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Collection Prints and Drawings
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401
- Grotesque Male Head
- undated
402
- The Company of Undertakers
- 1736
403
- Subscription Ticket for: 'Four Prints of an Election'
- 1754
404
- A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'
- 1723
405
- Lewis Theobald: Detail of the Poet
406
- Pit Ticket
- 1759
407
- Self-portrait
- 1749
408
- John Wilkes, Esq
- 1763
409
- Simon, Lord Lovat
410
- Characters and Caricatures: subscription ticket for 'Marriage à la Mode'
- 1743
411
- Beer Street
- 1751
412
- Paul before Felix
413
- Southwark Fair
- 1733
414
- Mr. Garrick in the Character of Richard III
- 1746
415
- The Distressed Poet
- 1740
416
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
417
- Fair Scene
- 1733
418
- A Midnight Modern Conversation
- 1733
419
- A Rake's Progress, Plate II: His Levee
- 1735
420
- A Rake's Progress, Plate I: He Takes Possession
- 1735
421
- The Sleeping Congregation
- 1736
422
- Simon Lord Lovat
- 1746
423
- Gulielmus Hogarth
- 1749
424
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
425
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
426
- Chairing the Members, Plate IV
- 1758
427
- The Polling, Plate III
- 1758
428
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
429
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
430
- A Rake's Progress, Plate V: He Marries
- 1735
431
- The Invasion, Plate II: England
- 1756
432
- The Cockpit
- 1759
433
- The Bench
- 1758
434
- Hogarth Painting the Comic Muse
- 1764
435
- The Laughing Audience
- 1733
436
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
437
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
438
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
439
- Southwark Fair
- 1733
440
- A Rake's Progress, Plate III: He Revels
- 1735
441
- A Rake's Progress, Plate IV: Goes to Court
- 1735
442
- A Rake's Progress, Plate VI: He Gambles
- 1735
443
- The Stage Coach; Or Country Inn Yard
- 1747
444
- Scholars at a Lecture (A Chorus of Singers)
- 1736
445
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
446
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
447
- A Consultation of Physicians
- 1736
448
- The Distrest(ed) Poet
- 1740
449
- Strolling Actresses Dressing in a Barn
- 1738
450
- The Enraged Musician
- 1741
451
- Colombus breaking the Egg
- 1753
452
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
453
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
454
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
455
- The Invasion, Plate I: France
- 1756
456
- Analysis of Beauty, Plate II: A Country Dance
- 1753
457
- An Election Entertainment, Plate I
- 1755-58
458
- Hudibras Triumphant (no.4)
459
- Hudibras Encounters the Skimmington (no.12)
460
- Subscription Ticket for The March to Finchley
- 1746
461
- The Four Times of Day, Plate I: Morning
- 1738
462
- The Four Times of Day, Plate IV: Night
- 1738
463
- The Four Times of Day, Plate II: Noon
- 1738
464
- Frontispiece and its Explanation (no.1)
- 1726
465
- Hudibras's First Adventure (no.3)
466
- Hudibras Sallying Forth (no.2)
467
- Hudibras Catechiz'd (no.9)
468
- Hudibras and the Lawyer (no.7)
469
- Burning ye Rumps at Temple-Barr (no.11)
470
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
471
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
472
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
473
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
474
- The Bruiser
- 1763
475
- Auction of Pictures, &c
- 1799
476
- None
- 1833
477
- Auction of Pictures, &c
- 1799
478
- The Invasion, Plate I, France
- 1768
479
- Country Inn Yard
- 1833
480
- The Invasion, Plate II, England
- 1833
481
- Marriage à la Mode, Plate I, The Contract
- 1833
482
- The Chorus
- 1768
483
- The Laughing Audience
- 1768
484
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
485
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
486
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
487
- Concert Ticket, Mary's Chappel
- 1799
488
- Concert Ticket, Mary's Chappel
- 1799
489
- Concert Ticket, Mary's Chappel
- 1799
490
- Concert Ticket, Mary's Chappel
- 1799
491
- Concert Ticket, Mary's Chappel
- 1799
492
- Concert Ticket, Mary's Chappel
- 1799
493
- Satire on False Perspective
- 1799
494
- Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
- 1833
495
- Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
- 1833
496
- Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
- 1833
497
- Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
- 1833
498
- Frontispiece to Leveridge's Songs
- 1799
499
- Frontispiece to Hogarth's Works, The Milk Maid
- 1850
500
- The Distressed Poet
- 1833