I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
3
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
4
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
5
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
6
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
7
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
8
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
9
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
10
Edward Lear, 1812–1888
Bassenthwaite
1836
11
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
12
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
13
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
14
Edward Lear, 1812–1888
Reggio
1847
15
Henry Monro, 1791–1814
A Wooded Track
1813
16
unknown artist
Design for a Greenhouse at Kew Gardens
undated
17
William Wyld, 1806–1889
View of Gibraltar
undated
18
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
19
Sir Walter Thomas Monnington, 1902–1976
Still Life with Fruit and Geraniums
undated
20
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
21
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
22
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
23
Thomas Hearne, 1744–1817
Cottage
undated
24
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
25
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
26
Wyndham Lewis, 1882–1957
Illustration to "Beyond This Limit"
undated
27
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
28
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
29
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
30
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
31
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
32
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
33
John Minton, 1917–1957
Landscape, Corsica
1947
34
unknown artist
Docks, September 6, 1777
1777
35
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
36
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
37
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
38
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
39
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
40
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
41
James Ward, 1769–1859
Study of Undergrowth
undated
42
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
43
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
44
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
45
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
46
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
47
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
48
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
49
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
50
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
51
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
52
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
53
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
54
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
55
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
56
Francis Barlow, 1622–1704
Hare Hunting
undated
57
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
58
Edward Burne-Jones, 1833–1898
Sketches of Myrtle and a Head Crowned with Myrtle
undated
59
William Cruickshank, 1836–1917
Plums and Apple
1864
60
Thomas Daniell, 1749–1840
Sketches
undated
61
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
62
unknown artist
Trerice Manor, Cornwall: View of the Front
undated
63
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
64
Thomas Rowlandson, 1756–1827
The Vinery
undated
65
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
66
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
67
John Ruskin, 1819–1900
Four Species of Grasses
undated
68
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
69
Joshua Cristall, 1768–1847
Isaac Willis
1816
70
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
71
Constance Pierce, born 1946
Sketchbook
1998
72
Joshua Cristall, 1768–1847
Young Woodcutter
1818
73
Edwin Alexander, 1870–1926
Woody Nightshade
1904
74
Thales Fielding, 1793–1837
Hop Picking
1832
75
George Edwards, 1694–1773
A Stone Curlew
ca. 1790
76
James Bruce, 1730–1794
Untitled
undated
77
Eliot Hodgkin, 1905–1987
Design for a Blind for Thomas Upcher, Sheringham Hall
ca. 1936
78
Eliot Hodgkin, 1905–1987
Sketchbook Study of Carved Stone, Pavement, and Wild Flowers