1752–1812
5
West, Benjamin, 1738–1820
5
Burke, Thomas, 1749–1815
4
more
Creator
»
Date
1800
1,347
1791
1,050
1802
1,003
1834
655
1796
608
1745
597
1795
571
1771
498
1790
463
1804
460
1827
458
1789
446
1826
442
1792
430
1835
429
1825
425
1793
423
1820
418
1803
408
1799
407
1772
405
1797
405
1700
402
1832
389
1814
384
1830
383
1784
375
1775
372
1794
354
1808
349
1782
340
1785
327
1823
319
1780
308
1818
305
1801
302
1833
298
1836
297
1812
293
1767
286
1798
286
1768
279
1853
267
1821
257
1752
253
1807
248
1546
247
1748
245
1787
245
1815
245
1809
238
1783
[remove]
235
1811
235
1805
233
1817
232
1810
229
1828
228
1770
224
1840
219
1813
218
1819
210
1739
207
1788
207
1755
199
1824
198
1837
196
1758
191
1816
189
1822
185
1778
183
1831
182
1839
182
1630
179
1786
178
1855
174
1806
171
1829
161
1765
158
1777
153
1781
152
1754
150
1763
148
1850
148
1776
140
1742
137
1870
134
1740
131
1877
124
1762
122
1774
122
1753
121
1750
119
1838
119
1841
117
0
116
1779
116
1760
111
1773
109
1730
108
1854
106
On-site Access
Accessible by appointment in the Study Room
226
Not on view
9
Image Use
Free to Use
233
Under Certain Circumstances
2
Image Available
Available
210
Unavailable
25
Classification
Prints
151
Drawings & Watercolors
68
Paintings
9
Drawing & Watercolors-Architectural
5
Drawings & Watercolors-Miniatures
2
Creator Gender
male
223
unknown
18
female
5
Collective Title
A Select Collection of English Songs
17
There Is No Natural Religion, Copy B
12
Iconographie Anglaise par Reynolds et Autres
6
Period
18th century
206
18th century-19th century
22
19th century
5
19th century-20th century
1
Materials & Techniques
graphite
61
laid paper
60
watercolor
46
wove paper
43
stipple engraving
34
black ink
21
gray wash
21
pen
15
brown ink
13
line engraving
12
mezzotint
12
color printing
11
relief etching
11
etching (printing process)
9
gray ink
9
painting (technique)
9
gouache
8
black chalk
7
oil paint
7
canvas
6
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
4
to
102
Unknown
64
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
309
Unknown
65
Work Type
drawing
72
watercolor
57
intaglio print
54
relief print
11
painting
9
frontispiece
2
miniature
2
Genre
landscape
45
genre subject
31
portrait
31
architectural subject
24
literary theme
21
religious and mythological subject
19
figure study
5
marine art
4
cityscape
2
historical subject
2
military art
2
sporting art
1
still life
1
Subject Terms
trees
43
landscape
40
architectural subject
23
men
21
portrait
20
genre subject
16
hills
15
man
14
women
14
costume
12
literary theme
12
mountains
10
text
10
woman
10
Grand Tour
9
children
8
oval
8
seated
8
clouds
7
coat
7
more
Subject Terms
»
Associated Places
Italy
8
United Kingdom
7
England
5
Europe
5
Campagna
4
Asia
3
India
2
Ireland
2
Rome
2
Albano, Lago
1
Argyll
1
Berkshire
1
Bhutan
1
Bihar
1
Blackwater
1
Castel Gandolfo
1
Derbyshire
1
Druk-Yul
1
East Sussex
1
English Channel
1
more
Associated Places
»
Associated People
Abington, Frances (1737–1815), actress
2
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 )
2
Shakespeare, William (1564–1616), playwright and poet
2
Actaeon
1
Africana, Cornelia (191 or 190 BC–100 BC)
1
Bannister, John (1760–1836), actor
1
Biggin, George (died 1803)
1
Cephalus
1
Diana
1
Gracchus, Gaius (154 BC–121 BC), Roman Populares politician
1
Gracchus, Tiberius (163 or 162 BC–133 BC), Roman Populares politician
1
Heatly, Patrick (1753–1834), East India Company administrator
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Mary Magdalene
1
Pina Manique, Diogo Inácio (1733–1805), magistrate
1
Procris
1
Satan
1
The Virgin Mary
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
28
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
28
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
6
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
6
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
6
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
3
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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235
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Date
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1
George Stubbs, 1724–1806
Mr. Hospey (?)Walker
1783
Not on view
2
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
3
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
4
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
5
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
6
Johan Joseph Zoffany, 1733–1810
Patrick Heatly
between 1783 and 1787
Not on view
7
Francis Wheatley, 1747–1801
Soldier with Country Women Selling Ribbons, near a Military Camp
1788
Not on view
8
Francis Swain Ward, ca. 1734–1794
Mausoleum at Outatori near Trichinopoly
ca. 1788
Not on view
9
Julius Caesar Ibbetson, 1759–1817
George Biggin
1783
Not on view
10
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
11
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
12
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
13
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
14
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
15
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
16
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
17
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
18
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
19
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
20
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
21
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
22
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
23
unknown artist
Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
after work dated 1783
24
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
25
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
26
Matthew Haughton, 1768–1821
Author Reading from a Manuscript to Four Ladies
undated
27
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
28
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
29
Samuel Davis, 1760–1819
Tassisudon
1783
30
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
31
Joshua Cristall, 1768–1847
Tarbert Castle
undated
32
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
33
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
34
unknown artist
The Inflexible Porter, a Tragedy
1783
35
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
36
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
37
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
38
unknown artist
The Encampment in the Museum Garden
1783
39
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
40
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
41
Print made by unknown artist
The Eclipse at an End - and Political Tilting Discovered
ca. 1788
42
unknown artist
All Alive, or the Political Churchyard
1783
43
unknown artist
The True State of the Junction; or Men of Abilities Call'd For
1783
44
Thomas Colley, active 1780s
Tax on Receipts
1783
45
unknown artist
Coalition - The Fox & Badger Both in a Hole
1783
46
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
47
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
48
John Crome, 1768–1821
A Boatload
undated
49
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
50
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
51
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
52
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
53
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
54
William Watts, 1752–1851
Sion House in Middlesex
1783
55
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
56
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
57
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
58
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
59
James Gillray, 1756–1815
Jack A Both Sides!
1783
60
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
61
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
62
Print made by unknown artist
The Siphons or Tale of a Tub
1783
63
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
64
unknown artist
A Perspective View of the Cities of London & Westminster
1783
65
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
66
unknown artist
The Ladies Church Yard
1783
67
unknown artist
Charley Boy Crying for the Loss of his Political Father
ca. 1788
68
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
69
James Sayer, 1748–1823
A Transfer of East India Stock
1783
70
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
71
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
72
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
73
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
74
Paul Sandby, 1731–1809
The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
1783
75
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
76
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
77
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
78
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
79
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
80
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
81
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
82
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
83
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
84
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
85
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
86
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
87
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
88
Valentine Green, 1739–1813
Lady Amelia Hume
1783
89
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
90
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
91
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
92
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
93
James Sayer, 1748–1823
A Transfer of East India Stock
1783
94
John Raphael Smith, 1752–1812
Young Lady in Feathered Hat
1783
95
unknown artist
A View of Paddington Green
1783
96
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
97
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
98
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
99
James Walker, 1748–1808
Sir Barnard Turner
1783
100
Francesco Bartolozzi, 1728–1815
Nymphs Bathing
1783
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