Collection: Prints and Drawings / Work Type: watercolor / Height [cm]: 45

1. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 22 5/8 inches (41.9 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Male Portrait Head, after 1950

Creator:: Dame Elisabeth Frink, 1930–1993
Date:: 1950s
Materials & Techniques:: Watercolor, pen and black ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 5/8 × 13 5/8 inches (44.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. A Fish from the Red Sea

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 1/2 inches (45.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Bothwell Castle, from the South

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1777
Materials & Techniques:: Watercolor, gouache, and graphite on thin, slightly textured, cream wove paper mounted on panel
Dimensions:: Sheet: 17 1/2 x 24 7/8 inches (44.5 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. St. Agnes (after Domenichino)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Artist and his Family

Creator:: Adam Buck, 1759–1833
Date:: 1813
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Netley Abbey, the East Window

Creator:: John Samuel Hayward, 1778–1822
Date:: 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 × 11 3/8 inches (45.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Walenstadt, from Weesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lullingstone Castle

Creator:: unknown artist
Date:: ca. 1670
Materials & Techniques:: Pen and brown ink with brown and gray wash, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 31 7/8 inches (45.1 × 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Palace of the Deib Rajan at Tassisudon

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 1/8 × 30 1/4 inches (51.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Greenwich Hospital

Creator:: Richard Henry Nibbs, 1816–1893
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Landscape with Trees and Sheep (Park Landscape with Sheep)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Elevations of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Man of War Moored in Harbor, Mountains in the Background

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 × 27 1/16 inches (53.3 × 68.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Red Parrot

Creator:: Sarah Stone, ca. 1760–1844
Date:: 1786
Materials & Techniques:: Watercolor and gouache on card on very thick, slightly textured, beige card
Dimensions:: Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Pffeffen Bad/ Switzerland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 12 3/16 inches (45.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Rocky River Scene with Sepoys

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 1/4 × 29 3/8 inches (54 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. View in St. Helena

Creator:: Samuel Davis, 1760–1819
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/16 × 29 3/8 inches (53.5 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Dutch Fishing Vessels by a Quay

Creator:: Clarkson Stanfield, 1793–1867
Date:: undated
Materials & Techniques:: Watercolor over graphite with scrapping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 3/4 inches (44.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Former Winter Capital of Bhutan at Punakha Dzong

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Rocks in Derbyshire

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Pen and black ink, blue wash, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 18 3/4 inches (37.5 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of Rouen from the River

Creator:: Thomas Leeson Rowbotham, 1783–1853
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on thick, slightly textured cream wove paper
Dimensions:: Sheet: 17 1/2 × 19 1/4 inches (44.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

Creator:: William Townesend, 1676–1739
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 23 3/4 inches (45.1 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: 1850
Materials & Techniques:: Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Lowther House, Westmorland: Lower Ground Floor Plan

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 11 5/8 inches (45.1 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Creator:: Henry Holland, 1745–1806
Date:: between 1783 and 1796
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor, and graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 17 7/8 × 36 11/16 inches (45.4 × 93.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Machinery for the Manufacture of Paper

Creator:: John Farey Jr., 1791–1851
Date:: ca. 1810
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 13/16 × 39 3/4 inches (45.2 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. St. Donat's Castle, Glamorganshire

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:: Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Design for a Country House

Creator:: John Bounarotti Papworth, 1775–1847
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Hur Rangers Encamped at Colgong

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 26 9/16 inches (45.1 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Shipping Scene in the Harbor of Dunkerque

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 16 1/4 inches (53.8 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/16 x 14 15/16 inches (50.9 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Dragoman of Mr. Moore, English Consul at Beyrout

Creator:: Sir David Wilkie, 1785–1841
Date:: 1841
Materials & Techniques:: Graphite, black chalk and watercolor with gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 17 3/4 x 11 3/4 inches (45.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Spangled Cock

Creator:: Joseph Crawhall, 1861–1913
Date:: 1903
Materials & Techniques:: Watercolor heightened with gouache on linen mounted on panel
Dimensions:: Sheet: 17 11/16 x 23in. (44.9 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. An Unidentified Country House: Perspective

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/16 inches (45.1 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Near Hackney

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Landscape with Two Men and a Boat

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Frame: 17 1/2 × 21 1/2 × 3/4 inches (44.5 × 54.6 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

87. Watching the Lava, Bali

Creator:: Hilda May Gordon, 1874–1972
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Overall: 17 × 31 × 1 inches (43.2 × 78.7 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

88. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Entrance Gate, Friends College, Chengdu University

Creator:: Arnold Silcock, 1889–1953
Date:: 1928
Materials & Techniques:: Gouache and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 32 inches (44.5 × 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

92. Boats near a Dutch Folly Fort, Canton

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Sankrydroog, Madras

Creator:: William Daniell, 1769–1837
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 17 5/8 x 21 1/8 inches (44.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Perspective View of a Church

Creator:: unknown artist
Date:: ca. 1900
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

96. Two Men with Telescope Looking Across A River

Creator:: Samuel Davis, 1760–1819
Date:: 1777
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 5/8 × 23 1/16 inches (44.8 × 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Mountainous Scene with Buildings and River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 17 11/16 × 23 1/8 inches (44.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Coastal English Settlement Surrounded by Mountains

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mr. Croft's bungalow, Near Madras

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Annual Resort of Hindoos to Mundar Hill near Bhagulpore [Bhagalpur]

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 9/16 × 29 inches (49.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Work Type watercolor

Height [cm] 45

Search Results

1. 'Emblem of that which shall awake the dead' (Page 19)

2. 'Measuring his motions by revolving spheres' (Page 26)

3. 'Teaching, we learn; and giving, we retain' (Page 35)

4. 'One radiant mark, – the death-bed of the just' (Page 41)

5. 'As if the sun could envy, check'd his beam' (Page 49)

6. 'This King of Terrors is the Prince of Peace' (Page 63)

7. 'What, though my soul fantastick measures trod' (Page 4)

8. 'Till death, that mighty hunter, earths them all' (Page 70)

9. 'Death! great proprietor of all! 'tis thine' (Page 8)

10. Night the First. On Life, Death and Immortality; Title Page

11. 'Oft bursts my song beyond the bounds of life' (Page 16)

12. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

13. 'We censure nature for a span too short' (Page 23)

14. 'Time, in advance, behind him hides his wings' (Page 24)

15. 'Behold him, when past by; what then is seen' (Page 25)

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

17. 'Tis greatly wise to talk with our past hours' (Page 31)

18. 'Like that, the dial speaks; and points to thee' (Page 33)

19. 'Swift on his downy pinion flies from woe' (Page 1)

20. 'Love, and love only, is the loan for love' (Page 37)

21. 'Angels should paint it, angels ever there' (Page 40)

22. Night the Third. Narcissa; Title Page

23. 'The vale of death! that hush'd cimmerian vale' (Page 54)

24. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

26. The Christian Triumph; Title Page

27. 'His hand the good man fastens on the skies' (Page 86)

28. 'But for the blessing wrestle not with heaven' (Page 88)

29. 'Is lost in love! thou great Philanthropist' (Page 87)

30. 'That touch, with charm celestial heals the soul' (Page 90)

31. 'If angels tremble, 'tis at such a sight' (Page 93)

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

33. 'The present moment terminates our sight' (Page 13)

34. 'Its favours here are trials, not rewards' (Page 12)

35. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

37. 'The thunder, if in that the Almighty dwells' (Page 80)

38. 'When faith is virtue, reason makes it so' (Page 92)

39. 'The goddess bursts in thunder and in flame' (Page 95)

40. 'Disease invades the chastest temperence' (Page 10)

41. 'The longest night though longer far, would fail' (Page 15)

42. View at Valmontone. November 1790

43. Male Portrait Head, after 1950

44. A Fish from the Red Sea

45. Loch Coruisk, Isle of Skye, Dawn

46. Bothwell Castle, from the South

47. Design for a Church. Elevation of West Front

48. St. Agnes (after Domenichino)

49. The Artist and his Family

50. Study for the Proclamation of Don Carlos

51. Netley Abbey, the East Window

52. Walenstadt, from Weesen, Switzerland

53. Lullingstone Castle

54. The Palace of the Deib Rajan at Tassisudon

55. Greenwich Hospital

56. Landscape with Trees and Sheep (Park Landscape with Sheep)

57. Elevations of a Room

58. Man of War Moored in Harbor, Mountains in the Background

59. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

60. A Red Parrot

61. Pffeffen Bad/ Switzerland

62. Rocky River Scene with Sepoys

63. View in St. Helena

64. Dutch Fishing Vessels by a Quay

65. The Former Winter Capital of Bhutan at Punakha Dzong

66. Rocks in Derbyshire

67. A View of Rouen from the River

68. Queen's College, Oxford: Plan and Elevation of Hall and Chapel

69. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

70. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

71. Lowther House, Westmorland: Lower Ground Floor Plan

72. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

73. Machinery for the Manufacture of Paper