Collection: Prints and Drawings / Height [cm]: 40 - YCBA Collections Search Search Results

1. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Self-portrait

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Etching and engraving on laid paper
Dimensions:: Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

13. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

16. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Glade in a Forest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 21 1/2 inches (40.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

51. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

52. Rustic Benevolence

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1804
Materials & Techniques:: Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Joannis Darius

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

54. King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

Creator:: Peter Simon, 1750–1810
Date:: 1795
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 7/8in. (40 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

55. The Windsor Astronomers, making Observations and Calculations Respecting the Conjunction of the English and Russian Comets

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 5/8 x 13 1/8in. (39.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The North Porch, Harfleur

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 7 1/4 inches (40 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

58. The Canongate Tollbooth

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Sheet: 15 7/8 × 7 inches (40.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Farm-Yard

Creator:: Print made by William Nutter, 1754–1802
Date:: 1790
Materials & Techniques:: Stipple, printed in colors
Dimensions:: Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Ale-House Door, "Come my Dear! I'll pledge you!"

Creator:: William Nutter, 1754–1802
Date:: 1790
Materials & Techniques:: Stipple, printed in colors
Dimensions:: Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Garden Door

Creator:: Print made by Francis Dodd, 1874–1949
Date:: 1909
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 11/16 x 10 3/8 inches (39.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

62. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

63. Pottery, Rouen

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1919
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 8 5/8 × 4 3/4 inches (21.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Ingraham, Yale BA 1910, in memory of Carl A. Lohmann, Yale BA 1910, transfer from the Yale University Art Gallery

64. The Source

Creator:: William Evan Charles Morgan, 1903–1979
Date:: 1927
Materials & Techniques:: Engraving on laid paper
Dimensions:: Sheet: 15 5/8 x 9 1/2in. (39.7 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle

65. The Duchess's First Levee

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 3/4 x 23in. (40 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer

Creator:: John Dixon, ca. 1740–1811
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 10 7/8 inches (39.5 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Mr. Garrick in "The Farmer's Return"

Creator:: Johann Jacobus Haid, 1704–1767
Date:: 1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 19 7/8 inches (43.2 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

Creator:: R. F. Tringham
Date:: ca.1762
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Inside of a Smelting House at Broseley, Shopshire

Creator:: Wilson Lowry, 1762–1824
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 22in. (40.3 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A View of the Mouth of a Coal Pit near Broseley in Shropshire

Creator:: Francis Chesham, 1749–1806
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of the Iron Bridge, in Coalbrook Dale, Shropshire

Creator:: Francis Chesham, 1749–1806
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of the Iron Bridge

Creator:: James Fittler, 1758–1835
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Image: 13 7/8 x 20 5/8in. (35.2 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cool Arguments!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 15 9/16 x 11 5/8in. (39.5 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Napoleon's Logemont, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of Hopping Mill, Ware

Creator:: Francois Vivares, 1709–1780
Date:: 1745
Materials & Techniques:: Colored engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 21 3/4 inches (39.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Matlock High-Torr

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand-colored engraving and etching
Dimensions:: Sheet: 15 5/8 x 22 3/8in. (39.7 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Errand Boy

Creator:: Abraham Raimbach, 1784–1868
Date:: 1825
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 22 3/8 × 30 inches (56.8 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Cut Finger

Creator:: Abraham Raimbach, 1784–1868
Date:: 1819
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Lodge Gate

Creator:: Lionel Edwards, 1878–1966
Date:: 1922
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 7/8 x 9 13/16in. (35.2 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. David Cox

Creator:: Print made by Samuel Bellin, 1799–1894
Date:: undated
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Untitled

Creator:: Albert Louden, born 1942
Date:: undated
Materials & Techniques:: Pastel on moderately thick, slightly textured, white modern laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Friedman, Yale BA 1975, JD 1978

90. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Afrikaner Men Walking Outside Dutch Reformed Church for Nagmaal (Holy Communion), Bronkhorstspruit, South Africa

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1947, printed 1993
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Reflection on the Chesapeake, 1981

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. A Memorial, Virginia, 1993

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1992
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Jesus Annointed by Mary at Bethany

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

96. The Journey to Emmaus

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

97. Ndebele Mother and Child

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1947, printed 1993
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Young Swazi Man with Hair Comb, Nhlangano, Swaziland

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1947, printed 1993
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Ndebele Mother and Child

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1947, printed 1993
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Child Writing on Tablet outside of Schoolhouse, Kalahari Desert, Botswana

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1947, printed 1989
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Collection Prints and Drawings

Height [cm] 40

Search Results

1. Cornfield and Church by Moonlight

2. A Shepherd and his Flock under the Moon and Stars

3. Study of Waves

4. Tiger Body, Lateral View

5. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

6. Tiger Body, Lateral View (Probably made as the basis for a key figure)

7. Tiger Skeleton, Lateral View (Finished Study for Table IV)

8. Tiger Skeleton, Lateral View

9. Tiger Body, Lateral View

10. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

11. Tiger Body, Lateral View

12. Self-portrait

13. An Election Entertainment, Plate I

14. Chairing the Members, Plate IV

15. The Bruiser

16. Hogarth Painting the Comic Muse

17. Siracusa, 12. June 1847

18. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

19. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

20. 'Is lost in love! thou great Philanthropist' (Page 87)

21. 'When faith is virtue, reason makes it so' (Page 92)

22. 'We censure nature for a span too short' (Page 23)

23. 'Behold him, when past by; what then is seen' (Page 25)

24. 'Like that, the dial speaks; and points to thee' (Page 33)

25. 'And vapid; sense and reason shew the door' (Page 72)

26. 'The Sun beheld it – No, the shocking scene' (Page 75)

27. 'Is lost in love! thou great Philanthropist' (Page 87)

28. 'When faith is virtue, reason makes it so' (Page 92)

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

30. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

31. 'That touch, with charm celestial heals the soul' (Page 90)

32. 'The goddess bursts in thunder and in flame' (Page 95)

33. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

34. 'What, though my soul fantastick measures trod' (Page 4)

35. Night the Second. On Time, Death and Friendship; Title Page

36. Night the First. On Life, Death and Immortality; Title Page

37. 'Its favours here are trials, not rewards' (Page 12)

38. 'Time, in advance, behind him hides his wings' (Page 24)

39. 'Swift on his downy pinion flies from woe' (Page 1)

40. 'That touch, with charm celestial heals the soul' (Page 90)

41. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

42. 'Measuring his motions by revolving spheres' (Page 26)

43. 'What, though my soul fantastick measures trod' (Page 4)

44. The Christian Triumph; Title Page

45. 'The Sun beheld it – No, the shocking scene' (Page 75)

46. 'But for the blessing wrestle not with heaven' (Page 88)

47. 'If angels tremble, 'tis at such a sight' (Page 93)

48. 'The goddess bursts in thunder and in flame' (Page 95)

49. 'Its favours here are trials, not rewards' (Page 12)

50. Glade in a Forest

51. River God

52. Rustic Benevolence

53. Joannis Darius

54. King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

55. The Windsor Astronomers, making Observations and Calculations Respecting the Conjunction of the English and Russian Comets

56. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

57. The North Porch, Harfleur

58. The Canongate Tollbooth

59. The Farm-Yard

60. The Ale-House Door, "Come my Dear! I'll pledge you!"

61. The Garden Door

62. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

63. Pottery, Rouen

64. The Source

65. The Duchess's First Levee

66. The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer

67. Mr. Garrick in "The Farmer's Return"

68. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

69. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

70. The Inside of a Smelting House at Broseley, Shopshire

71. A View of the Mouth of a Coal Pit near Broseley in Shropshire

72. A View of the Iron Bridge, in Coalbrook Dale, Shropshire

73. A View of the Iron Bridge

74. Cool Arguments!!!