Collection: Prints and Drawings / Height [cm]: 15 / Subject Terms: women

1. Opposite Beni Hassan

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Title Page, The Book of Thel (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "The Ox in the slaughter house moans..." (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "They call'd her Pity, and fled..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Classical Study with Numerous Nude Figures

Creator:: Isaac Oliver, ca. 1565–1617
Date:: undated
Materials & Techniques:: Blue wash and graphite with pen and blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/8 × 5 11/16 inches (7.9 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Hop Kiln

Creator:: George Morland, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly texture, beige wove paper
Dimensions:: Sheet: 6 1/16 × 8 1/16 inches (15.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Title page for "The Guardian"

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 4 1/2 inches (15.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Two Figures with a Skull

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 6 3/8 inches (14.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Lucan House

Creator:: John James Barralet, 1747–1815
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Christening in Chevening Church, Kent

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. On the River Tivy, near Cardigan, Wales

Creator:: William Payne, active 1850s
Date:: 1826
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 1/2 inches (14.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Britannia Allegory

Creator:: Charles Grignion, 1717–1810
Date:: between 1743 and 1747
Materials & Techniques:: Etching and line engraving; verso: letterpress on medium, slightly textured, cream laid paper (page in book)
Dimensions:: Sheet: 6 1/4 x 6 1/16 inches (15.8 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

24. Messrs. Morgan & Sanders, Catherine St., Strand

Creator:: Print made by unknown artist
Date:: 1809
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Venetian Fountain [North Italian Set: No. 7]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Returning from the Spring. Virginia.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

29. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Creator:: Possibly Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

32. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

33. Welsh Fisherwomen

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Greenwich Hospital

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Gray ink with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 5/8 inches (15.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sketches of Peasants and Work-Horses

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Judgment of Paris

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: 1771
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/16 × 8 3/8 inches (18.2 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Diavoli Pescatori

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Charon's Boat

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Two Women

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on medium, smooth, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 5 inches (11.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

40. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Entrance to Lincoln Cathedral

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1837
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Paysanne d'Ukraine; Juive

Creator:: Print made by Gabriel Charton, active 1810
Date:: ca. 1810
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 15 1/4 inches (26 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. George Fox Talks to the People About Dreams

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 x 14 3/8 inches (28.1 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

44. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Audacity of Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

47. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

48. Jack Sheppard Committing the Robbery in Willesden Church

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

49. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 inches (19.1 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 9 5/8 inches (21 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Gypsies Cooking on an Open Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 x 4 13/16 inches (15.4 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Limbourg, Belgium

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1791 and 1792
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Scene outside the Half-Moon Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Punch and Judy Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Four Women at a Well in Rome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. At Rome

Creator:: Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. At the City of Albano

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.3 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Creator:: Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Sketch of Heads

Creator:: James McNeill Whistler, 1834–1903
Date:: 1873
Materials & Techniques:: Drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 3/4 x 12 7/8 inches (24.8 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

63. A Cavalry Barracks

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Arrival of a Company of Militia at an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray and pen and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 5/8 inches (14.9 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Jealousy, Rage, Disappointment...

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Preacher

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800 to 1810
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

68. Anti-Vietnam War Rally, Trafalgar Square

Creator:: Lewis Morley, 1925–2013
Date:: late 1960s
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

69. Titania, from A Midsummer's Night Dream

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. London Underground, Richmond District Line

Creator:: Lewis Morley, 1925–2013
Date:: late 1959
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

71. Lonely Hearts Club

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

72. Woman Standing

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/2 inches (15.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

73. Back View of a Woman with Child Looking Over Her Shoulder

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 3 3/8 inches (15.2 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Family Portraits

Creator:: Richard Dadd, 1817–1886
Date:: 1838
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/4 x 8 1/4 inches (14.6 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A High Caste Woman Standing by a Wall

Creator:: William Daniell, 1769–1837
Date:: ca. 1829
Materials & Techniques:: Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Three Women

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 6 1/4 inches (14.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

77. Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 13/16 × 7 1/2 inches (14.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Height [cm] 15

Subject Terms women

Search Results

1. Opposite Beni Hassan

2. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

3. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

4. Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

5. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

6. Title Page, The Book of Thel (Plate 2)

7. III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

8. "The Ox in the slaughter house moans..." (Plate 26)

9. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

10. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

11. "They call'd her Pity, and fled..." (Plate 19)

12. The Widow Embracing Her Husband's Grave

13. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

14. Classical Study with Numerous Nude Figures

15. A Hop Kiln

16. Title page for "The Guardian"

17. Two Figures with a Skull

18. View of Lucan House

19. Turin, from the Portico of the Superga Church

20. A Christening in Chevening Church, Kent

21. Diana and Actaeon: A Study for a Panel on a Staircase

22. On the River Tivy, near Cardigan, Wales

23. Britannia Allegory

24. Messrs. Morgan & Sanders, Catherine St., Strand

25. A Venetian Fountain [North Italian Set: No. 7]

26. Angry Scene in a Street

27. Returning from the Spring. Virginia.

28. Glasgow Exhibition: Ireland and Russia

29. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

30. A Crowded Race Meeting

31. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

32. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

33. Welsh Fisherwomen

34. Greenwich Hospital

35. Sketches of Peasants and Work-Horses

36. The Judgment of Paris

37. Diavoli Pescatori

38. Charon's Boat

39. Two Women

40. The Stone Bow, Lincoln

41. Entrance to Lincoln Cathedral

42. Paysanne d'Ukraine; Juive

43. George Fox Talks to the People About Dreams

44. Viewing at the Royal Academy

45. Picking Mulberries

46. Audacity of Jack Sheppard

47. Jack Sheppard Accuses Thames Darrell of the Theft

48. Jack Sheppard Committing the Robbery in Willesden Church

49. Ticket to a Concert of Ancient Vocal and Instrumental Music

50. Ticket to a Concert of Ancient Vocal and Instrumental Music

51. Ticket to Concert of Ancient Vocal and Instrumental Music

52. Gypsies Cooking on an Open Fire

53. Limbourg, Belgium

54. Soldiers in St. James Park

55. Scene outside the Half-Moon Inn

56. A Punch and Judy Show

57. Four Women at a Well in Rome

58. At Rome

59. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

60. At the City of Albano

61. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

62. Sketch of Heads

63. A Cavalry Barracks

64. The Arrival of a Company of Militia at an Inn

65. Jealousy, Rage, Disappointment...

66. The Preacher

67. Ireland and Russia

68. Anti-Vietnam War Rally, Trafalgar Square

69. Titania, from A Midsummer's Night Dream

70. London Underground, Richmond District Line

71. Lonely Hearts Club

72. Woman Standing

73. Back View of a Woman with Child Looking Over Her Shoulder