<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms figure study

Remove constraint Subject Terms: figure study

Search Results

George Stubbs Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
George Stubbs, 1724–1806
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
between 1795 and 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Relates to Table II)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
George Stubbs Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Joseph Mallord William Turner Aesacus and Hesperie
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Edward Lear Near Bajoura
Edward Lear, 1812–1888
Near Bajoura
1867
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Korti
Edward Lear, 1812–1888
Korti
1867
Edward Lear Egyptian Men
Edward Lear, 1812–1888
Egyptian Men
1867
Edward Lear Memphis
Edward Lear, 1812–1888
Memphis
1867
Edward Lear Memphis
Edward Lear, 1812–1888
Memphis
1867
Edward Lear Camel studies
Edward Lear, 1812–1888
Camel studies
1867
Edward Lear Study of an Egyptian Man on a Camel
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
Edward Lear Study of figures and a camel
Edward Lear, 1812–1888
Study of figures and a camel
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Camels
Edward Lear, 1812–1888
Camels
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
William Blake A Visionary Head
William Blake, 1757–1827
A Visionary Head
1819 to 1820
George Romney Mourning Group
George Romney, 1734–1802
Mourning Group
ca. 1790
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 25
George Romney, 1734–1802
Figure Composition Study 25
undated
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 30
George Romney, 1734–1802
Figure Composition Study 30
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Figure Composition Study 38
George Romney, 1734–1802
Figure Composition Study 38
undated
George Romney Figure Composition Study 39
George Romney, 1734–1802
Figure Composition Study 39
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
undated
George Romney Composition of Two Figures
George Romney, 1734–1802
Composition of Two Figures
undated
George Romney Female Figure
George Romney, 1734–1802
Female Figure
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 36
George Romney, 1734–1802
Figure Composition Study 36
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Study of Two Seated Figures
George Romney, 1734–1802
Study of Two Seated Figures
undated
George Romney Study of a Standing Figure
George Romney, 1734–1802
Study of a Standing Figure
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 49
George Romney, 1734–1802
Figure Composition Study 49
undated
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Figure Study 10
George Romney, 1734–1802
Figure Study 10
undated
George Romney Figure Study Eleven
George Romney, 1734–1802
Figure Study Eleven
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated