'Teaching, we learn; and giving, we retain' (Page 35)
1797
10
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
11
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
12
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
13
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
14
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
15
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
16
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
17
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
18
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
19
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
20
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
21
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
22
Sir Walter Thomas Monnington, 1902–1976
Still Life with Fruit and Geraniums
undated
23
Henry Monro, 1791–1814
A Wooded Track
1813
24
William Wyld, 1806–1889
View of Gibraltar
undated
25
unknown artist
Design for a Greenhouse at Kew Gardens
undated
26
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
27
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
28
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
29
Thomas Hearne, 1744–1817
Cottage
undated
30
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
31
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
32
Print made by William Woollett, 1735–1785
Solitude
1778
33
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
34
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
35
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
36
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
37
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
38
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
39
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 1
1757
40
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
41
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
42
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
43
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
44
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
45
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
46
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
47
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
48
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
49
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
50
Print made by William Havell, 1782–1857
Landscape with a Seated Shepherd
1804
51
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
52
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
53
John Dixon, ca. 1740–1811
A Tigress
1773
54
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
55
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
56
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
57
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
58
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
59
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
60
Print made by George Bickham the Elder, 1683/4–1758
A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)
1731
61
Print made by Henry Bonnart, 1642–1711
Mater Purissima
undated
62
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
63
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
64
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
65
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
66
Print made by Austin, Robert, 1895-1973, 1895–1973
Autumn
1922
67
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
68
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
69
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
70
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
71
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
72
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
73
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
74
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
75
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
76
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
77
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
78
Print made by unknown artist
Illustrations used for 17th Century Chapbook
1909
79
Print made by Thomas Bewick, 1753–1828
The Mastif Fox
1909
80
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
81
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
82
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
83
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
84
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
85
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
86
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
87
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
88
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
89
Print made by unknown artist
The Merry Tales of the Wise Man of Gotham
1909
90
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
91
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
92
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
93
John Minton, 1917–1957
Landscape, Corsica
1947
94
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
95
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
96
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
97
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh