One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
803
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
804
Print made by Frederick Landseer Maur Griggs, 1876–1938
Totterne Inn
1919
805
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
806
David Cox, 1783–1859
A Mountainous View, North Wales
ca. 1815
807
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
808
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
809
Print made by William Woollett, 1735–1785
The Fishery
1768
810
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
811
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
812
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
813
Print made by Gerard van der Gucht, 1696–1776
Tellicherry
1736
814
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
815
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
816
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
817
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
818
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
819
Francis Towne, 1740–1816
Modern Bridge at Narni
1795
820
Sir Thomas Lawrence, 1769–1830
Drawing after The Transfiguration
1782
821
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
822
attributed to John Ruskin, 1819–1900
Hills and Sky
undated
823
John Ruskin, 1819–1900
Mountainous Landscape
undated
824
John Michael Rysbrack, 1694–1770
A Scene on Mount Olympus
undated
825
unknown artist
Mrs. Yates in the Character of Medea
after 1771
826
Walter Crane, 1845–1915
Sky over Vesuvius
1872
827
Print made by Robert Spence, 1871–1964
George Fox Comes to London After the Great Fire
between 1890 and 1911
828
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
829
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
830
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
831
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
832
Edward Fisher, 1722–1785
Admiral Augustus Keppel, Viscount Keppel
1759
833
John Dixon, ca. 1740–1811
Miss Emma Crewe and Miss Elizabeth Crewe
1782
834
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
835
Print made by Anthony Cardon, 1772–1813
Credulity
1796
836
John Varley, 1778–1842
Landscape with a Distant Tower
undated
837
Figures engraved by William Sharp, 1749–1824
Niobe
1792
838
circle of John Linnell, 1792–1882
Job's Despair
undated
839
Print made by Alfred W. Cooper, active 1850–1901
The Farmer's Boy (tail piece)
undated
840
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
841
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
842
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
843
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
844
Print made by Sir Frank Short, 1857–1945
The Mouth of the Thames, Isle of Sheppey in Distance
1891
845
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
846
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
847
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
848
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
849
Print made by Sir Frank Short, 1857–1945
Nithsdale
1891
850
Print made by Sir Frank Short, 1857–1945
Entrance to the Mersey
1890
851
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
852
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
853
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
854
Cornelius Varley, 1781–1873
Study near Harlech Castle
undated
855
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
856
John Varley, 1778–1842
The Castle on the Hill
undated
857
attributed to Peter DeWint, 1784–1849
A Yorkshire Farm
undated
858
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
859
John Varley, 1778–1842
An Arch at Holy Island, Northumberland
1809
860
Print made by William Richardson, active 1842–1877
Ashestiel
1835
861
Print made by John Doyle ('H.B.'), 1797–1868
The Fates
1847
862
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
863
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
864
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
865
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
866
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
867
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
868
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
869
Thomas Girtin, 1775–1802
Jedburgh Abbey, Roxburghshire
ca. 1793
870
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
871
Thomas Girtin, 1775–1802
Denbigh Castle
ca. 1793
872
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
873
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
874
Thomas Girtin, 1775–1802
Melville Castle, Midlothian
ca. 1796
875
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
876
Thomas Girtin, 1775–1802
Valle Crucis Abbey, Denbighshire
ca. 1799
877
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
878
Thomas Girtin, 1775–1802
Country House
ca. 1797
879
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the South
ca. 1830
880
Thomas Girtin, 1775–1802
View of Rochester
1791
881
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
882
Thomas Girtin, 1775–1802
Romantic Landscape
ca. 1801
883
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
884
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
885
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
886
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
887
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
888
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
889
unknown artist
The Watermill Above the Bridge at Charenton
undated
890
Dominic Serres, 1722–1793
Shipping in the Solent off Calshot Castle
between 1760 and 1793
891
E. A. Cox, 1876–1955
Britain's Past and Present
1924
892
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Distant View from the North