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Collection Prints and Drawings
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1
- Woman in an Armchair
- ca. 1921
2
- The Vine
- 1852
3
- The Willow
- 1850
4
- The Timber Wain
- between 1833 and 1834
5
- Streets of the Tombs, Pompeii
- undated
6
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
7
- The Channel Sketchbook
- ca. 1845
8
- The Angler
- 1794
9
- Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
- 1867
10
- Gebelein
- 1854
11
- El Kab
- 1854
12
- Dhoura Island
- 1854
13
- El Ousta
- 1854
14
- Abu Seer
- 1867
15
- Abu Seer
- 1867
16
- Negadeh
- 1867
17
- Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
- 1867
18
- Salahiyeh
- 1867
19
- El Areesh
- 1867
20
- Pettenasco, Lago d'Orta
- 1867
21
- Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
- 1867
22
- Gebel Sheikh Eredi, before sunrise
- 1867
23
- Belbeis
- 1867
24
- Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
- 1867
25
- Thebes
- 1854
26
- Greek Woodcutter, June 13 /56
- 1856
27
- Dendera
- 1867
28
- Figure Composition Study 17
- undated
29
- Figure Composition Study 13
- undated
30
- Execution of Mary Stuart
- undated
31
- Richard Cumberland Frontispiece
- undated
32
- Head of a Woman
- undated
33
- Aerial Group: The Tempest
- undated
34
- Seated Woman
- undated
35
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
36
- Old Age
- undated
37
- Seated and Half-Kneeling Woman
- undated
38
- Seated Woman: Three Poses
- undated
39
- Seated Woman: Three Studies
- undated
40
- Studies for Portraits of a Man and of a Woman
- undated
41
- Seated Woman, Two Studies
- undated
42
- Seated Woman
- undated
43
- Seated Woman: Three Poses
- undated
44
- Seated Man and Seated Woman
- undated
45
- Seated and Standing Figures
- undated
46
- Women Dancing
- undated
47
- Prison Scene
- undated
48
- Prison Scene
- undated
49
- Howard Visiting a Prison
- undated
50
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
51
- Two Figures: Probably for the Bath of Diana
- undated
52
- Prison Scene
- undated
53
- Cloaked Figure Leaping
- undated
54
- Loosely Described Figures
- undated
55
- Two Sketches of a Half-Kneeling Figure
- undated
56
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
57
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
58
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
59
- Thomas Hayley, the Disciple of John Flaxman, from a Medallion
- 1800
60
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
61
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
62
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
63
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
64
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
65
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
66
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
67
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
68
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
69
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
70
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
71
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
72
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
73
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
74
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
75
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
76
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
77
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
78
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
79
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
80
- "To the Jews..." (Plate 27)
- 1804 to 1820
81
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
82
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
83
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
84
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
85
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
86
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
87
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
88
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
89
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
90
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
91
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
92
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
93
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
94
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
95
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
96
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
97
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
98
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
99
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
100
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820