After Pinnelli - Group of Peasants Outside a Church
1817
3802
William Evans of Eton, 1798–1877
A Rustic Bridge over the Thames, Anglers on the River Bank
1845
3803
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
3804
Isaac Weld, 1774–1856
Russian Driver and Pays de Vaud
ca. 1818
3805
Isaac Weld, 1774–1856
Costume at Procida-Naples
1818
3806
Isaac Weld, 1774–1856
An Execution, Rome
1819
3807
Isaac Weld, 1774–1856
Two Women in Colorful Costume
ca. 1816
3808
Anthony Vandyke Copley Fielding, 1787–1855
Marine Pier, Brighton - Sunset
undated
3809
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
3810
George Frost, 1745–1821
Corn Hill and Moot Hall, Ipswich
undated
3811
Thomas Girtin, 1775–1802
A Border Tower
undated
3812
John Glover, 1767–1849
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
3813
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
3814
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
3815
Bernard Lens II, 1659–1725
Windsor Castle from the North
undated
3816
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
3817
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
3818
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
3819
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
3820
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
3821
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
3822
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
3823
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
3824
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
3825
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
3826
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
3827
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
3828
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
3829
John Linnell, 1792–1882
A View of the Fens
undated
3830
John Middleton, 1826–1856
A Storm Damaged Windmill
undated
3831
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
3832
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
3833
Alexander Nasmyth, 1758–1840
A View of Edinburgh
undated
3834
Joseph Cartwright, c.1789–1829
Sixty-six Guns: Single Frigate
undated
3835
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
3836
Joseph Cartwright, c.1789–1829
Barquentine and Frigate in Heavy Seas
undated
3837
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
3838
Francis Nicholson, 1753–1844
London from Blackheath
undated
3839
Joseph Cartwright, c.1789–1829
Hotspur / Portsmouth
undated
3840
Joseph Cartwright, c.1789–1829
Revolutionaire Oct 7 1821
1821
3841
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
3842
W. S. Penson, 19th century
View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock
undated
3843
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
3844
Joseph Cartwright, c.1789–1829
Single Battleship, Stern Forward
undated
3845
Joseph Powell, 1780–1834
Fishing Smacks
undated
3846
Joseph Cartwright, c.1789–1829
Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
undated
3847
Joseph Cartwright, c.1789–1829
Junk Ship Employed Against Gibralter..Single Junk Ship
1782
3848
Joseph Cartwright, c.1789–1829
The Revolutionaire: Single Corvette
1820
3849
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
3850
Joseph Cartwright, c.1789–1829
Single Corvette. Bow Forward
undated
3851
George Pyne, 1800–1884
The Kitchen of an Oxford College
1858
3852
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
3853
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
3854
Robert Dighton, 1752–1814
Bachelor's Hall
undated
3855
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
3856
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
3857
Isaac Weld, 1774–1856
American Stage Wagon
undated
3858
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
3859
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures on Rock in Right Foreground
between 1795 and 1797
3860
Jack Butler Yeats, 1871–1957
The Red Pony
undated
3861
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
3862
Edward Duncan, 1803–1882
Sailing Barge at Sea
undated
3863
Isaac Weld, 1774–1856
Interior of the Great Temple at Paestum
1818
3864
Isaac Weld, 1774–1856
On the Tiber/ Castle of St. Angelo
1818
3865
Isaac Weld, 1774–1856
Under the Walls of Rome
1818
3866
Isaac Weld, 1774–1856
Caernarvon (Castle)
1809
3867
Thomas Sandby, 1721–1798
A View of Boxhill from Norbury Park, Surrey
ca. 1775
3868
William Evans of Bristol, 1809–1858
View of Kensington Palace from across the Round Pond
1832
3869
Paul Sandby Munn, 1773–1845
Waterfall and Distant Mountains
1814
3870
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
3871
Thomas Hearne, 1744–1817
The Tower of London
1801
3872
Keith Vaughan, 1912–1977
Study for Fishermen and Bathers
ca. 1951
3873
George Hollis, 1792–1842
Christ Church from the Meadows
undated
3874
John Hoppner, 1758–1810
Mrs. Skinner and Child
undated
3875
attributed to John Absolon, 1815–1895
Peasant Girls
undated
3876
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
3877
Julius Caesar Ibbetson, 1759–1817
Crossing the Line Ceremony on Board the Ship, "Vestal"
undated
3878
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
3879
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
3880
James Gwin, 1700–1769
Premiere Position du Salut
1763
3881
James Gwin, 1700–1769
Seconde Position du Salut
1763
3882
James Gwin, 1700–1769
Troisieme Position du Salut
1763
3883
John Laporte, 1761–1839
River Landscape with Cattle Watering
undated
3884
John Laporte, 1761–1839
A Country Church Amongst Hills
undated
3885
Bernard Lens III, 1682–1740
Shipping in an Estuary
undated
3886
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
3887
Bernard Lens III, 1682–1740
London: a View toward the City and St. Paul's from the North West
undated
3888
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
3889
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
3890
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
3891
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
3892
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
3893
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
3894
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
3895
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
3896
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
3897
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
3898
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
3899
William Payne, active 1850s
View of Plymouth taken from the Seven Trees, Exeter Road
undated
3900
W. S. Penson, 19th century
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office