<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Work Type relief print

Remove constraint Work Type: relief print

Height [cm] 35

Remove constraint Height [cm]: 35

Search Results

Title Page, Visions of the Daughters of Albion (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And none but Bromian can hear my lamentations..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"But when the morn arose, her lamentation renewd..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sheet of Figure Studies after Brangwyn
Creator:
Print made by Yoshijiro Urushibara, Japanese, 1888–1953
Date:
1940
Materials & Techniques:
Woodcut on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 × 11 inches (34.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
Monks in a Garden
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1740
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 13 5/8 x 9 9/16in. (34.6 x 24.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Rift

Rift
Creator:
Peter Ford, born 1937
Date:
1995
Materials & Techniques:
Color printed collagraph with woodcut and carborundum on thick, slightly textured, white wove paper
Dimensions:
Frame: 13 3/4 × 13 1/2 × 1 3/8 inches (34.9 × 34.3 × 3.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky
No cover image available
Creator:
Ken Currie, born 1960
Date:
1989
Materials & Techniques:
Linocut on cream 225gsm Zerkall wove paper
Dimensions:
Spine: 17 inches (43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund