A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
303
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
304
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
305
Print made by Sir Henry Rushbury, 1889–1968
Porto Maggiori, Orvieto
1925
306
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
307
John Boydell, 1720–1804
North East View of Wrexham, Church in the County of Denbigh
1748
308
Print made by James Tibbits Willmore, 1800–1863
The Lanterne of St. Cloud
1835
309
William Nutter, 1754–1802
The Benevolent Cottager
1788
310
Print made by William Ward, 1766–1826
The Disaster
1789
311
Print made by John Smith, the mezzotinter, 1652–1743
Diana and Acteon
1705
312
James Watson, 1740–1790
Sir Richard Pearson
1780
313
Rev. William Gilpin, 1724–1804
Landscape with Castle and River
between 1762 and 1783
314
Print made by Johann Jacobus Haid, 1704–1767
La galante fille
undated
315
Sir Max Beerbohm, 1872–1956
Design for Costume of Macduff
1919
316
Print made by John Raphael Smith, 1752–1812
Love in Her Eyes Sits Playing
1778
317
Dominic Serres, 1722–1793
Barges Heading out to Sea
1782
318
William Anderson, 1757–1837
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
319
Thomas Rowlandson, 1756–1827
Riding and Driving Mishaps
undated
320
Thomas Rowlandson, 1756–1827
Britannia's Protection, or Loyalty Triumphant
undated
321
Print made by William Dent, active 1784–1793
Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty
1792
322
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
323
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
324
George Hunt, active 1820–1840
The Toast
1824
325
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
326
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
327
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
328
Joseph Josiah Dodd, 1809–1894
View of Tonbridge During the Late Election
after 1832
329
James McNeill Whistler, 1834–1903
The Storm
1861
330
Print made by Robert Wallis, 1794–1878
On the Thames
1875
331
Print made by Sir Frank Short, 1857–1945
Dawn
1912
332
Sir Francis Seymour Haden, 1818–1910
Ô Laborum
1865-1866
333
Print made by Joseph Wood, 1720–1763 or 1764
The Hermit
1744
334
Louisa Augusta Greville, 1743–active 1762
Five People Praying
1760
335
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
336
Isaac Cruikshank, 1764–1811
Getting the Length of the Duchess's Foot
1791
337
Samuel William Reynolds, 1773–1835
Garrick, In the Character of Abel Drugger
1825
338
Isaac Cruikshank, 1764–1811
Hell in an Uproar: or an Express from the Committee
ca. 1790
339
unknown artist
A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick
340
Print made by Isaac Cruikshank, 1764–1811
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
1793
341
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
342
Isaac Cruikshank, 1764–1811
Buonaparte at Rome Giving Audience in State
1797
343
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
344
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
345
James Bretherton, ca. 1730–1806
Henry VI
346
James Gillray, 1756–1815
The Lover's Dream
1795
347
Isaac Cruikshank, 1764–1811
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats
1793
348
Attributed to Isaac Cruikshank, 1764–1811
Saint Catharine and St. George
1791
349
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
350
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
351
Giovanni Piranesi, 1720–1778
Giardino Colonna nel clivo del Quirinale
undated
352
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
353
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
354
Thomas Daniell, 1749–1840
Architectural Study
undated
355
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
356
Thomas Rowlandson, 1756–1827
A Group of Trees
undated
357
Thomas Rowlandson, 1756–1827
A High Waterfall
undated
358
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
359
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
360
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
361
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
362
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
363
Possibly John West Giles, active 1827–1865
Man Leading a Horse in Front of a Stable
1827
364
unknown artist
Design after a Greek Vase
undated
365
John Buckler FSA, 1770–1851
North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
1823
366
John Buckler FSA, 1770–1851
South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr
1810
367
John Buckler FSA, 1770–1851
South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton
1811
368
John Buckler FSA, 1770–1851
North view of Longford Castle, lately erected
1811
369
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
370
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
371
Robert Havell, 1769–1832
A pair: 1. The Reading Coaches
1818
372
J. Miller, active 1769–1825
Racing: "Atlas" the Property of his Grace th Duke of Devonshire
1761
373
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
374
unknown artist
A View of the Orangerie in Lord Burlington's Garden at Chiswick
375
Robert Havell, 1769–1832
Coaching: The Reading Coaches
1824
376
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
377
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
378
Sawrey Gilpin, 1733–1807
Horses Going Up For the Start of a Race
undated
379
James Pollard, 1792–1867
Partridge Shooting
undated
380
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
381
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
382
Thomas Daniell, 1749–1840
Near Ryacotta
undated
383
Samuel Howitt, 1756–1822
Return From the Chase, After a Fall
undated
384
unknown artist
Design after a Greek Vase
undated
385
Gerald Spencer Pryse, 1882–1956
The Kimono
1912
386
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
387
James Pollard, 1792–1867
Grouse Shooting
undated
388
Thomas Daniell, 1749–1840
Raji Pollum near Herlpetton
1792
389
unknown artist
The State Caterpillar
1795
390
John Doyle ('H.B.'), 1797–1868
The "Dilly" Looking Up
1840
391
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
392
unknown artist
A Batch of Peers
1792
393
Richard Newton, 1777–1798
Meditations on a Jordan
1791
394
Charles Ansell, ca.1752–active 1790
Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc
1797
395
Valentine Green, 1739–1813
Valentine Green
1788
396
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
397
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
398
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
399
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
400
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens