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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Subject Terms roof

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Search Results

Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
Samuel Palmer A Barn with a Mossy Roof, Shoreham
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Paul Sandby Munn A Cornfield
Paul Sandby Munn, 1773–1845
A Cornfield
1823
James Wyatt Cobham Hall, Kent: Elevation of North Front
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of North Front
ca. 1790
unknown artist View from the Roof of a Farm
unknown artist
View from the Roof of a Farm
undated
William James Muller Study of a Cottage by a lane
William James Muller, 1812–1845
Study of a Cottage by a lane
undated
James Wyatt Cobham Hall, Kent: Elevation of Building with Design for New Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Design for New Roof
ca. 1790
James Wyatt Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
Canaletto Capriccio of a Venetian Courtyard
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
Michael Searles Design for a London Townhouse: Elevation
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
Anthony Walker Britannia in Distress
Anthony Walker, 1726–1765
Britannia in Distress
1756
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
John Martin Christ Healing the Palsied Man
Attributed to John Martin, 1789–1854
Christ Healing the Palsied Man
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
Paul Sandby Colonnade with Vaulted Roof
attributed to Paul Sandby, 1731–1809
Colonnade with Vaulted Roof
undated
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Robert Barnes The Beehive
Print made by Robert Barnes, 1840–1895
The Beehive
1854
Robert Barnes Baby Girl with Doll, Watching Chick
Print made by Robert Barnes, 1840–1895
Baby Girl with Doll, Watching Chick
undated
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Thomas Girtin Cottage near Newcastle, Northumberland
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
Thomas Girtin Ouse Bridge, York
Thomas Girtin, 1775–1802
Ouse Bridge, York
1800
Thomas Rowlandson The Test
Thomas Rowlandson, 1756–1827
The Test
undated
Edmund Turrell The Temple of Aphaia at Aegina: Perspective of Roof
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Perspective of Roof
undated
Charles Robert Cockerell The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
undated
Jean B. C. Chatelain Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer
Jean B. C. Chatelain, 1710–1771
Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer
undated
James Wyatt [One of] Five Designs for a Church
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
Robert Hills Sketches of Cottages: Two Studies on one Sheet
Robert Hills, 1769–1844
Sketches of Cottages: Two Studies on one Sheet
undated
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926