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Subject Terms women

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake "They call'd her Pity, and fled..." (Plate 17)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 17)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 23)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 23)

1794

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake The Chimney Sweeper (Plate 10)

Print made by William Blake, 1757–1827

The Chimney Sweeper (Plate 10)

1789

William Blake The Ecchoing Green (Plate 8)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 8)

1789

William Blake Laughing Song (Plate 14)

Print made by William Blake, 1757–1827

Laughing Song (Plate 14)

1789

William Blake The Little Girl Found (Plate 22)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 22)

1789

William Blake The Divine Image (Plate 24)

Print made by William Blake, 1757–1827

The Divine Image (Plate 24)

1789

William Blake A Cradle Song (Plate 26)

Print made by William Blake, 1757–1827

A Cradle Song (Plate 26)

1789

William Blake Night (Plate 30)

Print made by William Blake, 1757–1827

Night (Plate 30)

1789

William Blake Songs of Experience, Title Page (Plate 33)

Print made by William Blake, 1757–1827

Songs of Experience, Title Page (Plate 33)

1794

William Blake Nurses Song (Plate 37)

Print made by William Blake, 1757–1827

Nurses Song (Plate 37)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

1793

William Blake Title Page, Visions of the Daughters of Albion (Plate 2)

Print made by William Blake, 1757–1827

Title Page, Visions of the Daughters of Albion (Plate 2)

1793

William Blake "And none but Bromian can hear my lamentations..." (Plate 6)

Print made by William Blake, 1757–1827

"And none but Bromian can hear my lamentations..." (Plate 6)

1793

William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)

Print made by William Blake, 1757–1827

"But when the morn arose, her lamentation renewd..." (Plate 8)

1793

William Blake The Angel (Plate 40)

Print made by William Blake, 1757–1827

The Angel (Plate 40)

1794

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Five Visionary Heads of Women

William Blake, 1757–1827

Five Visionary Heads of Women

1819 to 1820

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

Hubert-François Gravelot Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

attributed to Hubert-François Gravelot, 1699–1773

Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

undated

William Hamilton A Dramatic Scene with Three Women in an Interior

William Hamilton, 1751–1801

A Dramatic Scene with Three Women in an Interior

1794

William Hamilton Figures Harvesting

William Hamilton, 1751–1801

Figures Harvesting

undated

Lt. Gen. Charles Emilius Gold View near Auckland: Maori Warrior and Women

Lt. Gen. Charles Emilius Gold, 1803?–1871

View near Auckland: Maori Warrior and Women

1860

Theodor von Holst A Sheet of Sketches - Theatrical Studies

Theodor von Holst, 1810–1844

A Sheet of Sketches - Theatrical Studies

undated

Charles Gore Gate Toward Bursit, Aix-la-Chappelle

Charles Gore, 1729–1807

Gate Toward Bursit, Aix-la-Chappelle

1785

Theodor von Holst Theatrical Group

Theodor von Holst, 1810–1844

Theatrical Group

undated

John William Inchbold In Richmond Park

John William Inchbold, 1830–1888

In Richmond Park

1869

Thomas Hearne The Ruins of Leiston Abbey

Thomas Hearne, 1744–1817

The Ruins of Leiston Abbey

1781

John Henderson Weymouth: with figures, shipping and view of (?) the Custon House

John Henderson, 1764–1843

Weymouth: with figures, shipping and view of (?) the Custon House

undated

Anthony Highmore Group of Three Ladies

Anthony Highmore, 1719–1799

Group of Three Ladies

undated

John Frederick Lewis Highland Hospitality

John Frederick Lewis, 1804–1876

Highland Hospitality

1832

William Henry Hunt Interior of a Room

Attributed to William Henry Hunt, 1790–1864

Interior of a Room

ca. 1821

William Henry Hunt The Portico of St. Martin-in-the-Fields

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

William Henry Hunt, 1790–1864

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

ca. 1822

William Henry Hunt A Street in a Country Village

William Henry Hunt, 1790–1864

A Street in a Country Village

ca. 1815

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Samuel Shelley Studies of Two Women

attributed to Samuel Shelley, 1750–1808

Studies of Two Women

undated

Edward Francis Burney Mary, Queen of Scots

Edward Francis Burney, 1760–1848

Mary, Queen of Scots

undated

Benjamin West Costume Study for the Portrait of a Lady

Benjamin West, 1738–1820

Costume Study for the Portrait of a Lady

undated

Sir David Wilkie Grace Before Meat

Sir David Wilkie, 1785–1841

Grace Before Meat

1839

Paul Sandby Romantic Landscape with Figures and a Dog

Paul Sandby, 1731–1809

Romantic Landscape with Figures and a Dog

undated

Robert Hills A Village Snow Scene

Robert Hills, 1769–1844

A Village Snow Scene

1819

unknown artist The Globe Inn

unknown artist

The Globe Inn

undated

William Beilby Brick Bridge

William Beilby, 1740–1819

Brick Bridge

undated

James Pollard The Greengrocer

James Pollard, 1792–1867

The Greengrocer

ca. 1819

Benjamin West A Christening in Chevening Church, Kent

Benjamin West, 1738–1820

A Christening in Chevening Church, Kent

undated