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Collection Prints and Drawings

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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Edward Lear Peppering. 20 October. 1834
Edward Lear, 1812–1888
Peppering. 20 October. 1834
1834
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Figure Composition Study 30
George Romney, 1734–1802
Figure Composition Study 30
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 39
George Romney, 1734–1802
Figure Composition Study 39
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Dancers and Musicians, Probably for "L'Allegro"
George Romney, 1734–1802
Dancers and Musicians, Probably for "L'Allegro"
undated
George Romney Possibly One Reclining Figure and One Dancing Figure
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Initiation of a Rustic Nymph
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
George Romney Hell
George Romney, 1734–1802
Hell
undated
George Romney Two studies for a male portrait
George Romney, 1734–1802
Two studies for a male portrait
undated
George Romney Slight Group of Figures
George Romney, 1734–1802
Slight Group of Figures
undated
George Romney Possibly "Descent of Odin" or "Bolingbroke and Apparition"
George Romney, 1734–1802
Possibly "Descent of Odin" or "Bolingbroke and Apparition"
undated
George Romney Execution of Mary Stuart
George Romney, 1734–1802
Execution of Mary Stuart
undated
George Romney Charity
George Romney, 1734–1802
Charity
undated
George Romney Reclining Figure and Seated Figure
George Romney, 1734–1802
Reclining Figure and Seated Figure
undated
George Romney Two Lovers
George Romney, 1734–1802
Two Lovers
undated
George Romney Sibyl
George Romney, 1734–1802
Sibyl
undated
George Romney Mother and Children
George Romney, 1734–1802
Mother and Children
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
Sir John Gilbert Wayfarers
Sir John Gilbert, 1817–1897
Wayfarers
undated
James Holland The Zattere, Sunset
James Holland, 1799–1870
The Zattere, Sunset
undated
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
John Hassell The Entrance to King John's Palace, Eltham, Kent
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
Charles Green The Visiting Card - Langham Sketching Club Subject
Charles Green, 1840–1898
The Visiting Card - Langham Sketching Club Subject
undated
Francis Hayman Standing Figure of a Lady
Francis Hayman, 1707/8–1776
Standing Figure of a Lady
undated
Sir George Hayter Stormy Sunset, Legh Park, Wiltshire
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
George Jones Interior of a Blacksmith's Forge
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
Isaac Oliver Classical Study with Numerous Nude Figures
Isaac Oliver, ca. 1565–1617
Classical Study with Numerous Nude Figures
undated
William Pars A Glade in a Wood
William Pars, 1742–1782
A Glade in a Wood
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
Francis Nicholson Cader Idris, North Wales
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
William Payne Distant View of Exmouth from Exeter
William Payne, active 1850s
Distant View of Exmouth from Exeter
undated
John Nixon On the Sands at Brighton: Figures Walking on the Shore
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
Ozias Humphry Study of the Artist's Mother Sewing
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
Frederick Mackenzie The West Door, Rochester Cathedral, Kent
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
George Pyne Design for Gameskeeper's Cottage
George Pyne, 1800–1884
Design for Gameskeeper's Cottage
undated
James McNeill Whistler Figures Outside a Doorway, possibly painted in Brittany
James McNeill Whistler, 1834–1903
Figures Outside a Doorway, possibly painted in Brittany
ca. 1893
Thomas Shotter Boys On the Seine
Thomas Shotter Boys, 1803–1874
On the Seine
1831
Florence Claxton Art Critics
Florence Claxton, active 1855–1889
Art Critics
undated
Florence Claxton Lady with Harp
Florence Claxton, active 1855–1889
Lady with Harp
undated
Spencer Frederick Gore Cave of the Golden Calf: Study of Two Frenzied Dancers
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
Sawrey Gilpin Sketch of Castle
Sawrey Gilpin, 1733–1807
Sketch of Castle
ca. 1760
Sawrey Gilpin A Horse Grazing
Sawrey Gilpin, 1733–1807
A Horse Grazing
1760
Sawrey Gilpin Two People: One Standing, One Seated on a Horse
Sawrey Gilpin, 1733–1807
Two People: One Standing, One Seated on a Horse
1760
Sawrey Gilpin Boats in a Rainstorm
Sawrey Gilpin, 1733–1807
Boats in a Rainstorm
undated
Sir Robert Smirke the younger Outside the Gate of S. Gallo, Florence
Sir Robert Smirke the younger, 1781–1867
Outside the Gate of S. Gallo, Florence
1802-1804
Sir Robert Smirke the younger Mountains in the Distance
Sir Robert Smirke the younger, 1781–1867
Mountains in the Distance
1802-1804
Sir Robert Smirke the younger View of the Site of Ancient. Agrigentum, From Agrigento
Sir Robert Smirke the younger, 1781–1867
View of the Site of Ancient. Agrigentum, From Agrigento
1802-1804
Sir Robert Smirke the younger Sketch of a Manor House
Sir Robert Smirke the younger, 1781–1867
Sketch of a Manor House
1802-1804
Sir Robert Smirke the younger Sketch of an Ornate Doorway, With Columns, and Sculpture
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
David Tremlett Drawing for Page 15 of "Rough Ride"
David Tremlett, born 1945
Drawing for Page 15 of "Rough Ride"
1985
David Tremlett Drawing for Page 18 of "Rough Ride"
David Tremlett, born 1945
Drawing for Page 18 of "Rough Ride"
1985
David Tremlett Drawing for Page 8 of "Rough Ride"
David Tremlett, born 1945
Drawing for Page 8 of "Rough Ride"
1985
David Tremlett Drawing for Page 11 of "Rough Ride" - Once Had a Donkey / Ride Up and Find It
David Tremlett, born 1945
Drawing for Page 11 of "Rough Ride" - Once Had a Donkey / Ride Up and Find It
1985
David Tremlett Drawing for Page 13 of "Rough Ride"
David Tremlett, born 1945
Drawing for Page 13 of "Rough Ride"
1985
David Tremlett Drawing for Page 14 of "Rough Ride"
David Tremlett, born 1945
Drawing for Page 14 of "Rough Ride"
1985
Henry Swinburne Stone Bridge
Henry Swinburne, 1743–1803
Stone Bridge
undated