Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
2502
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
2503
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
2504
Print made by William Blake, 1757–1827
Job's Sons and Daughters Overwhelmed by Satan
2505
Print made by William Blake, 1757–1827
The Messengers Tell Job of His Misfortunes
2506
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
2507
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
2508
Print made by William Blake, 1757–1827
The Wrath of Elihu
2509
Print made by William Blake, 1757–1827
The Death of Juliet
1799
2510
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
2511
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
2512
Print made by William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
2513
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
2514
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
2515
William Blake, 1757–1827
Theocritus
1821
2516
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
2517
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
2518
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
2519
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
2520
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
2521
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1825
2522
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
2523
Print made by William Blake, 1757–1827
Illustrations of The Book of Job, in Twenty-one Plates
1825
2524
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
2525
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
2526
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
2527
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
2528
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
2529
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
2530
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
2531
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
2532
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
2533
William Blake, 1757–1827
A Woody Landscape
ca. 1801
2534
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
2535
William Blake, 1757–1827
Landscape with Spire
ca. 1801
2536
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
2537
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
2538
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
2539
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
2540
Print made by William Blake, 1757–1827
Pity
ca. 1795
2541
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
2542
William Blake, 1757–1827
A Visionary Head
1819 to 1820
2543
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
2544
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
2545
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
2546
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
2547
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
2548
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
2549
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
2550
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
2551
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
2552
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
2553
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
2554
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
2555
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
2556
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
2557
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
2558
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
2559
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
2560
Print made by William Blake, 1757–1827
Pericles, Frontispiece
1800
2561
Print made by William Blake, 1757–1827
The Death of Demosthenes
1800
2562
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
2563
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
2564
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
2565
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2566
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2567
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
2568
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
2569
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
2570
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
2571
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
2572
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
2573
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
2574
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
2575
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
2576
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
2577
John James Barralet, 1747–1815
Ledbury Church and Village, Herefordshire
undated
2578
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
2579
John James Barralet, 1747–1815
Landscape with Ledbury Church Spire
undated
2580
John Gendall, 1790–1865
A Georgian House
undated
2581
George Barret, ca. 1728/32–1784
Tree Study
undated
2582
Lt. James George, ca. 1755–1795
Rendezvous Island, Solomon Islands
ca. 1812
2583
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
2584
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
2585
George Barret, ca. 1728/32–1784
The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road
undated
2586
Conrad Gessner, 1764–1826
Man Watering Four Horses
undated
2587
John Gendall, 1790–1865
View of Westminster Hall and Abbey from the Bridge
1818
2588
James Gibbs, 1682–1754
Unidentified Office or Stables: Front Elevation
ca. 1720
2589
George Lothian Hall, 1825–1888
The Rock of Gibraltar from Algeciras (Spain)
1843
2590
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree
1790s
2591
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
2592
George Lothian Hall, 1825–1888
Europa Lighthouse, Ceuta, Spain
1843
2593
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
2594
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
2595
George Lothian Hall, 1825–1888
Tarifa Point, Spain and Mons Abyla, Africa
1843
2596
James Holland, 1799–1870
Venetian Dignitaries Boarding Gondolas
1844
2597
Sir James Guthrie, 1859–1930
Landscape with Trees
undated
2598
Augustus Edwin John, 1878–1961
Portrait of Colonel Thomas E. Lawrence (Lawrence of Arabia)