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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Height [cm] 45

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849

St. Donat's Castle, Glamorganshire

undated

Sir Richard Colt Hoare View at Valmontone. November 1790

Sir Richard Colt Hoare, 1758–1838

View at Valmontone. November 1790

1790

James Duffield Harding Cascades de Thiers, Auvergne

James Duffield Harding, 1798–1863

Cascades de Thiers, Auvergne

undated

Henry Richard Greville third Earl of Warwick Landscape with Old Trees by Water

Print made by Henry Richard Greville third Earl of Warwick, 1779–1853

Landscape with Old Trees by Water

1803, published 1807

William Havell Study of Trees and Shrubs with Seated Figure

Print made by William Havell, 1782–1857

Study of Trees and Shrubs with Seated Figure

1804, published 1806

Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

James Caldwall Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

James Caldwall, 1739–1819

Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

1780

Edward Rooker Perspective View of the Bridge at Sion

Edward Rooker, 1724–1774

Perspective View of the Bridge at Sion

1768

James Parker Fainasollis, Borbar and Fingal

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Robert Smirke The Gem for 1830

Robert Smirke, 1752–1845

The Gem for 1830

William Ward The Romps

William Ward, 1766–1826

The Romps

1796

Luigi Balugani Seyali Hindu (Acacia)

Luigi Balugani, 1737–1770

Seyali Hindu (Acacia)

undated

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

unknown artist The Villagers Charm to Lure the Bees

unknown artist

The Villagers Charm to Lure the Bees

John Bluck The New Buildings on the West Front of Lancaster Castle

John Bluck, active 1791–1831

The New Buildings on the West Front of Lancaster Castle

Luigi Balugani A Fish from the Red Sea

Luigi Balugani, 1737–1770

A Fish from the Red Sea

undated

J. P. Quilley The Deluge

Print made by J. P. Quilley, active 1828

The Deluge

1828

John Raphael Smith Bellsane and Parcival under the Enchantment of Urma

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

Alfred Gomersal Vickers Shipping Scene in the Harbor of Dunkerque

Alfred Gomersal Vickers, 1810–1837

Shipping Scene in the Harbor of Dunkerque

undated

William Woollett [Shooting] The Spanish Pointer

William Woollett, 1735–1785

[Shooting] The Spanish Pointer

1768

William Woollett Shooting, Plate I

William Woollett, 1735–1785

Shooting, Plate I

1769

William Woollett Shooting, Plate II

William Woollett, 1735–1785

Shooting, Plate II

1770

Sarah Stone A Red Parrot

Sarah Stone, active 1786

A Red Parrot

1786

George Townly Stubbs [Lion and Horse]

George Townly Stubbs, 1748–1815

[Lion and Horse]

1770

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

William Ward The Newbus Ox

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

John Raphael Smith Mrs. Stables and Two Daughters, Harriet & Maria

John Raphael Smith, 1752–1812

Mrs. Stables and Two Daughters, Harriet & Maria

1781

Robert K. Thomas The "Meteor" and "Prince of Wales" Iron Steam Vessels

Robert K. Thomas, 1816–1864

The "Meteor" and "Prince of Wales" Iron Steam Vessels

1844

Isaac Weld Pffeffen Bad/ Switzerland

Isaac Weld, 1774–1856

Pffeffen Bad/ Switzerland

ca. 1817

unknown artist M. Antonii Antii Lupi

Print made by unknown artist

M. Antonii Antii Lupi

1551

unknown artist Plan and Notice of the Sale of the 80 Year Lease of Crosby Hall 1857

unknown artist

Plan and Notice of the Sale of the 80 Year Lease of Crosby Hall 1857

1857

unknown artist The South West Prospect of St. Paul's Cathedral

unknown artist

The South West Prospect of St. Paul's Cathedral

undated

John Chapman St. Botolphs

John Chapman, active ca. 1792–1823

St. Botolphs

1816

John Samuel Hayward Netley Abbey, the East Window

John Samuel Hayward, 1778–1822

Netley Abbey, the East Window

1804

Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Henry Holland, 1745–1806

Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

between 1783 and 1796

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Edward Goodall The Forum (vignette)

Print made by Edward Goodall, 1795–1870

The Forum (vignette)

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Venice (vignettes)

Print made by Edward Goodall, 1795–1870

Venice (vignettes)

1830

Paul Sandby Bothwell Castle, from the South

Paul Sandby, 1731–1809

Bothwell Castle, from the South

ca. 1777

William Finden The Sailor

William Finden, 1787–1852

The Sailor

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

Edward Francis Finden Scio (Fontana de Melek Mehmet Pasha)

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek Mehmet Pasha)

1832-1834

Edward Francis Finden Cologne

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Edward Goodall Cologne

Print made by Edward Goodall, 1795–1870

Cologne

1824

Francesco Bartolozzi Venus Attired By The Graces

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

James Walker Bridgenorth

Print made by James Walker, 1748–1808

Bridgenorth

1795