Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
1013
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
1014
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
1015
William Blake, 1757–1827
Caius Julius Cæsar
1821
1016
William Blake, 1757–1827
Epicurus
1821
1017
Print made by William Blake, 1757–1827
The Death of Juliet
1799
1018
William Blake, 1757–1827
From Antique Coins
1821
1019
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
1020
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
1021
Text by William Blake, 1757–1827
A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
1022
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1023
Print made by William Blake, 1757–1827
Satan before the Throne of God
1024
Print made by William Blake, 1757–1827
Job's Sons and Daughters Overwhelmed by Satan
1025
Print made by William Blake, 1757–1827
The Messengers Tell Job of His Misfortunes
1026
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
1027
Print made by William Blake, 1757–1827
Job's Despair
1028
Print made by William Blake, 1757–1827
Job's Comforters
1029
Print made by William Blake, 1757–1827
The Fall of Satan
1030
Print made by William Blake, 1757–1827
Every One also Gave Him a Piece of Money
1031
Print made by William Blake, 1757–1827
Job and His Daughters
1032
Print made by William Blake, 1757–1827
Job's Sacrifice
1033
Print made by William Blake, 1757–1827
Job and His Family
1034
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1035
Print made by William Blake, 1757–1827
Job's Evil Dreams
1036
Print made by William Blake, 1757–1827
The Vision of Eliphaz
1037
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1038
Print made by William Blake, 1757–1827
The Wrath of Elihu
1039
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1040
Print made by William Blake, 1757–1827
Behemoth and Leviathan
1041
Print made by William Blake, 1757–1827
The Vision of Christ
1042
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1043
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1044
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, Cover
1045
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
1046
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
1047
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
1048
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
1049
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
1050
Print made by William Blake, 1757–1827
The Death of Demosthenes
1800
1051
Print made by William Blake, 1757–1827
Pericles, Frontispiece
1800
1052
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1825
1053
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
1054
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
1055
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
1056
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
1057
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
1058
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
1059
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
1060
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
1061
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
1062
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
1063
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
1064
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
1065
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
1066
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
1067
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
1068
Print made by William Blake, 1757–1827
Pity
ca. 1795
1069
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
1070
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
1071
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
1072
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
1073
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
1074
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
1075
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
1076
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
1077
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
1078
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
1079
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
1080
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
1081
William Payne, active 1850s
On the River Wye, Monmouthshire
1082
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
1083
John Maurer, active 1713–1761
The Mansion House
1084
John Maurer, active 1713–1761
The Mansion House
1750
1085
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
1086
unknown artist
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
1087
George Frederick Prosser, active 1828–1868
The Deep-Dene. The Seat of Thomas Hope, Esq
undated
1088
Edward Radclyffe, 1809–1863
Deepdene near Dorking
undated
1089
George Frederick Prosser, active 1828–1868
Deep-Dene. The Seat of Thomas Hope, Esq
undated
1090
William Wallis, 1794– active 1830
Deep-Dene. East or Carriage Front, Surrey
1826
1091
Thomas Barber, ca. 1768–1843
Deep-Dene, North West Front
1826
1092
Thomas Barber, ca. 1768–1843
Deep-Dene, South Front - Surrey
1826
1093
Edward Radclyffe, 1809–1863
The Mansion at the Deepdene. Seat of Henry Thomas Hope, Esq
1845
1094
M. J. Starling, active 1830
Interior of the Hall at the Deepdene
undated
1095
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
1096
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
1097
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
1098
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam