Sketchbook of 48 drawings from nature of Wolsington, Northumberland, Ferney Hill
1811
47102
Thomas Stothard, 1755–1834
[One from] Two Albums, c. 1825, containing a total of 213 drawings by Stothard for book illustrations, 1802-1825
1802-1825
47103
George Moutard Woodward, ca. 1760–1809
Villagers Clearing out Rubbish
1800
47104
George Moutard Woodward, ca. 1760–1809
The Unequal Conflict
1800
47105
Attributed to Gideon Yates, active 1825–1837
The Building of London Bridge
undated
47106
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
47107
Lt. James Christie, active 1807
Sketchbook of 1807
1807
47108
Thomas Goff Lupton, 1791–1873
Ancient Jerusalem
1837
47109
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
47110
William Brockedon, 1787–1854
Grazing animals with mountains in the distance
47111
William Brockedon, 1787–1854
Slight Sketch of a Landscape
47112
William Brockedon, 1787–1854
Slight Sketch of a Landscape
47113
William Brockedon, 1787–1854
Tower of Ouchy
47114
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
47115
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
47116
Robert H. Burden, fl.1850–1890
A Belfry, Rouen
1862
47117
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
undated
47118
Robert H. Burden, fl.1850–1890
Four pen and brown ink Sketches, on One Sheet of Paper; Three Sketches are of Towers, One of a Bell
47119
Robert H. Burden, fl.1850–1890
Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper
47120
Robert H. Burden, fl.1850–1890
Three Sketches of Capitals at Mantes and South Andre
1862
47121
Robert H. Burden, fl.1850–1890
Three Sketches of Towers, on Three Seperate Sheets of Paper: (a) Roof and Two Spires; (b) Clock Tower; (c) Roof Gable
47122
George Cruikshank, 1792–1878
Studies of Boar's Head
47123
George Cruikshank, 1792–1878
Goody Two Shoes with the History of Her Brother Tommy
47124
Nathaniel Dance, 1735–1811
Corpulent Bride and Groom, with Arms Linked
47125
Nathaniel Dance, 1735–1811
Man Hanging from an Apple Tree Branch, over a River
47126
Nathaniel Dance, 1735–1811
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
47127
Nathaniel Dance, 1735–1811
Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
47128
Nathaniel Dance, 1735–1811
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
47129
Nathaniel Dance, 1735–1811
Man with Protruding Jaws and Tiny Nose, Facing Left
47130
Nathaniel Dance, 1735–1811
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
47131
Nathaniel Dance, 1735–1811
Scene Between Two Men, One Pulling the Other's Ear
47132
Nathaniel Dance, 1735–1811
Man Leaping Over a Hedge with Stile Nearby
47133
Nathaniel Dance, 1735–1811
Hanged Man Suspended from a Tree, Over a Lake
47134
Nathaniel Dance, 1735–1811
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
47135
Nathaniel Dance, 1735–1811
Bald Man Held in Stocks, Before a Crowd
47136
Nathaniel Dance, 1735–1811
Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
47137
Thomas D. W. Dearn, 1777–1853
Thatched Cottage with an Old Man in the Yard
1829
47138
unknown artist
Plan of the Parliamentary and other Public Buildings adjacent to Westminster Hall
1835
47139
Thomas D. W. Dearn, 1777–1853
A Sluice Gate
1831
47140
Thomas D. W. Dearn, 1777–1853
Two Men on a Dock with a Castle in the Distance
1832
47141
Thomas D. W. Dearn, 1777–1853
A Country House with a Stone Fence
1833
47142
Thomas D. W. Dearn, 1777–1853
Inside a Cloister
47143
Thomas D. W. Dearn, 1777–1853
House in the Mountains with Man in the Front Yard
1831
47144
Henry Shaw, 1800–1873
Italian Churches
undated
47145
Henry Shaw, 1800–1873
Italian Churches
undated
47146
Print made by unknown artist
Plan and Apse View of San Clemente Basilica, Rome
ca. 1835
47147
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
47148
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
47149
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
47150
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
47151
Thomas Hope, 1769–1831
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
47152
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
47153
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
47154
unknown artist
Conservatory, Deepdene
undated
47155
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
47156
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
47157
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
47158
unknown artist
Badgebury House, South East Front - Elevation
1841
47159
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
47160
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
47161
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
47162
unknown artist
View of Bedgebury Park - Entrance Front
undated
47163
unknown artist
Principal Front of Bedgebury House - Elevation
undated
47164
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
47165
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
47166
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Piqale Appartenant a Madame la Comtesse Rapp - Cote de la Cour
47167
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
47168
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
47169
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
47170
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
47171
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
47172
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
47173
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
undated
47174
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
47175
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
47176
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
47177
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
47178
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
47179
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
47180
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
47181
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
47182
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
47183
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
47184
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
47185
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
47186
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
47187
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
47188
unknown artist
[One from] A collection of 91 original drawings of town and country houses
1853-1884
47189
unknown artist
Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc
ca. 1730
47190
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47191
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47192
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
47193
Col. Christopher Machell, 1747–1827
Album containing 85 drawings and 15 etchings
47194
Antonio Zucchi, 1725–1795
Pastoral Scene
undated
47195
Francis Place, 1647–1728
Panoramic View of Carlisle
undated
47196
Thomas Beilby, 1747–1826
The Lake by Roche Abbey
1778
47197
Nathaniel Dance, 1735–1811
Man with bulging eyes and pursed lips leaning his fists on a table
47198
Robert H. Burden, fl.1850–1890
Sketch of a Tower and a Window
47199
Thomas Beilby, 1747–1826
Habes Bridge near Kendall
1780
47200
Thomas Picken, 1815–1870
Sebastopol from the sea, sketched from the deck of H.M.S. Sidon, Feb. 1855