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Collection Prints and Drawings

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1. Hearing

Hearing
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1753
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 10 11/16 inches (37.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Bird Cage
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 10 11/16 inches (40 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Woman Sewing
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 10 7/8 inches (36.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Happy Cottagers
Creator:
Joseph Grozer, ca. 1755–1798
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Benevolent Heir or The Tenant Restored to his Family
Creator:
Haveill Gillbank, 18th–19th centuries
Date:
1803
Materials & Techniques:
Engraving, mixed method
Dimensions:
Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Disaster
Creator:
Print made by William Ward, 1766–1826
Date:
1789
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 × 17 3/8 inches (58.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 9/16 x 15 9/16 inches (52.2 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund