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Subject Terms men

William Blake The Bard Singing Owen's Praise (Design 89)

William Blake, 1757–1827

The Bard Singing Owen's Praise (Design 89)

between 1797 and 1798

William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

between 1797 and 1798

William Blake Nurse's Song (Plate 22)

Print made by William Blake, 1757–1827

Nurse's Song (Plate 22)

1789

William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

ca. 1788

William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)

Print made by William Blake, 1757–1827

II. "Reason or the ratio of all we have already known..." (Plate 11)

ca. 1788

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Print made by William Blake, 1757–1827

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

1794

William Blake A Prophecy. "The deep of winter came..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake A Circular Dance (Design 23)

William Blake, 1757–1827

A Circular Dance (Design 23)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake "And purple tyrants vainly groan..." (Design 37)

William Blake, 1757–1827

"And purple tyrants vainly groan..." (Design 37)

between 1797 and 1798

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

William Blake, 1757–1827

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

between 1797 and 1798

William Blake "We the reins to slaughter give..." (Design 73)

William Blake, 1757–1827

"We the reins to slaughter give..." (Design 73)

between 1797 and 1798

William Blake The Prophetess Rising from Her Grave (Design 81)

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

between 1797 and 1798

William Blake Laughing Song (Plate 28)

Print made by William Blake, 1757–1827

Laughing Song (Plate 28)

1789

William Blake A Dream (Plate 4)

Print made by William Blake, 1757–1827

A Dream (Plate 4)

1789

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

1789-1794

William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

William Blake, 1757–1827

Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

1819

William Blake The Shepherd, from Songs of Innocence

Print made by William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Copy of the Laocoön, for Rees's Cyclopædia

William Blake, 1757–1827

Copy of the Laocoön, for Rees's Cyclopædia

1815

Hubert-François Gravelot Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

attributed to Hubert-François Gravelot, 1699–1773

Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background

undated

Sir John Gilbert Apotheosis of Shakespeare's Characters

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

1871

James Gillray Two Men at Fisticuffs

James Gillray, 1756–1815

Two Men at Fisticuffs

undated

unknown artist Alcibiades and Timon

unknown artist

Alcibiades and Timon

undated

Walter Greaves Chelsea Bridge with Men in a Barge

Walter Greaves, 1846–1930

Chelsea Bridge with Men in a Barge

1860

James Green The Terrace, Scarborough

James Green, 1771–1834

The Terrace, Scarborough

undated

William Green The Devil's Bridge, Kirkby Lonsdale

William Green, 1760–1823

The Devil's Bridge, Kirkby Lonsdale

undated

Julius Caesar Ibbetson Woodcutter and His Family

Julius Caesar Ibbetson, 1759–1817

Woodcutter and His Family

undated

John Henderson Weymouth: with figures, shipping and view of (?) the Custon House

John Henderson, 1764–1843

Weymouth: with figures, shipping and view of (?) the Custon House

undated

Gavin Hamilton Achilles Lamenting the Death of Patroclus

Gavin Hamilton, 1723–1798

Achilles Lamenting the Death of Patroclus

between 1760 and 1763

James Duffield Harding Lyons from Quayside on the Rhone

James Duffield Harding, 1798–1863

Lyons from Quayside on the Rhone

ca. 1824

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863

The Grand Canal, Venice

1835

Theodor von Holst A Sheet of Sketches - Theatrical Studies

Theodor von Holst, 1810–1844

A Sheet of Sketches - Theatrical Studies

undated

Theodor von Holst Sheet of Sketches

Theodor von Holst, 1810–1844

Sheet of Sketches

undated

Theodor von Holst Prospero Watching Ferdinand and Miranda

Theodor von Holst, 1810–1844

Prospero Watching Ferdinand and Miranda

ca. 1840

Theodor von Holst Theatrical Group

Theodor von Holst, 1810–1844

Theatrical Group

undated

Thomas Alexander Graham Drifting

Thomas Alexander Graham, 1840–1906

Drifting

undated

Francis Hayman Falstaff Inspecting the Recruits

Francis Hayman, 1707/8–1776

Falstaff Inspecting the Recruits

between 1761 and 1765

Thomas Heaphy Man and Children with a Street Organ and a Monkey

Thomas Heaphy, 1775–1835

Man and Children with a Street Organ and a Monkey

undated

Thomas Hearne View of Bath from Spring Gardens

Thomas Hearne, 1744–1817

View of Bath from Spring Gardens

1790

Thomas Hearne Leeds Castle, Kent

Thomas Hearne, 1744–1817

Leeds Castle, Kent

undated

Thomas Hearne A Rustic Scene

Thomas Hearne, 1744–1817

A Rustic Scene

undated

Thomas Hearne The Chestnut Tree at Little Wymondley, Hertfordshire

Thomas Hearne, 1744–1817

The Chestnut Tree at Little Wymondley, Hertfordshire

undated

Thomas Hearne Goodrich Castle on the Wye

Thomas Hearne, 1744–1817

Goodrich Castle on the Wye

ca. 1785

Thomas Hearne Windsor Castle from the Eton Playing Fields

Thomas Hearne, 1744–1817

Windsor Castle from the Eton Playing Fields

undated

Thomas Hearne Thaxted Church, Essex

Thomas Hearne, 1744–1817

Thaxted Church, Essex

ca. 1800

Thomas Hearne Edinburgh

Thomas Hearne, 1744–1817

Edinburgh

ca. 1778

Thomas Hearne Unloading Pit Props at Coalbrookdale

Thomas Hearne, 1744–1817

Unloading Pit Props at Coalbrookdale

after 1790

Thomas Hearne The Bayswater Turnpike

Thomas Hearne, 1744–1817

The Bayswater Turnpike

undated

Thomas Hearne The Gateway of Lancaster Castle

Thomas Hearne, 1744–1817

The Gateway of Lancaster Castle

ca. 1778

Thomas Hearne The Ruins of Leiston Abbey

Thomas Hearne, 1744–1817

The Ruins of Leiston Abbey

1781

John Henderson Lord Penryn's Slate Quarries

John Henderson, 1764–1843

Lord Penryn's Slate Quarries

undated