"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
902
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
903
Print made by William John Cooke, 1797–1865
Worcester
undated
904
John Greig, active 1803–1853
Godalming, Surrey
1820
905
Adelaide Claxton, 1858–1905
A Christmas Congregation
undated
906
William Woollett, 1735–1785
The Haymakers
ca. 1800
907
Gwen John, 1876–1939
Girls in a Church
ca. 1920
908
unknown artist
Miserable Sinners
undated
909
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Gothic Church Altar and Organ
undated
910
Rev. William Warren Porter, 1776–1804
Oxon
undated
911
Rev. William Warren Porter, 1776–1804
Pangbourne, Berkshire
undated
912
Rev. William Warren Porter, 1776–1804
Christ Church Cathedral, Oxford
undated
913
Rev. William Warren Porter, 1776–1804
Saint John's, Oxford
undated
914
Print made by Sir Francis Seymour Haden, 1818–1910
Twickenham Church
1865
915
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
916
Print made by Thomas Bowles III, ca. 1712–1767
A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol
undated
917
George Buchanan Wollaston, Active 1879–1886
London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882
1881
918
Print made by Thomas Bowles III, ca. 1712–1767
The Inside of St. Paul's Church in Rome built by Constantine the Great..
919
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
920
Gwen John, 1876–1939
Kneeling figures in Church
undated
921
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
922
unknown artist
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
923
Print made by Thomas Bowles III, ca. 1712–1767
The Inside of the Pantheon at Rome
924
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V
925
Print made by Thomas Bowles III, ca. 1712–1767
The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
undated
926
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
927
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
928
John Harris, 1811–1865
The Cathedral Church of Worcester
undated
929
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
930
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
931
Richard Bernard Godfrey, 1728–op.1794
Edgar's Tower, Worcester
1786
932
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
933
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
934
Capt. Francis Grose, 1731–1791
Chapel of St. Michael's Mount
1786
935
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
936
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
937
Print made by Robert Brandard, 1805–1862
Beaugency
1833
938
Print made by John Cousen, 1804–1880
Harfleur
1834
939
Print made by James Baylis Allen, 1803–1876
Caudebec
1833
940
unknown artist
The Prospect of ye Town of Perth
941
Thomas Girtin, 1775–1802
St. Bride's, Fleet Street, London
ca. 1801
942
David Roberts, 1796–1864
The Duomo at Brescia, Interior
1851
943
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
944
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
945
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
946
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
947
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
948
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
949
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
950
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
951
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
952
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
953
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
954
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
955
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
956
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
957
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
958
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
959
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
960
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
961
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
962
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
963
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
964
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
965
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
966
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
967
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
968
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
969
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
between 1546 and 1590
970
Frederick Landseer Maur Griggs, 1876–1938
The Church by the River
1912
971
Thomas Rowlandson, 1756–1827
The Elopement
1792
972
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
973
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
974
James Moore, 1762–1799
Salisbury Cathedral
1791
975
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
976
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
977
James McNeill Whistler, 1834–1903
Battersea Reach
1863
978
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
979
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
980
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
981
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
982
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
983
Robert MacPherson, 1814–1872
Palace, Church, and Baptistery of the Lateran
ca. 1860
984
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
985
Print made by unknown artist
Part of Westminster
ca. 1850
986
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
987
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
988
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
989
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
990
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
991
Print made by unknown artist
Part of the Front of the Vestibule
1843
992
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
993
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
994
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
995
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
996
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
997
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
998
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
999
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons