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Collection Prints and Drawings

Subject Terms clouds

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

between 1797 and 1798

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

William Blake, 1757–1827

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

between 1797 and 1798

William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Print made by William Blake, 1757–1827

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

1794

William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

William Blake "To the Christians..." (Plate 77)

Print made by William Blake, 1757–1827

"To the Christians..." (Plate 77)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake "Oft did the harvest to their sickle yield..." (Design 109)

William Blake, 1757–1827

"Oft did the harvest to their sickle yield..." (Design 109)

between 1797 and 1798

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Thomas Alphonso Hayley, Half-Length Drawing

attributed to William Blake, 1757–1827

Thomas Alphonso Hayley, Half-Length Drawing

ca. 1800

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

Harold Gilman Romney Marsh

Harold Gilman, 1876–1919

Romney Marsh

undated

Harold Gilman Romney Marsh

Harold Gilman, 1876–1919

Romney Marsh

undated

William Green View of Lakes Buttermere and Crummock Water

William Green, 1760–1823

View of Lakes Buttermere and Crummock Water

1803

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863

The Grand Canal, Venice

1835

Sir George Hayter Stormy Sunset, Legh Park, Wiltshire

Sir George Hayter, 1792–1871

Stormy Sunset, Legh Park, Wiltshire

1816

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817

The Poor House, Hadley, Hertfordshire

1802

Thomas Hearne The Lecture House, Watford

Thomas Hearne, 1744–1817

The Lecture House, Watford

1807

Samuel Jackson Romantic Landscape

Samuel Jackson, 1794–1869

Romantic Landscape

ca. 1830

Samuel Jackson Two Riders Fording a River

Samuel Jackson, 1794–1869

Two Riders Fording a River

undated

Thomas Lindsay Sky Study, No. 7

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 7

undated

John Smith, the mezzotinter The Triumph of Galatea

Print made by John Smith, the mezzotinter, 1652–1743

The Triumph of Galatea

1701

Johann Friedrich Bodecker Cornelis Solingen

Print made by Johann Friedrich Bodecker, German, 1658–1727

Cornelis Solingen

undated

Robert John Gibbings Bridge over River

Robert John Gibbings, 1889–1958

Bridge over River

undated

George Siegmund Facius West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

1785

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Temperance

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Temperance

1782

George Siegmund Facius West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

1785

George Siegmund Facius West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

1785

George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

1805

George Siegmund Facius West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

1785

Francesco Bartolozzi Venus Childing Cupid

Francesco Bartolozzi, 1728–1815

Venus Childing Cupid

1784

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Hope

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Hope

1781

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Franz Carl Heissig La petite marchande de carpe

Print made by Franz Carl Heissig, active 1770

La petite marchande de carpe

ca. 1775

Bernard Lens II Salvator Mundi

Print made by Bernard Lens II, 1659–1725

Salvator Mundi

undated

Bernard Lens II Jupiter and Semele

Print made by Bernard Lens II, 1659–1725

Jupiter and Semele

undated

Bernard Lens II Flora and Putti

Print made by Bernard Lens II, 1659–1725

Flora and Putti

undated

Bernard Lens II Bacchus et Ariadne

Print made by Bernard Lens II, 1659–1725

Bacchus et Ariadne

undated

James Wyatt Design for Little Frogmore: Elevation

James Wyatt, 1746–1813

Design for Little Frogmore: Elevation

1791

John Faber the Younger Geography

Print made by John Faber the Younger, ca. 1695–1756

Geography

undated

William Faithorne the Younger Juno and Iris

Print made by William Faithorne the Younger, ca. 1669–1703

Juno and Iris

between 1695 and 1703

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

Bernard Lens II Venus Presenting Armour to Aeneas

Print made by Bernard Lens II, 1659–1725

Venus Presenting Armour to Aeneas

undated

Bernard Lens II Salvator Mundi

Print made by Bernard Lens II, 1659–1725

Salvator Mundi

undated

John Smith, the mezzotinter Plaudit Ave Regina

Print made by John Smith, the mezzotinter, 1652–1743

Plaudit Ave Regina

undated

Bernard Lens II Juno, Venus, and Cupid

Print made by Bernard Lens II, 1659–1725

Juno, Venus, and Cupid

undated

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

William Faithorne the Younger The Crucifixion

Print made by William Faithorne the Younger, ca. 1669–1703

The Crucifixion

undated

Abraham Blooteling Shepherd and Shepherdess

Print made by Abraham Blooteling, 1640–1690

Shepherd and Shepherdess

1676

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Faith

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Faith

1781

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Justice

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Justice

1782

Charles Howard Hodges Mrs. Sophia (née Heywood) Musters as Hebe

Charles Howard Hodges, 1764–1837

Mrs. Sophia (née Heywood) Musters as Hebe

1785

William Marlow Nîmes from the Tour Magne

William Marlow, 1740–1813

Nîmes from the Tour Magne

ca. 1765

Samuel Owen Ships on a Stormy Sea

Samuel Owen, 1768–1857

Ships on a Stormy Sea

1836

Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast

Samuel Owen, 1768–1857

Sailing Ships and Small Boats in Rough Sea off the Coast

undated

Alexander Monro Boxhill from West Humble Lane

Alexander Monro, 1802–1844

Boxhill from West Humble Lane

undated

Thomas Barker Landscape with Shepherd and Sheep

Thomas Barker, 1769–1847

Landscape with Shepherd and Sheep

undated

Sir David Wilkie Fife

Sir David Wilkie, 1785–1841

Fife

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (three of four)

ca. 1710

Sir James Thornhill Design for a Ceiling

Sir James Thornhill, 1675–1734

Design for a Ceiling

undated

Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Elijah Walton, 1832–1880

Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

undated

Elijah Walton Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria

Elijah Walton, 1832–1880

Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria

undated

François M. la Cave The Foundlings

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Cornelius Varley Study of Trees at the Edge of a Field

Cornelius Varley, 1781–1873

Study of Trees at the Edge of a Field

undated

Thomas Shotter Boys Hotel de Ville, Hague

Thomas Shotter Boys, 1803–1874

Hotel de Ville, Hague

1859

William James Muller Pines on Hampstead Heath

William James Muller, 1812–1845

Pines on Hampstead Heath

1842

unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"

unknown artist

Sketch for the Oil Painting "The Conversion of St. Paul"

undated