Collection: Prints and Drawings - YCBA Collections Search Search Results

Rev. William Gilpin, 1724–1804

The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

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Walter Sneyd, 1809–1888

Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Rev. William Gilpin, 1724–1804

The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

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Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

Rev. William Gilpin, 1724–1804

These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

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Rev. William Gilpin, 1724–1804

The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

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Rev. William Gilpin, 1724–1804

The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

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Rev. William Gilpin, 1724–1804

The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

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Rev. William Gilpin, 1724–1804

The evening glow now pervades the Landscape strongly (Design for Plate 24)

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William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

William Havell, 1782–1857

[One from a group of views] Thames and South Coast

1822

unknown artist

Alexander Hood, 1st Viscount Bridport

unknown artist

No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

1815-1816

unknown artist

No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

1815-1816

unknown artist

No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

1815-1816

unknown artist

No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

1815-1816

unknown artist

No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

1815-1816

unknown artist

No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

1815-1816

unknown artist

No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

1815-1816

unknown artist

No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

1815-1816

unknown artist

No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

1815-1816

unknown artist

No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

1815-1816

unknown artist

No.18, Berry Head, etc., Taken at Dawlish

1815-1816

unknown artist

No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

1815-1816

unknown artist

No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

1815-1816

unknown artist

No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

1815-1816

unknown artist

No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

1815-1816

unknown artist

Eastern Side of Torquay, Taken from Tor Abbey

1815-1816

unknown artist

Western Side of Torquay, Tor Abbey Lies behind this Hill

1815-1816

unknown artist

Chapel, Library, Fishmarket, Beacon

1815-1816

unknown artist

Lympstone, Mr. Hornell's House and Farm, The Embankment

1815-1816

William Nutter, 1754–1802

Saturday Evening, the Husbandman's Return From Labour

1795

unknown artist

No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

1815-1816

Print made by Sir David Young Cameron, 1865–1945

Afternoon

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James Bretherton, ca. 1730–1806

Dancing Bear with Its Keeper, Piper, and Audience of One

1774

Simon Watts, active 1812

The little Hunchback dining with the Taylor, is choak'd with a Fish Bone

1787

Charles John Watson, 1846–1927

Chelsea

1879

Print made by John Crome, 1768–1821

Three Landscape Studies

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Henry Salt, 1780–1827