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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Mary Constable Reading
- 1812
2
- The Homeward Star
- begun ca. 1880
3
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
4
- The Morning of Life
- 1860-1861
5
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
6
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
7
- The Farmer's Wife and the Raven
- 1788
8
- Study of a Female Nude
- undated
9
- Christ and the Woman of Samaria
- 1819
10
- The Deluge
- between 1813 and 1823
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- Christ and the Woman of Samaria
- 1819
13
- Tenth Plague of Egypt
- 1816
14
- Procris and Cephalus
- 1812
15
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
16
- A Great Tree
- ca. 1796
17
- The Bath of Bath-sheba
- undated
18
- A Seated Woman
- undated
19
- Studies of a Seated Woman
- undated
20
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
21
- A Pensive Lady
- undated
22
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
23
- The Lamb (Plate 18)
- 1789
24
- A Cradle Song (Plate 26)
- 1789
25
- The Little Boy Lost (Plate 16)
- 1789
26
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
27
- On Anothers Sorrow (Plate 24)
- 1789
28
- Introduction (Plate 3)
- 1789
29
- The Lamb (Plate 8)
- 1789
30
- Frontispiece (Plate 1)
- ca. 1788
31
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
32
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
33
- A Circular Dance (Design 23)
- between 1797 and 1798
34
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
35
- 'We censure nature for a span too short' (Page 23)
- 1797
36
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
37
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
38
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
39
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
40
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
41
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
42
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
43
- The Author Writing (Design 105)
- between 1797 and 1798
44
- Fame (Design 93)
- between 1797 and 1798
45
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
46
- A Cradle Song (Plate 18)
- 1789
47
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
48
- Mary Magdalen at the Sepulchre
- ca. 1805
49
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
50
- Italianate Landscape with Travelers, No. 1
- ca. 1765
51
- Mother and Child with Young Boy Leaning on Window Sill
- undated
52
- Sketch for a Family Group
- undated
53
- Woman and Child
- undated
54
- Portrait of a Young Woman as Psyche
- undated
55
- London Cries: "Black Heart Cherries..."
- ca. 1759
56
- London Cries: "Do You Want any Spoons..."
- ca. 1759
57
- London Cries: Shoe Cleaner
- ca. 1759
58
- London Cries: Flowers
- undated
59
- Italianate Landscape with Travellers no. 2
- ca. 1760
60
- Woman with a Blue Smock
- undated
61
- A Fisherwoman, Hands under Apron
- undated
62
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
63
- Study of a Seated Woman
- undated
64
- Street Scene at Stratford by Bow
- undated
65
- Hogarth Declaring His Love to Miss Thornhill
- 1817
66
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
67
- Hogarth Drawing Sarah Malcolm
- 1817
68
- The Assignation
- undated
69
- Design for a Country House
- ca. 1840
70
- A Regency House
- ca. 1820
71
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
72
- London Cries: A Muffin Man
- ca. 1759
73
- London Cries: Fun upon Fun
- 1759
74
- London Cries: A Fishmonger
- ca. 1759
75
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
76
- London Cries: A Lace Seller
- ca. 1759
77
- London Cries: Last Dying Speech and Confession
- ca. 1759
78
- Ariadne
- undated
79
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
80
- Queen Anne
- 1857
81
- A Woman of Fashion in Walking Dress
- undated
82
- Allegorical Subject
- undated
83
- Miss Elizabeth Siddal
- between 1854 and 1855
84
- A Family in Hyde Park
- undated
85
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
86
- Lady in a Bonnet
- between 1760 and 1765
87
- Portrait of a Lady at a Drawing Table
- undated
88
- Landscape with a Milk Maid and a Beau
- undated
89
- Denial and Disappointment
- undated
90
- Portrait of a Lady
- undated
91
- A Young Daughter of the Picts
- ca. 1585
92
- A Greek Girl Standing on a Balcony
- 1840
93
- Countess Poulett
- undated
94
- Study of the Artist's Mother Sewing
- ca. 1776
95
- Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
- 1802
96
- A Woman Bowed in Grief
- ca. 1857
97
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
98
- Study for "The Goose", 1867: Interior of a Barn
- 1866
99
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
100
- Queen Henrietta Maria, 1609-1669
- after 1636