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Robert Polhill Bevan Over the Bank, Exmoor

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Robert Polhill Bevan The Flying Pack

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

1898-1899

Robert Polhill Bevan Found!

Print made by Robert Polhill Bevan, 1865–1925

Found!

1898-1899

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Edward Lear Calder Bridge

Edward Lear, 1812–1888

Calder Bridge

1836

Edward Lear A Ruined Tower House

Edward Lear, 1812–1888

A Ruined Tower House

1836

Edward Lear Derwentwater, September 1836

Edward Lear, 1812–1888

Derwentwater, September 1836

1836

Edward Lear Bassenthwaite

Edward Lear, 1812–1888

Bassenthwaite

1836

Edward Lear North Stoke. Oct. 21.1834.

Edward Lear, 1812–1888

North Stoke. Oct. 21.1834

1834

Edward Lear Furness Abbey East, 29 August 1836

Edward Lear, 1812–1888

Furness Abbey East, 29 August 1836

1836

Edward Lear Calder Abbey, September 12. 1836

Edward Lear, 1812–1888

Calder Abbey, September 12. 1836

1836

Edward Lear Burpham Oct.4.1834

Edward Lear, 1812–1888

Burpham Oct.4.1834

1834

Edward Lear Brothers Water from Patterdale

Edward Lear, 1812–1888

Brothers Water from Patterdale

1836

Edward Lear Ullswater

Edward Lear, 1812–1888

Ullswater

1836

Edward Lear Nice from the Genoa Road

Edward Lear, 1812–1888

Nice from the Genoa Road

1865

Edward Lear Harb. Gozo

Edward Lear, 1812–1888

Harb. Gozo

1866

Edward Lear Mqabba, Qrendi

Edward Lear, 1812–1888

Mqabba, Qrendi

1866

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear Kurayim

Edward Lear, 1812–1888

Kurayim

1867

Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

1867

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta

1867

Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Edward Lear, 1812–1888

Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

1867

Edward Lear Albenga

Edward Lear, 1812–1888

Albenga

1864

Edward Lear Wady Feiran, Peninsula of Mt. Sinai

Edward Lear, 1812–1888

Wady Feiran, Peninsula of Mt. Sinai

ca. 1880

Edward Lear A View of the Pine Woods Above Cannes

Edward Lear, 1812–1888

A View of the Pine Woods Above Cannes

1869

Edward Lear A Dry Halfeh Grass

Edward Lear, 1812–1888

A Dry Halfeh Grass

1867

Edward Lear Corpo di Cava, 28 June 1838

Edward Lear, 1812–1888

Corpo di Cava, 28 June 1838

1838

Edward Lear La Cava, 20 July 1838

Edward Lear, 1812–1888

La Cava, 20 July 1838

1838

Edward Lear Corfu

Edward Lear, 1812–1888

Corfu

ca. 1856

Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857

Edward Lear, 1812–1888

On the Road, Two Hours from Tepelene, 19 April 1857

1857

Edward Lear Gozo, near Malta

Edward Lear, 1812–1888

Gozo, near Malta

1866

Edward Lear Albania

Edward Lear, 1812–1888

Albania

between 1848 and 1849

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

between 1797 and 1798

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire

Thomas Hearne, 1744–1817

The Trees and River in the Park at Coleorton Hall, Leicestershire

undated

John Linnell Terraced Cottages with Fallen Trees

imitator of John Linnell, 1792–1882

Terraced Cottages with Fallen Trees

undated

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817

The Poor House, Hadley, Hertfordshire

1802

Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent

Thomas Hearne, 1744–1817

Gundulf's Tower, Rochester Cathedral, Kent

undated

Thomas Hearne The Ruins of the College of Lincluden, near Dumfries

Thomas Hearne, 1744–1817

The Ruins of the College of Lincluden, near Dumfries

ca. 1806

Thomas Hearne Trees in Ashtead Park, Surrey

Thomas Hearne, 1744–1817

Trees in Ashtead Park, Surrey

undated

Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries

Thomas Hearne, 1744–1817

The Ruins of the College of Lincluden, Near Dumfries

ca. 1778

William Henry Hunt Aldenham Church

William Henry Hunt, 1790–1864

Aldenham Church

ca. 1817

Gerhard Bockman The Guitar Player

Print made by Gerhard Bockman, 1686–1773

The Guitar Player

undated

John Dean Moses in the Bulrushes [Reclining Child]

John Dean, 1754–1798

Moses in the Bulrushes [Reclining Child]

1786

William Marlow Nîmes from the Tour Magne

William Marlow, 1740–1813

Nîmes from the Tour Magne

ca. 1765

Alexander Monro Boxhill from West Humble Lane

Alexander Monro, 1802–1844

Boxhill from West Humble Lane

undated

George Morland Landscape with Cottage and Figures on Horseback

George Morland, 1763–1804

Landscape with Cottage and Figures on Horseback

1793

Henry Morton St. Thomas' Church, Winchelsea

Henry Morton, ca. 1807–1825

St. Thomas' Church, Winchelsea

undated

Charles Tomkins Reading Gate-Way

Charles Tomkins, 1757–1823

Reading Gate-Way

undated

Cornelius Varley Study of Boats with Horses and Carts

Cornelius Varley, 1781–1873

Study of Boats with Horses and Carts

undated

William Pars Temple of Venus and Rome from the Colosseum

William Pars, 1742–1782

Temple of Venus and Rome from the Colosseum

1781

unknown artist Roundway Park, Wiltshire: Exterior View

unknown artist

Roundway Park, Wiltshire: Exterior View

ca. 1840

Cornelius Varley Hartwell, Buckinghamshire

Cornelius Varley, 1781–1873

Hartwell, Buckinghamshire

1833

George Barret Tree Study with Stags (Landscape)

George Barret, ca. 1728/32–1784

Tree Study with Stags (Landscape)

undated

Bradshaw & Blacklock The Crimean War

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Thomas Bewick The Cadger's Trot (first State)

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Bradshaw & Blacklock Cathedrals in England

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Bradshaw & Blacklock Chepstow Castle

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850