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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1780

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Subject Terms hills

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Joseph Wright of Derby Matlock Dale, looking toward Black Rock Escarpment
Joseph Wright of Derby, 1734–1797
Matlock Dale, looking toward Black Rock Escarpment
between 1780 and 1785
Not on view
George Morland Winter Landscape with Figures
George Morland, 1763–1804
Winter Landscape with Figures
ca. 1785
Not on view
unknown artist Brown Horse in a Hilly Landscape
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
Willey Reveley Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Willey Reveley, 1760–1799
Views in the Levant: View of a Harbour and Town From the Sea, Turkey
ca. 1785
Willey Reveley Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
Willey Reveley, 1760–1799
Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
ca. 1785
Willey Reveley Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
Willey Reveley Views in the Levant: Landscape With Sea, Town and Hills
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills
ca. 1785
Willey Reveley Views in the Levant: Harbour Town Surrounded by Windmills
Willey Reveley, 1760–1799
Views in the Levant: Harbour Town Surrounded by Windmills
ca. 1785
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
John Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
unknown artist A View of the City of Oporto
Print made by unknown artist
A View of the City of Oporto
between 1780 and 1815
Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
Alexander Cozens Fantastic Landscape
Alexander Cozens, 1717–1786
Fantastic Landscape
1780 to 1785