<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1780

Remove constraint Date: 1780

Associated Places Italy

Remove constraint Associated Places: Italy

Search Results

Joseph Wright of Derby A Grotto in the Gulf of Salerno, Sunset
Joseph Wright of Derby, 1734–1797
A Grotto in the Gulf of Salerno, Sunset
1780 to 1781
Not on view
Paul Sandby Italianate Landscape with Castle, Cascade and Anglers
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
Willey Reveley Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
Willey Reveley Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
Willey Reveley Views in the Levant: Rome with Ruins seen Through an Archway
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
Willey Reveley Views in the Levant: Paestum
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Thomas Bowles III A Perspective View of Venice
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
Thomas Bowles III A View of Little St. Mark's Place at Venice to the Sea
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
Willey Reveley Views in the Levant: The Colossus of Barletta
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
Richard Cooper the Younger Classical Italian Landscape with Temples and a Ruined Aquaduct
Richard Cooper the Younger, 1740–1814
Classical Italian Landscape with Temples and a Ruined Aquaduct
ca. 1785
John Robert Cozens On the Lake of Nemi
John Robert Cozens, 1752–1797
On the Lake of Nemi
between 1780 and 1783