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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake Urizen (Plate 21)
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Mulready Study for a Girl Reading
William Mulready, 1786–1863
Study for a Girl Reading
undated
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
William Sherwin Barbara Duchess of Cleaveland as a Shepherdess
William Sherwin, 1645–1711
Barbara Duchess of Cleaveland as a Shepherdess
1670
Michael "Angelo" Rooker The Gate at Blenheim
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
Charles Bretherton Lady Pointing with a Stick
Print made by Charles Bretherton, ca. 1760–1783
Lady Pointing with a Stick
1782
James Bretherton A Modern Spread Eagle
Print made by James Bretherton, ca. 1730–1806
A Modern Spread Eagle
1782
James Bretherton Study of a Lady
Print made by James Bretherton, ca. 1730–1806
Study of a Lady
1781
John Goldar Captain Conquest and His Baggage Wagon
Print made by John Goldar, 1729–1795
Captain Conquest and His Baggage Wagon
1772
James Caldwall A Macarony Alderman and His Rib
Print made by James Caldwall, 1739–1819
A Macarony Alderman and His Rib
1772
Philip Dawe Lady's Maid Soaping Linen
Print made by Philip Dawe, ca.1750–ca.1790
Lady's Maid Soaping Linen
1769
Thomas Anthony Dean Queen Elizabeth
Thomas Anthony Dean, 1801–1860
Queen Elizabeth
ca. 1825
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Edward Fisher Miss Farren in the Character of Hermione
Edward Fisher, 1722–1785
Miss Farren in the Character of Hermione
1781
John Finlayson Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Alfred W. Cooper The Nightingale
Print made by Alfred W. Cooper, active 1850–1901
The Nightingale
undated
Richard Purcell Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
Print made by Richard Purcell, active 1746–1766
Mary Hale (née Chaloner), as Euphrosyne in 'L'Allegro'
undated
Agostino Brunias The Barbadoes Mulatto Girl
Print made by Agostino Brunias, 1728–1796
The Barbadoes Mulatto Girl
1779
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813
Mrs. Cosway
1787
James Bretherton Strephon and Chloe
Print made by James Bretherton, ca. 1730–1806
Strephon and Chloe
1801
George Baxter Pomare, Queen of Tahiti
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
John Faber the Younger Mary, Countess of Seaforth
John Faber the Younger, ca. 1695–1756
Mary, Countess of Seaforth
1751
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
Francesco Bartolozzi Mrs. Gautherot
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Gautherot
1790
Day & Co. North West View, Lincoln's Inn
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
Thomas Stothard Girl, Full Length, Facing Right
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Right
undated
Thomas Stothard Solicitude: A Man Supporting a Fainting Woman
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
unknown artist Brighton Town and Church
unknown artist
Brighton Town and Church
ca. 1780
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
Alexander Browne The Right Honorable Elizabeth, Countess of Northumberland
Print made by Alexander Browne, active 1660–1683
The Right Honorable Elizabeth, Countess of Northumberland
between 1681 and 1685
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
Philip Dawe Domestick Employment Ironing
Print made by Philip Dawe, ca.1750–ca.1790
Domestick Employment Ironing
ca. 1769
Philip Dawe The Pretty Maid with Her Apron Before the Candle
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
Philip Dawe The Unlucky Boy
Print made by Philip Dawe, ca.1750–ca.1790
The Unlucky Boy
1772
Charles Howard Hodges Mrs. Sophia (née Heywood) Musters as Hebe
Charles Howard Hodges, 1764–1837
Mrs. Sophia (née Heywood) Musters as Hebe
1785
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
John Faber the Younger A Girl Spinning Thread
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
Robert Pollard View of Queen Square
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
John Condé Melania
Print made by John Condé, 1765–1794
Melania
1792
Pierre Audouin Angelica Kauffman
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
Print made by Francesco Bartolozzi, 1728–1815
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
John Smart Portrait of a Woman taken from life, facing right
John Smart, 1741–1811
Portrait of a Woman taken from life, facing right
undated
John Smart Portrait of Mrs. Wilks of Madras
John Smart, 1741–1811
Portrait of Mrs. Wilks of Madras
1793
Edward Dayes Queen Square, London
Edward Dayes, 1763–1804
Queen Square, London
1786
John Downman Portrait of a Lady, Facing Left
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
John Downman Portrait of a Girl Holding a Garland
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
Richard Dadd Portrait of Maria Elizabeth Dadd, the Artist's Sister
Richard Dadd, 1817–1886
Portrait of Maria Elizabeth Dadd, the Artist's Sister
1839
William Alexander Lady Macartney's Villa at Chiswick
William Alexander, 1767–1816
Lady Macartney's Villa at Chiswick
after 1808
William Ellis Clapham
Print made by William Ellis, 1747–1810
Clapham
1792