Collection: Prints and Drawings - YCBA Collections Search Search Results

49101. Full Moon, Kent

Creator:: Hamish Fulton, born 1946
Date:: 1988, printed 1989
Materials & Techniques:: Offset lithograph on 315gsm Heritage cream wove paper
Dimensions:: Sheet: 28 3/8 x 39in. (72 x 99cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49102. Allegory of the Arts and Sciences

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 5/8 x 7 7/8in. (32.1 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49103. Johnny in a Flatting Mill

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49104. The Volunteer Review or Effects of Rain

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49105. The Hats or Exchange is no Robbery

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49106. Fashionable Contrasts or The Female Jockey and Man Millner

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49107. Plucking a Rose

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49108. Bleeding Neptune or A Scotch Experiment

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49109. More Luxeries for John Bull

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49110. Administering to an Old Friend

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49111. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49112. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49113. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49114. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49115. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49116. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49117. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49118. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49119. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49120. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49121. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49122. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49123. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49124. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49125. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49126. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49127. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49128. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49129. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49130. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49131. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49132. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49133. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49134. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49135. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49136. The Right Honorable Edward, Lord Hawke

Creator:: Jonathan Hall
Date:: 1795
Materials & Techniques:: Colored, line engraving
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

49137. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49138. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49139. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49140. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49141. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49142. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49143. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49144. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49145. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49146. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49147. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49148. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49149. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49150. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49151. The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Dimensions:: Image: 7 1/8 x 10 3/4in. (18.1 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49152. The evening glow now pervades the Landscape strongly (Design for Plate 24)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49153. The evening glow now pervades the Landscape strongly (Design for Plate 25)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49154. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49155. Alexander Hood, 1st Viscount Bridport

Creator:: unknown artist
Materials & Techniques:: Stipple engraving and line engraving
Dimensions:: Sheet: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

49156. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49157. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49158. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49159. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49160. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49161. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49162. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49163. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49164. Eastern Side of Torquay, Taken from Tor Abbey

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49165. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49166. Body and Soul 2

Creator:: Sir Antony Gormley, born 1950
Date:: 1990
Materials & Techniques:: Soft-ground etching on 300gsm Somerset TP Textured white wove paper
Dimensions:: Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49167. Body and Soul 6

Creator:: Sir Antony Gormley, born 1950
Date:: 1990
Materials & Techniques:: Soft-ground etching on 300gsm Somerset TP Textured white wove paper
Dimensions:: Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49168. Body and Soul 9

Creator:: Sir Antony Gormley, born 1950
Date:: 1990
Materials & Techniques:: Etching, soft-ground etching, and aquatint on 300gsm Somerset TP Textured white wove paper
Dimensions:: Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49169. Horse Accoutrements: Breeches, Cap, Coat, Boots, Gloves, Horn, Crop, Spurs, Garter

Creator:: Harold Sterner, 1895–1976
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, black chalk and collage on thick, slightly textured, white board
Dimensions:: Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49170. Speakers' Corner

Creator:: Peter Carey, born 1931
Date:: 1966
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 3/16 x 24 7/8 inches (99.5 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49171. A Performance in the Colosseum, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching and open biting on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 25 3/8 × 28 3/4 inches (64.5 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49172. The Forum, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching, drypoint, and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 30 3/8 inches (65.1 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49173. In the Days of Justinian

Creator:: Print made by William Walcot, 1874–1943
Date:: 1925
Materials & Techniques:: Etching, open biting, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 × 30 5/8 inches (56.5 × 77.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49174. Antony in Egypt No.1 (A Visit to Cleopatra)

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 3/8 × 25 3/8 inches (77.2 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49175. The So-Called Stadium of Domitian on the Palatine Hill

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 × 31 1/4 inches (56.5 × 79.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49176. Babylon

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 × 29 3/4 inches (53.7 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49177. The Caldarium of the Baths of Caracalla

Creator:: Print made by William Walcot, 1874–1943
Date:: 1915
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 × 20 1/2 inches (66 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49178. The Victoria and Albert Museum

Creator:: Barbara Swiderska, active 1967
Date:: 1967
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 5/16 x 24 15/16 inches (99.9 x 63.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49179. Green Thought

Creator:: Edward Robert Bartelt, active 1961
Date:: 1961
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 7/8 x 24 7/8 inches (101.3 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49180. Knole

Creator:: Graham Clarke, born 1941
Date:: 1967
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 1/2 x 25 inches (100.3 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49181. Shere Church

Creator:: Anthony Atkinson, 1929–2014
Date:: 1966
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 3/16 x 25 inches (99.5 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49182. A Court of Justice, Ancient Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 34 1/2 × 27 inches (87.6 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49183. When Did You Last See Your Picassos?

Creator:: Robert Scanlon, born 1908
Date:: 1960
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 15/16 x 24 7/8 inches (101.4 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49184. Entry of a Roman Consul

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/2 × 35 1/2 inches (67.3 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49185. At the House of a Patrician

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 × 27 inches (78.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49186. The Trojan Horse

Creator:: Print made by William Walcot, 1874–1943
Date:: 1914
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 3/4 × 34 1/2 inches (70.5 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49187. The Basilica of Maxentius

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured cream wove paper
Dimensions:: Sheet: 18 × 22 3/4 inches (45.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49188. Gondolas, St. Mark's, Venice

Creator:: Print made by William Walcot, 1874–1943
Date:: 1938
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 27 1/4 inches (46 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49189. London's Museums and Galleries

Creator:: Peter Roberson, active 1958
Date:: 1955-1956
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 40 1/16 x 25 inches (101.8 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49190. The Tower of London

Creator:: Hans Unger, 1915–1975
Date:: 1956
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 7/8 x 24 15/16 inches (101.3 x 63.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49191. Horse Accoutrements: Bridle, Saddle, Stirrup Leather and Girth, Bit, Stirrup and Blanket

Creator:: Harold Sterner, 1895–1976
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, black chalk and collage on thick, slightly textured, white board
Dimensions:: Sheet: 18 1/4 × 24 7/8 inches (46.4 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49192. Covent Garden

Creator:: Print made by William Walcot, 1874–1943
Date:: 1915
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 7 5/8 inches (18.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

49193. A Tragedy of Sophocles Performed before the Emperor Hadrian

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on moderately thick, slighly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 26 inches (64.8 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49194. A Venetian Festival

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 22 3/8 inches (37.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49195. Temple of Romulus

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 28 3/8 inches (57.2 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49196. Monument to Victor Emmanuel, Rome, under Scaffolding

Creator:: Print made by William Walcot, 1874–1943
Date:: 1908
Materials & Techniques:: Etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 24 1/4 inches (50.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

49197. London Parks: Autumn Leaves

Creator:: John Burningham, 1936–2019
Date:: 1961
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 40 x 25 inches (101.6 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49198. London Centenaries 1961

Creator:: David Gentleman, born 1930
Date:: 1961
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 40 x 24 3/4 inches (101.6 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49199. Amid the Groves Under the Shadowy Hills

Creator:: Barnett Freedman, 1901–1958
Date:: 1956
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 40 x 25 inches (101.6 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

49200. Verulamium: Careless Centurion from Gaul

Creator:: John Bainbridge, 1920–1978
Date:: 1956
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 40 x 25 inches (101.6 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

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49101. Full Moon, Kent

49102. Allegory of the Arts and Sciences

49103. Johnny in a Flatting Mill

49104. The Volunteer Review or Effects of Rain

49105. The Hats or Exchange is no Robbery

49106. Fashionable Contrasts or The Female Jockey and Man Millner

49107. Plucking a Rose

49108. Bleeding Neptune or A Scotch Experiment

49109. More Luxeries for John Bull

49110. Administering to an Old Friend

49111. York Minister

49112. York Minister

49113. York Minister

49114. York Minister

49115. York Minister

49116. York Minister

49117. York Minister

49118. York Minister

49119. York Minister

49120. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49121. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49122. York Minister

49123. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49124. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49125. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49126. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49127. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49128. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49129. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49130. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49131. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49132. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49133. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49134. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49135. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49136. The Right Honorable Edward, Lord Hawke

49137. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49138. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49139. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49140. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49141. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49142. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49143. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49144. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49145. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49146. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49147. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49148. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

49149. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

49150. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

49151. The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

49152. The evening glow now pervades the Landscape strongly (Design for Plate 24)

49153. The evening glow now pervades the Landscape strongly (Design for Plate 25)

49154. [One from a group of views] Thames and South Coast

49155. Alexander Hood, 1st Viscount Bridport

49156. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

49157. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

49158. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

49159. No.9, The Milk House, Warren, etc. Returning to Exmouth

49160. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

49161. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

49162. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

49163. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

49164. Eastern Side of Torquay, Taken from Tor Abbey

49165. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

49166. Body and Soul 2

49167. Body and Soul 6

49168. Body and Soul 9

49169. Horse Accoutrements: Breeches, Cap, Coat, Boots, Gloves, Horn, Crop, Spurs, Garter

49170. Speakers' Corner

49171. A Performance in the Colosseum, Rome

49172. The Forum, Rome

49173. In the Days of Justinian

49174. Antony in Egypt No.1 (A Visit to Cleopatra)

49175. The So-Called Stadium of Domitian on the Palatine Hill