The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
5405
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1814 to 1820
5406
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1810 to 1820
5407
Benjamin Robert Haydon, 1786–1846
Study of Figures Sitting Under a Tree
1806
5408
Benjamin Robert Haydon, 1786–1846
Study of a Group of Standing Figures
undated
5409
Benjamin Robert Haydon, 1786–1846
Study of a Woman and Child Playing
undated
5410
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
5411
Benjamin Robert Haydon, 1786–1846
Study of an Ethnic Woman's Face, in Profile, Wearing Earrings
undated
5412
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1810 to 1820
5413
Benjamin Robert Haydon, 1786–1846
Study of a Woman in a Partial Recline
undated
5414
Benjamin Robert Haydon, 1786–1846
Study of a Man's Expressive Face
undated
5415
Benjamin Robert Haydon, 1786–1846
Study of Male Heads
undated
5416
Benjamin Robert Haydon, 1786–1846
Portrait Study, of a Man's Profile
undated
5417
Benjamin Robert Haydon, 1786–1846
Study of a Man's Expressive Face
undated
5418
Benjamin Robert Haydon, 1786–1846
Study for, Agony in the Garden
undated
5419
Benjamin Robert Haydon, 1786–1846
Study of a Castle
undated
5420
Benjamin Robert Haydon, 1786–1846
Figure Study of a Nude Male
undated
5421
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
5422
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
5423
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
5424
Benjamin Robert Haydon, 1786–1846
Study of the Crucifixion
undated
5425
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
5426
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
5427
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
5428
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
5429
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
5430
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
5431
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
5432
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
5433
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
5434
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
5435
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
5436
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
5437
Sir Richard Colt Hoare, 1758–1838
The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus
1790
5438
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
5439
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
1790
5440
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
1786 to 1819
5441
Sir Richard Colt Hoare, 1758–1838
The Town and Lake of Nemi, in Italy
1786 to 1819
5442
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
5443
Print made by Lucas Vorsterman I, 1595–1675
Hieronymo de Bran
ca. 1635
5444
after George Baxter, 1804–1867
Prince Albert
after 1855
5445
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
5446
unknown artist
A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England
1798
5447
Print made by Richard Ansdell, 1815–1885
The Sentinel
1857
5448
Benjamin Smith, 1775–1833
The Alto Relievo
1796
5449
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
5450
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
5451
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
5452
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
5453
Alfred William Hunt, 1830–1896
Study for Tynemouth Pier - Lighting the Lamps at Sundown
ca. 1863
5454
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
5455
George Clint, 1770–1854
Edmond Antrobus, 1st Baronet
undated
5456
Robert Smirke, 1752–1845
Studies from a French MSS Bible Register
undated
5457
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
5458
William Turner of Oxford, 1789–1862
The "Friend" Sailing Vessel at Upton-on-Severn
undated
5459
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
5460
Pierre Charles Canot, ca. 1710–1777
The Stag at Bay
undated
5461
Robert Sheppard, active 1730–1740
Unharbouring the Stag
undated
5462
Robert Sheppard, active 1730–1740
The Death and taking Say of the Stag
undated
5463
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
5464
Richard Ansdell, 1815–1885
The Waterloo Coursing Meeting
5465
Willem van de Velde the Elder, ca. 1611–1693
Celebration on the Thames near Whitehall
1685
5466
Richard Ansdell, 1815–1885
The Caledonian Coursing Meeting
5467
Print made by John Robert Cozens, 1752–1797
Bath: Queen Square
1773
5468
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
5469
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
5470
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
5471
George Dawe, 1781–1829
The Inheritance
ca. 1825
5472
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
5473
Cornelius Varley, 1781–1873
View in Suffolk
1803
5474
George Dawe, 1781–1829
The First Party
ca. 1825
5475
George Dawe, 1781–1829
The Betting Booth
ca. 1825
5476
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
5477
George Dawe, 1781–1829
The Usurer
ca. 1825
5478
George Dawe, 1781–1829
The Mess Room
ca. 1825
5479
George Dawe, 1781–1829
The Gambling House
ca. 1825
5480
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
5481
John Varley, 1778–1842
On the Thames
undated
5482
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
5483
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
5484
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
5485
unknown artist
Hoober Stand at Wentworth Woodhouse, Yorkshire
undated
5486
unknown artist
Tea Room at Wentworth Woodhouse, Yorkshire
undated
5487
William West of Clifton near Bristol, 1801–1861
Soliders in Costume of the Middle Ages around a Blazing Idol
undated
5488
John Harris, 1811–1865
One of a set of four: The Liverpool Great National Steeple-Chase
1839
5489
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
5490
John Absolon, 1815–1895
Trees by a Pool
Undated
5491
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
5492
Thomas Rowlandson, 1756–1827
Set of eight (3): Cries of London
1799
5493
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
5494
Keith Vaughan, 1912–1977
Night Despatch Rider - Tea in a Café
1943
5495
Charles Ginner, 1878–1952
A Garden Path
undated
5496
Rivers, active 1799–1804
The Miser
5497
Thomas Rothwell, ca. 1742–1807
Edwin and Matilda
5498
Thomas Tagg, died 1809
First Love; or, Maria's Monument
5499
Print made by Francis Chesham, 1749–1806
Head & Limbs
1794
5500
Thomas Cook, 1744–1818
Blackwell's Military Figures, Plate II, Halberd Men