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Robert Polhill Bevan Over the Bank, Exmoor

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan Huntsman and Hounds

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

1898-1899

Samuel Palmer A Pastoral Scene

Samuel Palmer, 1805–1881

A Pastoral Scene

1835

Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea

Samuel Palmer, 1805–1881

Old Cedar Tree in Botanic Garden, Chelsea

1854

Samuel Palmer Harvest under a Crescent Moon

Print made by Samuel Palmer, 1805–1881

Harvest under a Crescent Moon

ca. 1826

Samuel Palmer The Willow

Print made by Samuel Palmer, 1805–1881

The Willow

1850

Samuel Palmer Shoreham, Kent

Samuel Palmer, 1805–1881

Shoreham, Kent

between 1831 and 1832

Samuel Palmer Guildford

Samuel Palmer, 1805–1881

Guildford

1844

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Tenth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner The Deluge

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner A Great Tree

Joseph Mallord William Turner, 1775–1851

A Great Tree

ca. 1796

Edward Lear Burpham Oct.4.1834

Edward Lear, 1812–1888

Burpham Oct.4.1834

1834

Edward Lear Parham, October.13.1834

Edward Lear, 1812–1888

Parham, October.13.1834

1834

Edward Lear Parham, Sept. 30, 1834

Edward Lear, 1812–1888

Parham, Sept. 30, 1834

1834

Edward Lear Corpo di Cava, 28 June 1838

Edward Lear, 1812–1888

Corpo di Cava, 28 June 1838

1838

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857

Edward Lear, 1812–1888

On the Road, Two Hours from Tepelene, 19 April 1857

1857

Edward Lear Siracusa, 12. June 1847

Edward Lear, 1812–1888

Siracusa, 12. June 1847

1847

Edward Lear Mt. Orfano

Edward Lear, 1812–1888

Mt. Orfano

1867

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

William Blake, 1757–1827

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

between 1797 and 1798

William Blake Night (Plate 16)

Print made by William Blake, 1757–1827

Night (Plate 16)

1789

William Blake The Ecchoing Green (Plate 10)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 10)

1789

William Blake II. "Man by his reasoning power can only compare..." (Plate 4)

Print made by William Blake, 1757–1827

II. "Man by his reasoning power can only compare..." (Plate 4)

ca. 1788

William Blake Songs of Innocence, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Title Page (Plate 2)

1789

William Blake The Little Girl Found (Plate 6)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 6)

1789

William Blake Illustrations of Imitation of Eclogue I, Page 14

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 14

1821

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Illustrations of Imitation of Eclogue I, Page 15

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 15

1821

William Blake Illustrations of Imitation of Eclogue I, Frontispiece

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Frontispiece

1821

George Romney Landscape with a Leaning Tree

George Romney, 1734–1802

Landscape with a Leaning Tree

undated

George Romney Shepherdess Cutting an Inscription on a Tree

George Romney, 1734–1802

Shepherdess Cutting an Inscription on a Tree

undated

George Romney Two Lovers in a Landscape

George Romney, 1734–1802

Two Lovers in a Landscape

undated

George Romney Woman at a Column

George Romney, 1734–1802

Woman at a Column

undated

James Sowerby A Magpie in a Tree

James Sowerby, 1756–1822

A Magpie in a Tree

undated

James Sowerby Two Kingfishers beside a Lake

James Sowerby, 1756–1822

Two Kingfishers beside a Lake

undated

George Augustus Sala Pheasant defying Hunters

George Augustus Sala, 1828–1895

Pheasant defying Hunters

undated

Thomas Stothard Tree Study

Thomas Stothard, 1755–1834

Tree Study

undated

James Ward A Tree Trunk on the Ground

James Ward, 1769–1859

A Tree Trunk on the Ground

undated

James Walker Rochester

Print made by James Walker, 1748–1808

Rochester

1794

James Walker Rochester

Print made by James Walker, 1748–1808

Rochester

1794

Thomas Tagg Oxford

Print made by Thomas Tagg, died 1809

Oxford

1795

James Walker Wakefield

Print made by James Walker, 1748–1808

Wakefield

1798

Thomas Tagg Cambridge

Print made by Thomas Tagg, died 1809

Cambridge

1795

Thomas Tagg Northampton

Print made by Thomas Tagg, died 1809

Northampton

1796

James Sowerby Bird of Paradise and Verso: Sketch of a Flower

James Sowerby, 1756–1822

Bird of Paradise and Verso: Sketch of a Flower

undated

James Ward Tree Study

James Ward, 1769–1859

Tree Study

undated

Lydia Bates Coastal Scene

Print made by Lydia Bates, active 1784

Coastal Scene

1784

Isaac Shaw View on the Line of the Liverpool and Manchester Railway

Isaac Shaw, active 1830

View on the Line of the Liverpool and Manchester Railway

ca. 1830

Paul Sandby Study of a Tree

style of Paul Sandby, 1731–1809

Study of a Tree

ca. 1780

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Frederick Landseer Maur Griggs Anstey

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anstey

1902

Frederick Landseer Maur Griggs Mortmain

Print made by Frederick Landseer Maur Griggs, 1876–1938

Mortmain

1918

Frederick Landseer Maur Griggs Palace Farm

Print made by Frederick Landseer Maur Griggs, 1876–1938

Palace Farm

1922

Frederick Landseer Maur Griggs Palace Farm

Print made by Frederick Landseer Maur Griggs, 1876–1938

Palace Farm

1921

Richard Parkes Bonington Façade de l'Eglise de Brou

Print made by Richard Parkes Bonington, 1802–1828

Façade de l'Eglise de Brou

1825

Edward Duncan Study of a Pollarded Tree - a Willow

Edward Duncan, 1803–1882

Study of a Pollarded Tree - a Willow

undated

unknown artist The Merry Tales of the Wise Man of Gotham

Print made by unknown artist

The Merry Tales of the Wise Man of Gotham

1909

Thomas Bewick The Arms of Glasgow

Print made by Thomas Bewick, 1753–1828

The Arms of Glasgow

1909

Isaac Taylor Frontispiece for Town and Country Magazine, for Vol. II, No. 1

Isaac Taylor, 1730–1807

Frontispiece for Town and Country Magazine, for Vol. II, No. 1

undated

Robert Wallis Buckfastleigh Abbey, Devonshire

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Anthony Cardon Cupid Wounded

Print made by Anthony Cardon, 1772–1813

Cupid Wounded

1801

W. R. Smith Leicester Abbey, Leicestershire

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Edward Anthony Carrick Eve

Print made by Edward Anthony Carrick, 1905–1998

Eve

undated

W. R. Smith Leicester Abbey, Leicestershire

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Charles William Cain In Silent Waters

Print made by Charles William Cain, 1893–1962

In Silent Waters

1921

James S. Storer Birmingham

Print made by James S. Storer, 1771–1853

Birmingham

1795

James Walker Chester

Print made by James Walker, 1748–1808

Chester

1796

James Walker Ely

Print made by James Walker, 1748–1808

Ely

1797

James Walker Peterborough

Print made by James Walker, 1748–1808

Peterborough

1796

James Walker Peterborough

Print made by James Walker, 1748–1808

Peterborough

1796

James Walker Hampton Court Palace, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

James Walker Sheffield

Print made by James Walker, 1748–1808

Sheffield

1798

George Murray Bath

Print made by George Murray, died 1822

Bath

1795

Thomas Rothwell Guildford

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

George Murray Neath

Print made by George Murray, died 1822

Neath

1795

Thomas Tagg Bristol

Print made by Thomas Tagg, died 1809

Bristol

1796

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

John Landseer Cowes

Print made by John Landseer, 1769–1852

Cowes

1799

James Basire II A View of Worcester College &c.

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

James Basire II View of Oxford from the South Side of Heddington Hill

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Samuel Rawle South West View of Dunster Castle, Somersetshire

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

unknown artist Veni Inebriemus Eum Vino Dormiamusque Cum Eo

Print made by unknown artist

Veni Inebriemus Eum Vino Dormiamusque Cum Eo

between 1681 and 1688

unknown artist St. John with the Lamb

Print made by unknown artist

St. John with the Lamb

undated

unknown artist St. John with the Lamb

Print made by unknown artist

St. John with the Lamb

undated

William Faithorne the Younger Beauty's Tribute (Elizabeth Cooper)

Print made by William Faithorne the Younger, ca. 1669–1703

Beauty's Tribute (Elizabeth Cooper)

undated

Bernard Lens II Bacchus

Print made by Bernard Lens II, 1659–1725

Bacchus

undated